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Posts Tagged ‘positivity’

Since I wrote my essay on ambiversion last summer, I’ve been thinking about the introvert-extrovert continuum a great deal. Perhaps even more so because that essay is by far the most popular one on this site and continues to draw in a fair amount of search traffic. This makes me think I’m not the only person who cares about such things.

What have I been thinking? I’ve been embracing my identity as an introvert, actually. I’ve spent most of my life unconsciously believing that being an introvert is a Bad Thing. Because, you know, those extroverts have all the fun. While I do believe that American culture contributes to this belief, I see no reason why I can’t be as nonconformist about this as I am about other widely held issues.

So here is my official announcement: Being an introvert is AWESOME! I get to have deep and interesting conversations with people, either one-on-one or in small groups. I get to do amazing creative projects that often require heaps of hours by myself, and it doesn’t bother me. I can be perfectly happy and content and charged without having to take the trouble to make sure I have social plans every single free moment of the day. I get to spend lots of time thinking, which means I get to analyze and learn and have plenty of “aha!” moments. And I tend to think more before I speak, which means I have a better chance of being able to support the people I care about (not to mention a better chance of avoiding saying the most stupid things that pop into my head).

Sure, being an introvert means I have to work harder at being assertive. But since I’m not down at the far end of the introversion spectrum, a lot of the more difficult aspects of it don’t bother me. Basically, I’m an introvert who can pass. (Perhaps this is the real definition of an ambivert: Someone who is not so extreme on the spectrum, so they are able to pass for the other if convenient.) This means that often I can enjoy the best of both worlds, and I’m not dodged by people’s perceptions of my introversion.

What I have realized is that being an introvert and lacking social skills are not the same thing. Imagine my surprise at this discovery! Someone can be an introvert and still have excellent social skills (or successfully develop them). Or someone can be an extrovert who has zero social skills. While there may be a certain amount of correlation between extroverts and social ability, it certainly doesn’t seem to exclude these other possibilities.

This became even clearer to me when I took another personality test based on colors (here is a version of it if you love taking personality tests as much as I do). My highest color is blue, which is the social helper type. Yes, I’m a self-esteem builder who gets the most satisfaction from work that allows me help and inspire others and make a difference in their lives. No surprise that I’ve spent most of my adult life being a teacher and writer. It even fits in with this blog of mine, doesn’t it? And yet I’m also an introvert. These two parts of myself are not in conflict. In fact, I believe that being an introvert actually assists me to better understand and inspire others. How’s that for some positive framing?

Here’s my question for you: how does being an introvert or an extrovert help you in your life? And if necessary, can you pass as the other type (be an introvert who appears to be an extrovert or an extrovert who appears to be an introvert)?

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I read this fascinating article about luck a few weeks ago, but I’ve been saving my discussion of it until after my luck story came out because I love to be thematic.
The article talks about the research of Dr. Richard Wiseman, who conducted a study comparing “lucky” and “unlucky” people. He found that unlucky people tend to miss chance opportunities because they are so focused on specifics of precisely what they’re looking for, whereas lucky people tend to be more aware of what’s actually going on and are open to different outcomes. Basically, his research supports the idea that we make our own luck by noticing and taking advantage of whatever opportunities happen to present themselves.

We’ve all heard this advice in relation to dating. “You’ll find your future boyfriend/girlfriend when you’re least expecting it.” I don’t think the catch phrase actually covers it. Did I expect to meet my future husband at the specific housewarming party where we first talked to each other? No, of course not. (Is there ever a situation in which one does expect such a thing? Unless, of course, it’s a pre-arranged relationship of some sort.) But I also didn’t think it was impossible. I was open to meeting new people and having a new experience, and I went to that party with the hope that I might make some new friends. And I felt I was ready for a romantic relationship should one present itself to me.

Here’s the kicker. You might say I was lucky to meet my husband that night. He might have decided not to attend that housewarming party. Or he might have had a conflict, or received a phone call and left before I arrived. But because I wasn’t attending the party for the sole purpose of looking for a boyfriend, I think we might have met later on anyway. I would have become better friends with the party’s hostess (who later officiated at our wedding), and she would have held another party, or invited friends to go to a group dinner, or whatever, and I would have met my husband then instead. Or I would have become friends with other mutual acquaintances met at that party, leading to the same results.

It’s very easy to think about luck as relating to one specific outcome. What if, instead, we were to think about luck as more of a continuum that depends upon both our choices and our engagement with the world around us? We have to both notice opportunities as they arise and decide to act on them.

I’ll give you another example of how paying attention can work wonders. In college, I did my senior music recital in composition. I didn’t know any undergrads who had done such a thing, but “luckily” for me, I read the Music Major handbook carefully and learned that it was an option for me. Even better, after I received permission for my recital, I allowed other students to pursue the same opportunity because I had proven it was a possibility. Was I lucky? Sure. The composition professors could have decided they didn’t want the hassle of advising an undergrad composer (or been too busy to do so) and found a reason to reject my application. But I also proved the veracity of the quotation about diligence being the mother of good luck. I had formed positive relationships with the relevant faculty members; I had pulled together a decent proposal with a realistic timeline; I had thoroughly researched my major. I would never have been the recipient of this good luck if I hadn’t thought outside of the box (in this case, that all undergrad recitals were given by instrumentalists and vocalists, not composers).

What do you think? Do we create our own luck? Do you consider yourself to be lucky or unlucky (or neither)?

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A few weeks ago I was asked to write an essay, and the only requirement was that it should be inspirational. At first I wasn’t too worried: People had told me they found my essays inspirational in the past, so it was obviously something of which I am capable. Then I started to overthink and wonder if I could be inspirational on command. And finally I was given a more narrow topic (kindness) and the rest is history.
In that middle stage of overthinking, I asked myself what I find inspirational. And the first thing I thought of was one of my favorite books, Anne of Green Gables by L.M. Montgomery.
I want to be Anne Shirley (the protagonist) when I grow up. I’ve wanted to be her since the first time I read the book, which I received on my ninth birthday, and I imagine I will always want this. Possibly one of the biggest compliments someone could pay me would be to compare me to Anne. (Not that this will ever happen, since people don’t tend to go around comparing people to fictional characters. Except for Fred from the TV show Angel. I get that comparison a lot.)

Why do I love Anne? She’s wildly imaginative and creative, she’s intelligent and ambitious, and she always has good intentions. But she’s not perfect; she makes mistakes all the time, and she has character flaws that she struggles with (her temper, her vanity, her tendency to look before she leaps, an imagination that is occasionally a little bit too good). Her imperfections make her human, make her someone I can aspire to be. Perhaps L.M. Montgomery included so many faults because of the conventions of that era’s children’s literature to include morality lessons, but to me it never comes across as preaching.

At the beginning of the first book, Anne’s had a really hard life. She’s a poor orphan who has spent all of her life in and out of various dysfunctional foster families and institutions. Her schooling has been irregular, and she hasn’t been treated particularly well. She has every reason in the world to be hard, bitter, distrusting, and unpleasant. No one would blame her if she felt depressed or discouraged. But instead, Anne reframes her own life and takes control of her own story. She uses her imagination to create her own best friends and to make her world more beautiful. She notices and appreciates the little things. She has a warm open heart and the ability to find kindred spirits everywhere she goes, even when the world doesn’t initially appear very friendly. She bravely learns from her mistakes and keeps moving forward. She rises above her initial circumstances and goes on to create a life for herself filled with love, friends, scholarship, and beauty.

Through Anne’s story, we get a glimpse of a better world. One of the recurring plots in the first three novels (those are the ones I’ve read over and over because I can’t quite handle the idea of Anne grown up after college) is how Anne affects the people around her. She meets people who at first glance are difficult and curmudgeonly, and she influences them for good. She has such an open, kind heart herself, and she spreads it to the people with whom she interacts. She charms people with her refreshing sincerity and genuine good will, and she brings out the best in them. In the world of Anne of Green Gables, kindness and good intentions prevail.

I don’t believe that this idealized world is the one we actually live in. But it is the world that I wish we lived in, and my vision of it inspires me to do my little part in bringing it closer to reality. I want to be like Anne, bringing hope and beauty wherever I go and lighting up the world with my presence. I want to emerge from adversity still in touch with the joys of life and determined to learn from my mistakes. I want to inspire others the way Anne (and through her L.M. Montgomery) inspires me.

What’s the first thing to come to mind when you think of inspiration? What are the books or movies, characters or real-life people who drive you forward? What inspirational influences do you think have been especially critical for you?

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I don’t like knowing my limits. In fact, I prefer the opposite: I like believing that I have very few limits, and making this belief as true as possible through sheer force of will. And when I discover that I have limits that won’t budge through will power alone, I try to create a work-around or at the very least find a more positive way to frame it for myself. 

I’m thinking about this right now because it turns out I’ve been fighting off a bacterial infection in my tooth for the past two and a half months. Fighting and losing, I might add. In spite of this, January was one of my more productive months in recent memory. In addition to writing ten essays for this website, I completed almost a third of my new novel-in-progress and wrote two new short stories. At the same time, I was thinking, “This is great, I’m so excited by what I’m doing, but why can’t I do more? Why am I so tired?” Only now do I have the understanding as to why these accomplishments exhausted me quite as much as they did.

So now it’s time for me to focus on taking care of myself, which is requiring a little bit of juggling over in Priority Central. The problem is, I believe that taking care of myself is a high priority, but sometimes it gets lost in the shuffle of other, flashier, more exciting priorities. When confronted with the choice between starting a new project and sitting around resting, I’d rather start the project. Plus I have this built-in Protestant work ethic that starts screaming at the slightest sign of the dread vice Sloth. And we won’t go into a certain pervasive stubborn streak in my nature.

Which is why I’m only stopped in my tracks now, when my tooth aches to the point where I might not mind ripping it out with my own fingers. I can’t keep working at my normal pace because I am physically incapacitated enough that I cannot concentrate. Here it is: I’ve reached my limit.

This week I’m forcing myself to take it easy. I don’t have specific word count goals or project goals. I’m trying to suppress my frustration at being delayed on all of this work that I’m so excited about doing. After all, I’m pretty lucky to be so enthusiastic about my work in the first place, and the excitement will keep. (Hear that, excitement? You are so going to stick around.) I’m going to watch some cheesy movies and TV shows, and I’m going to sleep as much as possible around my schedule of medicines. And I’m going in for more dental work, which is why I’m going to need all this recovery time in the first place.

This is life. I want it to be smooth, but it’s not. It’s bumpy, and it gets in the way of itself all the time. I don’t even get to bank up this being-good-to-myself time because I might need more of it later, depending on what this tooth has to say for itself. I want to stay up late every night and drink every minute in and live my dreams right this second, all the time. I want to be larger than life, but I’m not, at least not as often as I’d like. Sometimes I can’t do much of anything but sit here and wait to feel better and let numerous more knowledgeable people poke at my tooth. That is a limit, yes indeed.

But better to pack as much as possible within those pesky limits than miss out on being alive at all.

Anyone else run into an inconvenient limit lately? Feel free to commiserate below.

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When I was a teenager, I enjoyed dreaming big. I wanted to be a novelist, I wanted to work on animated features at Disney, I wanted to write games at Sierra (this was back when they were still doing cool stuff like Quest for Glory, Castle of Dr. Brain, and the King’s Quest series). I wanted to be a singer and actress and perform in musicals, I wanted to write musicals, I wanted to direct musicals. I knew that many of these aspirations were unrealistic and difficult, but I wanted them all anyway.

However, a family member who shall remain nameless said something to me one day, perhaps just an offhand remark, that became fully lodged in my young impressionable brain. “Amy,” the person said, “you have delusions of grandeur.” They might as well have said, “Why try, because the only possible outcome is failure.” Even today, half my lifetime later, whenever I think of trying something daring or risky or simply ambitious, those words go through my mind. “I don’t know if I can do this,” I say to my husband, “because so-and-so said.” And then he has to go through the work of convincing me to do whatever it is anyway.

Photo by Tony Fischer

 

I was reminded of this when I read Christie Yant’s recent essay, Lessons from the Slushpile: Good vs. Great. She discusses what distinguishes the great stories (and incidentally, the ones that are bought) from the rest, and one of the distinctions she’s made is that truly great stories have something to say. They say something that matters, that makes us as readers think or question or feel. They are ambitious, meant to illuminate as well as entertain.In my limited experience, these kinds of ambitious stories are rare, but it was by finding them that I first learned to appreciate, and later to love, short stories as a form.So why are these stories thin on the ground? Perhaps for one or more of these reasons (and there might well be others):

1. It’s difficult to come up with something to say in the first place.
2. Even if you’ve got something to say, it’s difficult to express it in a clear and original fashion.
3. Writing such a story means that on some level, you’ve got to have delusions of grandeur.

I think I had it right as a teenager. Delusions of grandeur are what allow us to strive, to push ourselves beyond our perceived capabilities, to dive into projects of vast scope. They give us permission to take risks, do things that make us uncomfortable, and ignore those who don’t believe we can do it. Delusions of grandeur are what allow us to become great.

So right now, I’m going to finish up this essay, and then I’m going to sit down and work on a short story that scares the pants off me. It makes me uncomfortable, it kind of makes me want to cry, I’m not quite sure I know where it’s going, and even if I did, I’m pretty sure I don’t want to follow it there. All I can do is believe in its potential, as I believe in my own.

Delusions of grandeur are the necessary caterpillars if we want our words to fly.

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I was attending my husband’s company holiday party a few weeks ago when one of his co-workers came up to me and said, “Hey, I read your blog!”  This was, as you might imagine, a small moment of joy for me.  She went on to say something to the effect of, “Wow, you’re really optimistic.”

She was right, of course.  I am definitely of the optimistic persuasion, as I trust you may have noticed.  I hadn’t realized that optimism was such a distinguishing trait for me, though, until hearing about it from the outside.  So I’ve been spending a lot of time pondering the nature of optimism.

Part of it may well be disposition.  Optimism comes naturally to me.  I’ve said before that my neutral state, if nothing much good or bad is going on, tends to be set on the positive side.  Little things make me inordinately happy.  I get an e-mail from a friend and I’m already smiling.  My dog does something cute and I’m happy.  I think about the gingerbread cookie I’m going to have for lunch and I’m filled with anticipation all morning long.

Then comes the filtering.  We all do it, although some of us are better at it than others.  Filtering is the reason there can be horrible catastrophes somewhere else and we can continue through our day as if we don’t know that somewhere else people are dying in misery.  Filtering is forgetting or distracting yourself or not really listening.  Filtering is auto-pilot and prioritizing.  It can be enormously helpful or greatly hurtful.  I’m not always so talented at the filtering, which is why I sometimes have to take breaks and go months at a time without looking at a newspaper.

Once we’re done filtering, then we’re left to deal with whatever is left.  And Wesley wasn’t lying in The Princess Bride when he told Buttercup that life is pain.   At certain points all of us are called upon to deal with illness, with injury, with disappointment, with grinding monotony.  We experience setbacks, we make mistakes, and people don’t always treat us as well as they should.  We worry about our loved ones, our finances, current affairs.  When I was a kid we all worried about nuclear apocalypse.  Now we’re terrified of an environmental apocalypse instead.  If we look for something wrong or painful or scary, we’re sure to find it.

At this point, at least for those of us who don’t filter so well, we have two choices.  We can let the negativity pull us down and learn to expect the worst.  Pessimism is a coping mechanism, nothing more.  If we routinely expect the worst, we can protect ourselves from disappointment because we didn’t think anything good was likely to happen anyway.  It’s a thought process meant to cushion the blows of life.  The problem with it is that it also tends to keep us confined into a little box in which nothing much is possible.  It encourages us to be resigned instead of to strive.

Our other choice is optimism – to take what we find and make the best of it.  Just like pessimism, this is a coping mechanism.  It is the choice, in the face of the dark, to strive for better, which illustrates the inherent belief that things can be better.  Someone treats us badly, and we try to understand why so we can learn from their mistakes and become better people ourselves.  We get a rejection and we double our efforts to improve.  We see problems in the world and we start from the assumption that maybe something can be done to alleviate them, that maybe there’s even something we can do personally that might help a little bit.  It’s believing that the little things, like telling someone to have a nice day and meaning it, or complimenting someone on a job well done, will add up to make a difference in the world around us.

Sometimes when I am faced with a particularly daunting truth, I am a pessimist.  Sometimes I get tired and wonder if I’m making any progress.  I worry that I’m not making even a small difference.  I don’t know how I can possibly surmount what I see in front of me.  For those of us who either can’t or won’t filter, it is easy to become daunted and overwhelmed.  But as much as I can, I try to choose optimism because when I do, I’m happier.  I’d rather live a life infused with meaning.  I’d rather have the bittersweet comfort of hope.  I’d rather make the gamble that the little things sometimes matter after all.

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My friend Sean Craven recently wrote an essay about practice.  (Has anyone not heard of Ericsson’s 10,000 hours of practice makes an expert theory?)  The entire essay is interesting, but what particularly struck me was this section:

But I have noticed not just in myself, but in most of the serious beginning writers I know, a sense of stern duty, of feeling that we must steel ourselves for the rigors to come. Writing these days feels like a polar expedition, where we expect to lose a finger or nose to frostbite in the process of starving to death while surrounded by bears.

I laughed out loud in recognition, of both myself and many of my writer friends.  In the last few months, I’ve lost contact with that touchstone of living an artistic life: remembering that I love what I do, and making sure I continue to love it.

It’s so easy to become concentrated on the duty aspects of learning a craft.  I must practice this many hours per week, or I must meet this minimum daily word count.  I must write x number of short stories, or add x number of songs to my repertoire.  I must work diligently on mastering a, b, and c issues that I know are holding me back from being the artist I want to be.  I need to submit or audition more, write better and faster, keep up with Writer K who seems to be achieving SO MUCH MORE than me in the same period of time.  And maybe I should consider attending another workshop or masterclass.

It’s not that these goals are inherently wrong or bad (except possibly for keeping up with Writer K, which is a slippery slope filled with disappointment).  But when your brain is filled with the ear-splitting chorus of duty, sometimes it becomes hard to remember why you started in the first place.  In other words, once a beloved hobby transitions into being “work”, how do we keep the fire going?

I faced a similar transition when I moved from office work to teaching music.  I worried that by making my living with music, I might lose my love for it.  This fear proved to be  unfounded because:

1. Teaching music was infinitely better than the office work I had previously been doing.

2. I really like teaching and working with kids and teens.

3. I really do love music and singing and particularly musical theater that much.

4. Finally, and I think this point is crucial, my job was to spread a passion for music, so I was constantly reminding myself of how cool and amazing music was and pointing out these elements to others.

I had to make some small adjustments to keep myself going: I transitioned away from teaching how to sing pop music, for example, because it began boring me to tears.  And my job was certainly not free of duty, not by a long shot.  But when I closed my studio this summer, I still loved music, singing, and musical theater just as much as when I started.  Thinking about this now, I realize I achieved no small feat in keeping my passion alive.

It is my belief that I love writing, fiction, and narrative just as much as I love singing and musical theater.  I’m just so weighed down by duty that I forget to think about the positive, and unlike at my studio, one of my principle duties isn’t to show how amazing writing can be.  On the contrary, I sometimes feel a certain amount of grumbling is required just so people understand that I’m actually working at all.

So I’m going to be trying out a little experiment for the next few weeks.  When I sit down to list my five happy things, I’m going to add something to the end: reminding myself of concrete reasons why I love to write.  My hope is that this exercise will allow me to enjoy writing more thoroughly, not because it’s an item on my to-do list but for the sheer joy of it.  When I stop and think, it doesn’t take me long to realize what a privilege it is for me to have artistic and challenging work.  I’m officially giving myself the time to remember.

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On the wall right inside my front door hangs a map of the world, stuck by a great number of little pins.  The red pins represent ME, places I’ve visited.  The black pins represent my husband.  The white pins are places we’ve been together.

Here is a close-up of Europe on this map:

Lots of red pins, huh?  I visited every place with a red pin within a five-year time span, between ages 22 and 27.  I didn’t have a salaried job, I didn’t have paid vacation.  Most of the time, I didn’t have anybody who wanted to travel with me.  I had an extremely tight budget during those years.  Consider, too, that I started my business when I was 24 and was working completely for myself before my 26th birthday.  No safety nets there, let me tell you.  So how was I able to travel to all those European countries?  (Eighteen of them, nineteen if you count the one I’ve added since that time.)

Priorities, plain and simple.  One of my highest priorities in life was to travel around Europe, and therefore I did what I had to do to make it happen.

This is probably not the last time you’re going to hear me using that word, either.  I have this theory about life, that it’s all about priorities.  Sure, people start off with different advantages and disadvantages, I’m not denying that.  And some things are literally impossible to accomplish, or at least have such a very low probability of happening that it’s almost the same thing.  For instance, I am just plain too old to enter certain professions that depend on youth or a certain current level of physical fitness (unfortunate but true fact: sometimes healing takes a really long time).

But not as many things are impossible as we think. And once we begin to contemplate the realm of the possible, everything shuffles down to priorities.  My priority was to travel in Europe, so I structured my life accordingly.  I had a very strict budget, passing up on buying stuff I really wanted like clothes and dinners out so that I could save money for travel.  I passed up regular salaried jobs for a number of reasons, but not the least among those reasons was my desire to have what I considered a reasonable amount of vacation time to allocate to travel.  I learned how to be self sufficient and more outgoing so I could travel by myself.  I took some risks.

As we get older, we often gain certain obligations: spouses, children, aging parents.  But even with these connections, which have their times of joy and their times of heartache, ultimately my life is my own.  I’m the one who’s going to look back on my lifetime with happiness or regret; I’m the one who’s going to have to live with the choices I’ve made, whether they were good or unfortunate.  Maybe, as a consequence of other choices I’ve made, I’ll have to wait and have a longer-term plan to achieve certain of my life goals.  But it’s still all about priorities.

I’m not writing this post to make you feel bad if you haven’t travelled.  Maybe you don’t even want to travel, and that’s a perfectly fair choice.  What I want to tell you is that if you really want something, whether it’s to travel or to be an artist or to achieve happiness in your own special way, think about a way to make it happen.  Strive, try, and be happy in the freedom of your choices.  And if in the process, you realize your priorities are different than you originally thought, rest easy, reset, and try again.  That’s the last great things about priorities: they can change.

 

 

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Someone Else’s Story

Today I’m going to write about someone I don’t know.  I’ve never met him and I don’t know his name.  We have a mutual friend, which is how I know about him.  For simplicity’s sake, I’ll call him Bob.

Bob is going to have heart surgery in the near future.  It’s a risky, you-might-not-survive-this sort of surgery.  I picture Bob being young-ish, in his thirties or maybe forties.  Apparently he had at least a bit of warning, so he’s been doing some of the things he’s always wanted to do: jumping out of a plane, traveling, spending time with loved ones, etc.

He wrote an e-mail to his friends to give them information on the surgery and tell them what they could do to help.  And he asked his friends for something important to him.  He asked them to go and do some of the things they had been putting off.  Go live some of your dreams, he said, and do it for me.

Every time I think of Bob and this story, I get teary-eyed.  Here is a man forced to face his mortality.  It would be completely understandable if he turned inward and focused on himself during such a difficult time.  But instead, he looks out to the people he cares about, and he puts his energy towards trying to have a positive impact on their lives.  Even if, for him, it might be the end.  He has made meaning out of his illness.  And in so doing, he has succeeded in touching lives, even lives of people he doesn’t know.  Like me.  And maybe you too.

So yes, do what Bob asks.  Go out and take advantage of the opportunities you find.  Instead of putting off, figure out how you can make a cherished dream happen.  Maybe not all of your dreams, maybe not your biggest dream, even.  Just one.  Go to a baseball game for the first time, or learn how to cook beef bourguignon, or fall in love.  Look at the stars through a telescope, or go see the Taj Mahal, or test drive a car you could never afford.  Lend yourself for an afternoon so that Bob’s meaning grows.

And then, think about how to create your own meaning.

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Photo by Paul Bica

I have a family history of cancer.  My mom died of breast cancer, and her dad died of prostate cancer.  I was convinced that I would inevitably get cancer as well, and that I would probably die of it.  I knew that I must have one of those cancer genes I’d heard about that skyrocket the chances.  My doctor suggested a DNA test and I was horrified at the very idea.  More bad news?  No thanks.

Fast forward to earlier this year, when 23andme was having an incredible sale on their DNA test.  I decided to purchase one in spite of the fact that the very idea filled me with dread.  I figured the test would either tell me what I already thought I knew (aka I had some horrible cancer gene) or it would tell me I didn’t and it would be good news.  I had prepared myself so thoroughly for the worst that I could take the risk of having the test done.

I got the results a few months ago.  I don’t have any of those cancer genes.  Not only that, based on my genetics alone, I actually have a lower than average chance of ever getting breast cancer.  That’s right, lower than average.  While it’s true that there are other risk factors to account for here, my little story of doom collapsed in on itself at this news.

My story is not uncommon.  The facts we think we know are not always what is true, and the stronger the fear surrounding an issue, the more likely we are to fail to see clearly.  I’m scared of death and especially of dying young, and so it takes very little effort for me to create an entire repertoire of stories to support this possibility.  Unfortunately, these fears create visions of the world that can hold us back and cause great unhappiness.  They keep us living in some imaginary wasteland instead of enjoying the present.

Fear of failure is another one I see all the time.  “Oh, I can’t possibly write a novel.  I can’t possibly travel to a foreign country.  I can’t possibly have a happy romantic relationship with a partner who respects me.  I can’t open my own business or find a job I like.  I can’t change.”  I can’t, I can’t, I can’t.

I’m here, not dying young of cancer, to tell you that you can.  The scope of human potential is infinite.  Yes, you may fail.  Yes, I may die young.  I’m not willing to let that chance keep me from living now.  Are you?

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