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Posts Tagged ‘Backbone Project’

I’ve been feeling all organized because last weekend I made a list of topics for my next several posts. And then this morning I read a blog post offering some misguided writing advice. (No, I’m not going to link to it. I’m sure way too many writers read it as is.) Cue complete topic derailment.

I’ve already written about writing advice in the past, but the more I think about it, the more I think this issue isn’t confined to advice about writing. It isn’t even confined to advice about artistic pursuits. Over the years I have certainly received a great deal of advice about basic life topics, some of which has thrown me for a loop and later proven to be completely wrong. (My favorite? “Oh, Amy, you just have delusions of grandeur” in response to me having big artistic dreams. Way to try to ensure they’ll never happen.)

Add to this the undeniable fact that I sometimes give what could be construed as advice right here on this blog, and I feel almost obligated to write the following.

Read, learn, listen to other people’s point of view and feedback. Think about what people say, try out various ideas. Don’t automatically assume you know the one true way to doing anything. But ultimately, DO WHAT YOU WANT TO DO. Do what you need to do (assuming that what you need to do doesn’t involve anything blatantly illegal, of course). And more than that, do what works. Advice, even the more strongly worded variety, is merely a suggestion that we can take or leave according to our own inclination. Even if it’s good advice, we might not be ready to implement it. And if it’s bad advice, we might accidentally harm ourselves or take the plunge into regret that I talked about last week.

That’s one of the really wonderful things about life. We get to choose our own adventure. Sure, we can’t control everything or even most things, but within our small scope of decision, we act as our own kings and queens.

It’s not such a leap to believe that creative types need to follow their muses and express their personal integrity and vision of the world in their art. But what if we take a step farther and consider ourselves to be art and our lifetimes to be our canvas of expression? The expressions “Follow your heart” and “Follow your gut” are close but incomplete representations of this kind of life. Follow who you are, and even more, follow who you wish to become.

Choosing to live this way can mean leaving a lot of the advice behind. The Backbone Project has really opened my eyes to this. Why do people care whether I drink alcohol or not? Why do they care (especially women!) if I self-identify as a feminist? Why do people want to change my writing process? Often I think the answer is that they don’t actually care about me personally at all. Instead they are seeking to validate their own way of life and their own choices. Instead of following who they are and finding a sense of rightness in that, they need reflection from the outside world to reassure them. Instead of deep and subtle thinking, they allow themselves to fall into the black and white thinking trap: I’m right and you’re wrong. Because this doesn’t work for me, obviously it won’t work for anybody. Something needs to be fixed; you need to be fixed. If I have a big bad problem, that means you must not have any problems at all or else you’re trying to compete with me, but it doesn’t matter because my problem must be the worst. (Or flip it around: if you have a big bad problem, that must mean my own problems aren’t important at all.)

Don’t take my advice about this, though. Think about it, and make up your own mind. Choose your own adventure. Turn your life into art with every choice you make.

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I read two essays relating to feminism last week, and I can’t get them out of my mind. They offer very different perspectives on living in the U.S. as a woman, and how to navigate the sometimes tricky waters that this entails.The first one was an explanation by Zoe Winters of why she doesn’t call herself a feminist. She offers several reasons, among them that feminism brings with it connotations of angry man haters, that feminists look down on women who have chosen to be housewives instead of career women, and that it’s better to look for win-win situations in the workplace–that if a man is unwilling to hire you because you’re a woman, you’re better off working somewhere else anyway.

The second one was by Justine Musk: “‘Well-behaved women seldom make history’: redefining what it means to be bad.”  She talks about the black-and-white choice for women in our society: to be a good girl or a bad girl. She brings up the different standards of behavior for men and for women, comparing Charlie Sheen with Brittany Spears. She discusses how convenient it is when women choose to be “good,” which is possibly another way of saying something I’ve been talking about a lot lately, choosing to be a people pleaser. (I understand that men can be people pleasers too. However, I suspect the pressures and causes might be a bit different for women than for men in our society. Feel free to argue with me in the comments, though.)

For a long time, I didn’t really self identify as a feminist. You could even say that I was a bit wishy-washy on the whole subject, and you wouldn’t be wrong. I thought I was lucky because sexism had never really affected me or my life.

Unfortunately, I wasn’t actually lucky. I was just naive.

I completely bought into the “good girl” thing that Justine was talking about in her article:

“Raising a girl to be ‘nice’,” a therapist – a woman in her sixties, married and with daughters — once remarked to me, “is like sending her out into the world with one hand tied behind her back.””

That nice girl is me. Was me, is perhaps more accurate. Sexism has affected me my entire life, sometimes in profound ways. Our society’s ideas about gender roles have played a role in shaping who I am, whether I like to admit it or not.

I don’t hate men. Actually, I really like men. Some of my very best friends have been and still are men. There have been times in my life when pretty much all my friends have been male. I have also been friends with guys who are obviously sexist. (Unfortunately, the more overtly sexist, the less likely the friendship will last, because ultimately it’s kind of hard to maintain a friendship with someone who is treating you poorly. Wish I had learned this one a lot sooner.) So I guess I’m the kind of feminist who doesn’t hate men and is only occasionally angry? Oh, and thinks being a housewife is a perfectly fine life choice, thank you very much.

I find the idea that I’d be better off finding a win-win situation in the workplace a bit shallow at best, though. I mean, it sounds great in theory, but what if I work in an industry in which I’m going to face discrimination for being a woman regardless of the company or my boss? I was talking to a female engineer the other day, and she told this story that really appalled me about her male co-workers’ behavior. When I told her that I didn’t know if I’d want to deal with that in my workplace, she responded that her company is actually pretty good to its female engineers. And I believe her; it might very well be worse elsewhere. That doesn’t mean that better is particularly great though. But she has to put up with it if she wants to continue being an engineer, and doing it with good grace is preferable for her career prospects.

As a writer dealing with sexism, it really matters what sub-field I’m in. The kidlit community seems to be made up of about 90% women. I have never experienced any noticeable sexism or inappropriate behavior in the kidlit community. Because I, as previously stated, like men, I’ve hung out with many of the men in the community, and they have always been respectful and treated me like any colleague.

The science fiction/fantasy community, on the other hand, is made up of about 40% women. On the plus side, women writers in the field also win about 40% of the major awards, which is great. Unfortunately, I am sometimes treated differently in the community because of my gender. I have heard about sexual harassment problems at conventions, and I have no trouble whatsoever believing them based on my own experiences. And because I am the “nice girl,” more often than not I let it slide. I push through my discomfort and keep right on smiling. This is the current reality of being a female speculative writer (or at least a relatively young and cute one). So should I stop writing science fiction and fantasy and find a more women-friendly environment in another genre? Or just not be part of the community? You have got to be kidding me. That’s not a win-win. It’s a big fat lose if I feel forced to leave a genre that I love.

Like it or not, sexism is a reality most women are forced to deal with (if you haven’t, I’m happy for you, but I also don’t really believe it). Some of us may not recognize that it’s happening. I often don’t recognize it’s happening. I’ve been watching movies all my life, and it’s only recently that I began to notice how gender is so often portrayed in Hollywood. Now that I’m breaking away from being “too nice” or the “good girl,” I find it valuable to try to notice. Sometimes there might be nothing I can do; sometimes I might have to stand there and smile. Sometimes someone might assume that I’m a man-hating hormonal nightmare of a woman if I use the word “feminist” or a bitch if I don’t temporize, soften my opinions, or stay quiet. But if I notice, at least I can make my own decision about how to respond and have a greater understanding of what’s going on around me and how society is encouraging me to have certain behavior patterns.

For me, feminism is not about fighting against men. It’s about fighting against stereotypes and preconceived boxes that are too small to fit who I am. It’s about being able to be taken seriously in the avocation of my choice, whether that be composer or teacher, science fiction or romance writer, engineer or housewife. It’s about taking a stand against having to fit into the definition of “good girl,” a definition I had no part in creating.

Okay, have at it. Is there anything I missed? Do you consider yourself to be a feminist? Why or why not?

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I am happy to present the second Backbone Project link round-up! I highly suggest you check some of these essays out pronto.

Dying Is Not a Crime, by Adam Israel

On Snobbery, by Derek Smootz

Love of Critique, by Kimberly Gould

Backbone Project: Shrink, by Marilag Lubag

Backbone Project: Truth, by Marilag Lubag

Backbone Project: Critiques Are Tools, by Marilag Lubag

I Don’t Wear Shoes, from Speculatometry: The Theoretical Measurement

When Critiques Wound, by Sandra Tayler

Library Cards are for the Birds, by Miranda Suri

I also ran into this: On Taking Criticism, by Mike Brotherton. It touches on similar issues to what I discussed in my You are Not a Weenie if a Critique Makes You Cry article.

Thanks to all of you for participating and writing thought-provoking posts.

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When I announced the Backbone Project two weeks ago, I expected to get some practice at writing essays that weren’t terribly conciliatory, at responding to people who disagreed with me, and at addressing subjects that I might normally hesitate to talk about. And I was right, to a point; I did in fact get practice in all of the above. But I learned a lot more than I anticipated.

First off, I learned that Ferrett is right (which probably doesn’t come as much of a surprise to many of you). Here I’ve been spending all this energy softening the expression of my viewpoints and trying my hardest to keep everyone happy, and it turns out that’s not so interesting. People respond more when I’m less nice, less perfection-geared, and less careful, as you can see from the amazing comment threads on all three of the Backbone Project essays.

Also, when people disagree with me or even dislike me, I don’t spontaneously combust into flames. Instead, I have a feeling of strength. There’s something bracingly exciting about saying: This is who I am, and this is where I stand. You don’t have to agree with me, but here I am, like it or not.

In a small, private-ish corner of the internet, I even stirred up a tiny hornet’s nest. Yes, indeed, there were all sorts of strangers saying, among other things, how judgmental and smug I am, how if I’ve had problems with not drinking, it must be because of my attitude (otherwise known as victim blaming, but whatever), and that it is completely not a big deal to not drink. At first, I felt terrible. I should have chosen my words more carefully. I was an awful person, both to write such an essay and to not want to drink in the first place. That second assertion snapped me out of it and instead I felt defensive. They hadn’t read my essay! They definitely hadn’t read the comments following it. They didn’t understand. For awhile, I yo-yoed between the two states.

And then I realized it wasn’t a big deal. The conversation wasn’t even about me. Anybody who no longer liked me or no longer wanted to read my blog probably wasn’t my friend or ideal reader in the first place. “Congratulations,” my husband said. “Having people tear you apart on the internet means you’ve leveled up. You have more influence now.” Oh. Who knew?

Meanwhile, I was busy being educated, and the remaining small rough patch of alienation caused by not drinking alcohol was being healed as I found solidarity in a completely unexpected way. As all of you shared the ways in which you are different, told your stories about being child free or hating to be photographed, not wearing shoes and being vegetarian/vegan, not driving and being polyamorous, I began to feel not so much held apart by my differences as brought closer to all of you who have had similar struggles. Indeed, our differences became something we have in common. I learned so much from all three conversations, and I’m looking forward to many more.

Of course, while my goal for the Backbone Project was to write three essays, in reality the project is ongoing, which is great, because it supports what I’m doing in the rest of my life as well. I’m going to keep trying to avoid the wishy-washy and to write strongly and bravely. I know I won’t always succeed, but my guess is that the more I do it, the better I will become.

And remember, you have until tonight to send me links to your own Backbone Project essays. There have been some really awesome posts going up this last week, and I can’t wait to share them with everybody!

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Sometimes I am wishy-washy before I even set fingers to keyboard. I think of a subject that would make an interesting blog post, and then I veto it, not because it is inappropriate but because it crosses the threshold of my comfort zone. Because it would be hard to write about. Because it would be challenging to read about. So for my last backbone project post, I’m going to tackle such a subject head on.

I don’t drink alcohol. Not at all. No, I’m not a Mormon. I’m also not allergic, nor do I have stomach problems. I’m not a recovering alcoholic, and I’m not trying to avoid calories or sleepiness.

An interesting aspect of not drinking is that everyone always wants to know WHY. On the one hand, I can see how making a minority lifestyle choice could prompt questions, but on the other hand, I don’t think most of the people who ask really want to have a ten-minute-long philosophical discussion with me. Plus it gets tedious to be asked the same, slightly-but-not-quite-rude question so many times. Nowadays I’ve wised up, and I usually mention a family history of alcoholism, which kills the topic. Occasionally I’ll also mention that I hate the taste and make a joke about how it all tastes like cough syrup to me (although this is a dangerous tactic, as it encourages people to suggest alcohol that I might like). Both of these answers are true but incomplete.

The fact is, the decision not to drink alcohol is not made lightly. It becomes a big deal, like it or not, because it would be so much easier to acquire the taste and drink socially, at least a bit. Otherwise, people will heckle you, and question you, and try to change your mind, and be baffled and uncomfortable. If I’m choosing to go through all of that, then I’m really making A Choice. My original reasons have morphed over the years to adjust to the extreme reaction people sometimes have to my assertion that I don’t drink. To give you an idea of the magnitude of that choice, I can tell you that back in my dating days, there were two conversations I dreaded having with a new date: the one in which I had to share that my mom is dead, and the one in which I had to explain that I don’t drink any alcohol. Believe me, you can learn a lot about a person by how they respond to those two pieces of information.

So why don’t I drink? My decision was born from the determination to not ruin my life the way I saw other lives be ruined by alcohol and drugs, to create something better for myself. It was a direct response to a family history of drug and alcohol abuse. But it became more than that. As I watched people around me become uncomfortable that I wasn’t drinking, I didn’t want to start doing something that would cause me to become so insecure. I didn’t want to do stupid things and be able to blame it on having too much to drink; if I was going to do stupid things (and believe me, I have), I wanted to do them on my own terms and under my own power. I didn’t want to evade responsibility for myself. I didn’t want to say hurtful things to other people because of my drinking. I didn’t want to lubricate social situations for myself; I wanted to learn the social skills that would carry me through them. I wanted to be less shy all the time and not depend on a possible crutch. And perhaps most of all, I wanted to be accepted for who I was, even if who I was didn’t fit into some neat little box of expectations. My determination not to drink became a symbol saying that I didn’t have to be like everybody else, and reminding me that some things in life are worth a little alienation and judgment.

Now that I’ve gotten older, my choice carries less of an onus. I’m less likely to encounter peer pressure about the subject. I’m less likely to be in environments where the sole purpose of being there is to drink. I still have to survive through long and boring stories of stupid drunks (believe me, they’re a lot less amusing if you haven’t ever been drunk yourself) and lengthy explanations of various cocktail concoctions or wine snobbery (which is the equivalent of talking to someone who has never played nor had any interest in RPGs about the intricacies of your current campaign). And I still have to answer the WHY question. But it seems to have lost much of its previous significance. And yet, this choice of mine not to drink has played a very real part in shaping who I am today.

I know it’s my backbone project and not yours, but I’m going to ask anyway: What choice have you made or circumstance have you faced that has been met with judgmental attitudes? What is a way in which you are different from the mainstream? What stereotypes do people tend to believe about you that aren’t actually true?

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As promised, here is this week’s round-up of links relating to my Backbone Project:

An Interesting Project Inspired by Yours Truly: The Backbone and Birthday Projects, by Ferrett Steinmetz

The Backbone Project: Critiquing a Piece on Critiques, by Ferrett Steinmetz

Publishing and Your Original Idea, by Kimberly Gould

What Works in Blogging, by Sandra Tayler

Facing Blogging Fears, by Sandra Tayler

The Backbone Project, by Adam Israel

Help Amy Become Less Wishy-Washy, by Luc Reid

A response to my You are not a Weenie post
If I receive more links, I’ll do another compilation of links next Wednesday. So go ahead, be brave, and write a post without apologies.

Meanwhile, I have to get writing the last in my own series of backbone posts. Wish me luck!

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I really thought I would generate more disagreement from last week’s post on critiques, which goes to show that I have no idea whatsoever about such things.  In any case, it made me realize that the backbone project is really more about me putting myself and my opinions out there, regardless of whether doing so sparks disagreement.  (Also, “weenie” has become my new favorite word. My favorite word before that was “insouciant.” I think this is clear evidence that I am getting stupider by the minute.) However, I promised you could disagree with me, and I feel like I failed to deliver. Which brings us to my backbone project post #2.

As you know, I’m a science fiction and fantasy writer, so it should come as no big surprise that I have accumulated some geek cred over the years. But like most geeks, I have some holes in my preferences. Sometimes even gaping ones. I blame it on hanging out with musicians and psych majors all those years. Totally different kinds of geekdom.

Now, I figure most of you will be able to find something to disagree about in my pet peeves of geekdom list. Seriously. Think of it as your mission. I know you can do it.

1. Dr. Who: I have to plead ignorance to all the old seasons of Dr. Who, as I began watching this show with the reboot. I was okay with Seasons 1 and 2, but Season 3? Are you freaking kidding me? I was simultaneously bored, jumpy in an unpleasant way, and disgusted by the new companion Martha until I just couldn’t take it anymore. And what’s with the plots? Deus ex machina after deus ex machina. I watched “The Doctor’s Wife” and read on the internet that it made everyone cry. Seriously? I was just disgusted that once again, all the episode was about was Amy Pond calling the Doctor and begging to be rescued. Maybe I’ve just been unfortunate about the Amy Pond episodes I’ve seen (which, to be fair, haven’t been many), but all she does is need to be rescued! Yet another companion wasted.

2. the novels of Neil Gaiman: particularly American Gods. I could barely finish it because the pacing was so slow. I expect this to generate actual hate mail, so you see how brave I am being. I just don’t get it all the hype. I mean, yes, Neil Gaiman is like the rock star of writers. And he’s done some stuff that I’ve appreciated: The Graveyard Book, parts of Neverwhere (although I wanted to kick the protagonist in the teeth), that short story about Snow White and vampires. But I just don’t understand the massive hysteria surrounding him and his work. Mind you, I keep trying. But so far, no dice.

3. Anime: My geeky friends first exposed me to anime via Cowboy Bebop, and I was okay with it. I think this made them overly optimistic, because they then showed me a bunch of random, really weird and twisted anime, and it’s ruined me. I’m not kidding. Someone suggests watching anime and I look at them like they’ve grown a third head. My poor husband suffers because of it, but there it is. I just have no interest. It took a huge effort for me to consent to watch Porco Rosso and I could see that it had merit, but the ennui is so overpowering, I kind of don’t care.

4. Agricola: Gah! Resource management at its most boring. The players seem to barely interact, and the whole game is about … wait for it … being a farmer? Yeah, because that’s what I’ve been dreaming about doing my entire life. There aren’t even any silly pictures of beans on cards so you can pretend that you’re collecting an exotic bevy of circus performers instead of farming. Plus I already ran a business for seven years. I don’t want my board games to feel exactly the same as what I could get paid to do. I just don’t.

5. WoW: Okay, I’ve never played WoW, and you know what? I hope I never play WoW because as far as I can tell, that game is crack. It will suck me in, and I will run around like a mindless little medicated drone from Brave New World, and I will never ever escape. Not only that, but I won’t even realize how much time I’m spending doing essentially boring and repetitive things. Because I don’t waste enough time on the internet as it is. Plus WoW steals my friends. It makes them too busy to do things like hang out with me and email me. Which gives it an extra black mark in my book.

6. Lord of the Rings (the books): I know Ferrett already blogged about this, but I still think it deserves a mention. I like the movies. I’ve been wanting to see them again, in fact. But I’ve never made it to the end of the trilogy of books. I read the first two when I was eleven, and then I had to wait for the next library trip to read the last one, at which point I’d lost interest. I tried reading them again before the movies came out, and The Two Towers killed me. I wanted something to happen so badly. But instead it just went on and on about the trees and the pain and the journeying, until Frodo’s pain became my pain. Literally.

7. D&D: I like RPGs. I miss playing them. But I don’t miss D&D. Why not? First, because the only way I could ever make it at all fun for myself was by playing a caricature of my class who was generally of lower than average intelligence. After awhile, that got pretty old. Second, the storytelling seems to have the same average depth as my own at age seven playing with my Barbies. There’s bad guys. Must kill. Slash, hack. The end. Now there’s more bad guys. Slash, hack. Etc. I mean, there’s not even the romantic subplots that my Barbies enjoyed. Third, with the newest edition, it seems that even more emphasis is placed on fighting (who knew it was possible?) and that grid makes combat last forever. Don’t get me wrong, I’m not against some fighting in a campaign, but all fighting and no story makes me fall asleep.

All right, what did I get wrong? I bet you can give me several good reasons why the things above are actually super awesome. My tingling spider sense tells me so. And, for additional kicks, you can share your own geekdom pet peeves. I dare someone to lay into Buffy the Vampire Slayer. Or Star Wars Episode 4. Or Ender’s Game. Let the smack talk begin!

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Wow.

I have to say, I thought my backbone project idea was pretty nifty, but I had no idea what an outpouring of support I would receive from all of you wonderful people. I’ve already learned a great deal as well, even though I’m not even halfway done. Thank you all, with some extra special thanks to Ferrett for giving me the idea in the first place.

I’ve already visited some of the blog posts that others have written as part of this project, but Kimberly had the great idea of putting together a list of the links so that they’re easy for everyone to find. I thought about putting the list on the sidebar, but I never look at blog sidebars, so instead I’m going to put together a few posts linking to other Backbone Project participants.

Here’s how to get involved! First, go ahead and write a blog post. It can be a post about the project, it can be a non-wishy washy project post like the ones I’m trying to write, or it can be a response to someone else’s project post (preferably disagreeing in some way). Once you’ve published your Project Backbone post (or posts, feel free to do more than one like I am), email the link(s) to me at practicalfreespirt@gmail.com with “Project Backbone” in the subject line. I’ll be publishing a list with your links on the next two Wednesdays, bright and early (meaning, get those links to me by late afternoon Tuesday to be safe). And if you are a twitter person, you can also use the hashtag #backboneproject to label your blog post announcement.

And what is this about another challenge? Why, yes! Apparently it’s in the air. Theodora Goss is organizing a summer YA Novel Challenge, and I’ve decided to join in the fun. (Perhaps some of you will decide to do it as well!) Here are the rules, which are very flexible and meant to be changed:

1. The challenge will run June 1st to August 31st.
2. The goal of the challenge is to write or revise a YA novel, or part of a YA novel.
3. To meet that goal, set smaller goals for yourself: words per day, pages revised per week, etc.
4. If you would like, blog about your progress. Remember that failure is as important as success.
5. Anyone can join or leave the challenge at any time. It’s always OK to start or stop.

I’m going to be starting my next YA novel for this challenge. I don’t expect to finish by the end of August, as I have some travel planned this summer that will interfere with writing, but I’m hoping to get a good start and then some.

And I’m planning to try to blog about it as well. I’m not sure how that will work, to be honest. I hate word count posts, so I’m definitely not going to do that, and I’m not big on sharing excerpts from works-in-progress either. Maybe I’ll share things about my successes and failures. Maybe I’ll go off on a tangent and wax philosophical about related topics. Or maybe I’ll decide blogging about it is just plain boring (or stressful, or both) and stop. I don’t know, but I’m looking forward to finding out.

Until then, have a wonderful Memorial Day weekend!

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As you can imagine, I’ve been giving a lot of thought to the subject of my first Backbone Project post. I’ve decided to take on a writing-related topic (I’ll try to pick a more general interest topic next week for the non-writing inclined), and I chose this one specifically because I expect many writers to disagree with my take on it. So, onwards into the fray! (And yes, my stomach is doing lopsided cartwheels, thanks for asking.)

When I first ventured into my various writing communities, I was regaled by the sanctity of the critique. How to become a better writer? The answer seemed to be to get critiqued. A lot. Really, as much as possible. Any writer who was truly serious about their craft would join a critique group. Or two, or even three or more. Not to mention purchasing critiques from the pros at conferences and for charity, attending workshops that consisted at least partially of critiques, etc. And then post-critique, the writer was expected to exhaustively compile all that criticism and somehow use it to patch together the remaining shreds of story (occasionally there might be more than shreds remaining, a cause for joyous celebration).

I am not being conciliatory when I say that I have learned a lot as a writer from the critiques I have received. It is plain fact. And I am very grateful to everyone who has taken the time to help me learn. But another important fact that I never seem to read about anywhere in the cult of the critique is this: All critiques are NOT created equal. Not by a long shot. And what we as writers are told to do with critiques is not always what works. I have learned this from painful, critiqued-out-of-my-mind experience. In fact, I have gone months without much productivity because of the backlash from a bad critique. I don’t think this makes me a weenie. I think it makes me human; it’s natural to get discouraged from nonconstructive critiques, especially when you are a relative beginner. I mean, do I tell my beginning voice students in detail exactly how they suck at singing, complete with subtle (or not-so-subtle) disparagement, and then have their peers tell them the same thing? Um, no. That would be insane. And yet…

Here is what I have learned about critiques:

FICTION: You can expect a fair, unbiased critique.
REALITY: Some people will always hate what you do (even if you are awesome) because they just don’t dig your style. Some people will get set off by a random, unpredictable aspect of your story and be completely unable to get over it enough to say anything helpful. Some people will read your story in a sloppy manner and give you a half-assed critique. Some people just don’t know how to critique, period.

FICTION: If you’re upset after a critique, you just need to toughen up and take it. After all, you need a thick skin to succeed as a writer.
REALITY: Some critiques are harsh in a constructive way. Some critiques are harsh in a non-constructive way. Some critiques are just plain mean-spirited. Learn to deal with the first of these. The other two? Consider not getting critiqued by these people again or…

FICTION: Take all critiques into thoughtful consideration.
REALITY: Some critiques you can pretty much ignore. That’s not to say you shouldn’t listen while they’re being given, but after a while you can tell which critiques are completely irrelevant to any learning or revising you might be doing.

FICTION: You need critiques to become better as a writer.
REALITY: There are many ways to become better as a writer. The critique is merely one helpful tool among many. After all, there were still great writers before the current fad for critique.

FICTION: You should implement all suggestions given in a good critique.
REALITY: You should listen to the issues a good critiquer is having, and figure out what you, the writer, want to do about it. Often critiquers try to completely retell your story for you (although I wouldn’t personally call this a good critique). In that case, you need to work backwards to figure out what actually wasn’t working for them, and then change it in your own way. And only if you want to.

FICTION: A critique should always be followed by a revision.
REALITY: As long as you’ve learned something from a critique, it doesn’t matter what you do afterwards. Sometimes you need to revise to complete the learning. Sometimes you want to revise. Sometimes you want to chuck the story into the fire and never think of it again. Sometimes you nod, say hmm, and make a few small changes before submitting. Sometimes, if you’re Dean Wesley Smith, you submit the story before the critique so you’re not tempted to revise the life out of your story. (And oh yes, it is so possible to revise your story to death.)

FICTION: If a person is a “pro” or just has a few more credits than you, their word is God in the critique department.
REALITY: I wish. Some pros are amazing teachers and critiquers. Others, not so much. Some people with more credits than you will have amazingly helpful things to tell you about your work. Others will not. Some readers who know nothing about writing will have insights that are equally useful. And some will not. You get the picture.

FICTION: You should be involved in as much critiquing as possible.
REALITY: If you get too involved in critiquing, it might interfere with finding time to do the actual writing. And most of us ultimately want to be WRITERS, not critiquers. Right? Otherwise why would we be putting ourselves through all this?

FICTION: If you can’t handle a critique, you shouldn’t be a writer.
REALITY: If you can’t handle rejection and revision requests from professional editors and agents (who you are doing business with), then you’re going to have some trouble. If you can’t handle the occasional critique (or even the more than occasional critique), maybe something else is going on.

FICTION: Critique trumps all!
REALITY: It’s more important to manage your writing life in whatever way works for you. And if your way is not exactly the same as everyone else’s way, that’s okay. We’re artists, after all. We’re supposed to be different.

Okay, have at it! Disagree with me (or tell me how you’ve been secretly thinking the same thing). I’m going in for more dental torture this morning (if we ever meet in person and you want to see me cry, mention dentistry), but I’ll be commenting with gusto (and pain-induced bravado) later today.

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