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Posts Tagged ‘Amy Sundberg’

I’ve spent a lot of time thinking about art: how art can be defined, what its possible purposes are, what I am trying to accomplish personally as an artist. This exploration began many years ago when I was a student musician: a singer, a songwriter, and a composer.

In my music program, we spent a year on music theory that looks beyond the standard Western tonal palette. Our curriculum began with late 19th century composers like Wagner and Debussy, which I very much enjoyed studying, and then progressed to atonalism, serialism, and other 20th century classical music (including John Cage, Philip Glass, etc.). We also spent a quarter studying 20th century music history.

After I finished this course of study, I went on to take a few composition classes and seminars and began to consider more seriously the question of why. Why do so many cultures include music as an integral component? Why do so many of us like to listen to and/or produce music? What was I trying to achieve with the music I was writing?

The answer, I decided at the time (and it still holds true for me), is communication. Music is a way of communicating to others; of evoking a response, often emotional; of taking something we’re familiar with and translating it into something new, or of exposing us to something new that is outside our own frame of reference. Music can tell a story, something that happens especially frequently in vocal music (my other focus at school) but can also happen in purely instrumental music (listen to Berlioz’s Symphonie Fantastique for an excellent example of programme music). Music can make us feel a certain way: when I’m watching a suspenseful TV show, it’s often the music that makes me jumpy before anything has even happened on-screen. Music can share universal experiences or distill unique experiences in a way that are more relatable. One of the reasons I adore musical theater as much as I do is because it combines the dramatic potentials of theater with the emotional resonance of music, while remaining accessible to a more general audience than opera often does.

Unfortunately a lot of the music composed in academia, the new Classical music of the 20th century, didn’t seem to me to be very accessible at all. In fact, at the time it baffled me because the goal of communication often seemed very absent from it. Indeed, serialism in particular seemed like a game played with numbers that had very little to do with actual sounds at all. I realize now that I wasn’t seeing the complete picture; I believe even the most experimental pieces were trying to communicate. The problem, for me, was that they were communicating with only a select group of people who were educated enough in music to be able to understand them. I was in that group, yes, but what about everyone else? Imagine the equivalent of throwing out an old common language and writing in a new language; you will only be able to communicate with the select group also versed in the new language. So what we are talking about then is the question of audience. If art is communication, then considering a given piece of art’s intended audience becomes very important.

I also approach writing as art, and therefore as an act of communication. But in pursuing that line of thinking, I realized there are many forms that written art can take. We have the obvious: novels, short stories, plays, poems. But we also have the slightly less obvious (at least to me): letters, blogs, Google+/Twitter/Facebook. Am I saying everyone’s Facebook account is art? I’m not sure if I’d go quite that far (although feel free to make a case for it in the comments). I’m saying it can be art; it has the potential to be art. I’ve certainly created art through letters/emails, in which I create an idea, a vision of who I am and what my life story is. And then on the flip side there are the banal and mundane emails that are just a recital of facts or a quick way to make plans.

I’m in love with this great art project, in which a photographer traveled around the country taking photos of people’s refrigerators. I think about this project all the time because I am just blown away by the coolness of it, showing the stories of these random people through one photo. To me, this is art—it turns my assumptions around, it evokes emotion in me, it causes me to see the world around me in a different way.

So then is this blog art? It certainly tries to do those same things. Some of you will think I’m being pretentious by labeling my blog as art, but isn’t it interesting to think about? I like to think of each essay being a small piece of a greater mosaic—I wonder what it will look like when it is complete. I wonder what picture I will have created. I get excited just thinking about it.

What is art? Is it in the eye of the beholder, the creator, or both? Is it about intention or execution? What does art mean to you?

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Accidental Influence

Today is a frazzled sort of day. I’m leaving tomorrow (perhaps even as you’re reading this) to attend SCBWI’s summer conference, and the day before travel, even relatively easy travel, generally features me heatedly checking off to do lists and worrying that I won’t have time to complete everything. I have more travel coming up as well, so if I seem a bit less substantive or even (gasp!) miss a Tuesday or Thursday during the next few weeks, that is why. I am having trouble cohering because I keep getting distracted by the fact that my new “I have mutant teeth” sensitive toothpaste is too big to pass through security, or that I have to remember to pack my battered copy of The Phantom Tollbooth.

In between these logistical reminders to myself, I’ve been thinking a lot about influence–specifically on the influence we have over other people. Some influence we take for granted; if I were to tell you that my husband and I are huge influences on each other, I doubt you would be surprised. But when I think back over my life so far, I can come up with a list of names of people who have had a strong impact on me. Not all of them are related to me. Not all of them did I ever get to know well. Not all of them am I still in touch with today.

Some of these people have no idea of the role they played in my life. They may not even remember me. They are like stealth actors who dropped in to teach me something I really needed to know or show me another way of living before moving on. Some of them even died before I was born.

This is useful to remember when contemplating creating a life that allows us to teach, influence, change the world, increase awareness. We never know who we might reach. We never know when we might say the exactly right thing that gives another person an “aha!” moment. Sometimes we won’t learn of our own impact until years after the fact, or perhaps not even then. Many times we’ll have accidental influence–we’ll have no idea that someone will have taken our casually spoken words to heart. We won’t realize that by hearing about our lives, someone else will decide to do things differently. We just can’t always know. But the not knowing doesn’t mean it isn’t happening.

We all yield influence, whether we’re aware of it or not. So the question becomes not if, but rather what we want our contribution to be. And since we can’t always be aware of it when it’s happening, an even bigger question is this: how do we live our own lives in such a way that we can maximize our positive influence? I don’t know if I have a complete answer to that question yet, but it’s something I plan to think about in the upcoming weeks.

In the meantime, I feel a deep sense of gratitude to the people on my list, both because of what they taught me and because they’ve helped me realize how important every individual can be.

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I have the pleasure of announcing that my story “Forever Sixteen” is now up on Daily Science Fiction’s website. I’ve been very excited ever since I sold the story back in March, and I’m thrilled that it’s now available for everyone to read.

 

The main character is a girl whose aging and development has been arrested so that she remains sixteen years old (if you want to know why, you’ll have to read the story). What would it be like to stay sixteen forever? On the one hand, we live in a society that is obsessed with youth and appearance, so the idea of being able to retain that youth (and implied health) is quite attractive. On the other hand, would you really want to be sixteen for the forseeable future? I didn’t even have huge high school traumas and I’m still not overly enthusiastic at the thought of remaining a perpetual teenager.

Going wider, this premise can be seen as a metaphor illustrating the tension between the desire for stasis and the need for change. We live in a world that is constantly changing, and we’re constantly changing within it. It’s natural for us to want to impose our control on such chaos, to attempt to preserve the status quo. So many of us fear change (and I’m certainly no exception), even when the change is largely positive in nature. And yet, what if that potential for change was taken away from us? What if everything really did stay the same, even our own bodies and the hormone levels coursing through them? As much as I sometimes dread change, this story illustrates one of my true nightmares: the attempt to suspend change.

We’ve all heard the old saw about how the only sure things in life are death and taxes. But whenever I hear that, I always think that in reality, the only sure thing in life is change. Life may trundle along on an even keel  for a while, even for many years, but ultimately something will happen to disrupt its direction.  Sometimes we choose the change; sometimes it chooses us–like death, a natural disaster, or a shift in politics or the economy. Sometimes we have to fight for change, like the protagonist of my story. And sometimes change comes at a high price, at which point we are called upon to decide: how high is too high?

On a more personal note, this story is one of my own favorites. I don’t know if this is true of other writers, but I definitely have the stories I’ve written that are especially meaningful to me and stay close to my heart. Right now I have three of those special stories, and this is one of them (the other two are still looking for homes). The fact that my first pro sale was made with this story in particular makes me feel especially pleased.

So tell me: would you want to stay a teenager forever?

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Last week my husband and I drove up to Ashland, Oregon to attend their Shakespeare Festival for the first time. I’ve been wanting to attend this festival since high school, and it did not disappoint. Also, it’s good to know that I can watch eight plays in four days without burning out on theater.

Ashland was a charming place, and my favorite part was the plethora of bookshops that grace the downtown, including at least two “Books and Antiques” shops. Those two shops were my bookstore dream come true. Both of them had old books in bookshelves all over the shop, surrounded by assorted strange items: a brass urn, a large wooden Noah’s ark, aggressively sparkly jewelry, antique scissors complete with scabbard. One of the shops had an entire section devoted to “Banned Books” throughout the ages, and they threw in a free “I read banned books” pin with my purchase. I could have spent hours in those two stores, and the only reason I didn’t spend more time was the danger of buying more books than would fit in the car for the drive home.

There’s something about old books, isn’t there? I don’t usually notice the smell of books, having a notably poor sense of smell, but in a used bookstore even I notice the musky scent of aging paper. And those old hardbacks feel so weighty in the hand, and lacking the slickness of the modern dust jacket, they seem more mysterious–anything could be lurking behind the slightly battered covers. I was reminded that, however much the world may move towards electronic books, and however many of them I will purchase myself, there is something inside me that will always be enchanted by the book as a physical object.

So I decided to share that enchantment with you by showing you photos of my book haul from these two lovely shops.

These are my three nonfiction selections. I love English history, and after having just seen Shakespeare’s Henry IV Part 2, I was particularly inspired to get a book on the British Monarchy. Short sketches of famous women in the Renaissance? Equally interesting, with possibilities of awaking some story ideas. The top book is about the home life of Theodore Roosevelt and his family at the turn of the century (19th to 20th), which is a time period I’m quite attached to (think Anne of Green Gables and the Betsy and Tacy books).

My bouquet of paperbacks. I’ve only previously read the middle one. I really wanted to get Virginia Woolf’s On Being Ill, but neither shop had that one, so I got this one instead.

Okay, how exciting is this stack? The H.G. Wells omnibus on the bottom is particularly well made, but all four of these books make me hungry for reading. And my favorite three books of the Anne of Green Gables series all in one volume? I couldn’t resist.

I love this old edition of Dicken’s A Christmas Tale. My husband and I read this story together every December. Look at that art! It reminds me of the old books my mom saved from her childhood.

I’ve saved the best for last. I saw this book and I knew I had to have it.

Yes, it is indeed leather-bound. And it has golden gilt on the edges of the pages. I’ve been looking for the perfect edition of Jane Austen’s Pride and Prejudice for quite some time now.

The end papers look even better in person: a shiny, orange gold color with a pleasing texture.

And it is illustrated. And it has a golden ribbon to keep your place as you read. How elegant!

I adore this book with all my heart, both its outer form and the story it tells.

We obtained many, many books in Ashland. I can’t wait to start reading them!

Too bad my to-read pile already takes up several shelves….

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I have spent much of my life insisting that I am not funny.

Which, it turns out, is all a big joke. But one that most people aren’t going to get at all. Because I actually think I’m quite funny. I amuse the hell out of myself on a daily basis.

In contrast, I don’t think a lot of traditionally funny people are very funny at all. You know how people feel this need to tell jokes? As in, they recite a pre-canned joke complete with punch line? I’ll laugh to be polite, but I rarely find them very funny. I can’t tell them myself to save my life. And I won’t remember them at all after a day. Same with sitcoms in which the main source of the funny seems to be people being dumb and getting themselves into big, stressful messes. Although there are exceptions, I mostly feel sad when I watch people being dumb. And I worry about them when things start to go really wrong. Or I just don’t care. But what I don’t do is find it very funny.

Very occasionally, I will find someone who thinks I am completely hilarious. My husband is one of these rare people. I met another one at Taos, a colleague of mine who “doesn’t understand humor.” For someone who doesn’t understand humor, she makes me laugh a whole lot more than almost anybody else I know. I have another local friend who will suddenly bust up laughing at something I said, while the rest of the room looks on in bafflement or doesn’t even notice.
I recently decided to investigate this strange phenomenon, and I reached a startling (for me, anyway) and exciting conclusion. It turns out that I have been practicing the art of dry or deadpan humor for most of my life. Yes, without even knowing it. Another fact I find terribly amusing.

The interesting thing about dry humor is that it takes a certain amount of attention to catch it. If, for example, you’re only half listening to what someone is saying, there’s very little chance of you noticing the little joke they drop in halfway through a conversation. Dry humor is subtle and purposefully lacking in cues. And it happens really fast, which means your wit has to be turned up to full in order to appreciate it before the moment has passed. It also tends to lose its comic value if it has to be explained.

When I deliver one of my little jokes, my vocal inflection often doesn’t change much if at all. Sometimes I myself am unaware that I’m making a joke until it’s already out of my mouth. I have trouble believing, knowing myself as I do, that I keep a completely straight expression. But on the other hand, I spend a lot of time smiling, so how is one to tell the difference between my habitual smile and my sly “I just committed some humor” smile? So again, not a huge red flag. The entire sense of the humor lies in the words I’ve spoken and their context.

The best part of dry humor? I can easily entertain myself. The worst part? When I laugh at other people’s unintentional dry humor, or the absurdity of a situation, and people become worried or offended because they don’t get the joke. Which is why most of the time, I’m laughing on the inside while keeping my deadpan smile firmly in place.

How about you? What do you find funny? Any fellow dry humor aficionados out there?

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I have a writer friend who is having a bit of a tough time right now, and I am writing this for you. (You know who you are.)

It is okay, natural, and possibly even healthy that you are having trouble embracing your writer identity right now. Take your time about it–it’s an important identity to get to know. And I’ll let you in on a little secret: your writer identity is like your super hero identity. Yes, I’m serious. Right now you’re learning to find the super hero within.

On the outside, writers may appear like normal human beings. Some of us are frumpy or bad dressers, some of us need haircuts. Many of us wear spectacles. Some of us have unexpected hair colors or holes in our bodies that weren’t there when we were born. Some of us have a clear affinity to steam punk and corsets, others to shapeless T-shirts with geeky slogans on them. A lot of us are introverts, and we can often be found with our noses stuck in a book (or a smart phone, or a Kindle, or…). But all of this is just a facade, a way to divert attention from our secret identities.

All writers are super heroes. We fight ignorance and apathy, loss of wonder and despair. We entertain people who deeply need to be distracted from pain or sickness. We make people think of consequences, both of personal actions and society’s decisions. We remind people of what it is to be human, both the good and the bad, and we inspire people to strive for the best.

Many writers live in the stars. We dream of times past and future, reinterpreting what has happened and twisting together visions of what is to come. We deal in possibilities, in vast heroics and small personal acts of courage, in envisioning worlds that we hope for and fear. We keep the spark of ideas alive, even ideas that aren’t enjoying their time in the public spotlight, so that someday when we need them, they will still be available to us.

We create characters who take the proxy role of mother and father, husband and wife, best friend, diabolical arch-nemesis, and noble mentor. We teach people how to live, how to survive through hard times, and how to die. We serve as society’s mirror and conscience simultaneously.

Sometimes we get tired. Sometimes we fall short. Sometimes we feel like we’re not really super heroes after all, and we don’t belong in the Super Hero League of Awesomeness. Maybe we lack some credentials, or maybe we don’t know the right people, or maybe we’re not good enough yet. Maybe not enough people read our stories or buy our books or follow us on Twitter. We are unsung, unappreciated, without creative mojo. We toil away in our anonymity and obscurity, wondering if what we’re doing even matters.

But oh, my friend, when you ask yourself this question (as I know you will, because we all do), answer with a resounding Yes! It is the lot of a super hero to be handed thankless tasks and toil away with little personal reward. But we continue because of our conviction that it matters; that we can, in our own humble way, make a difference.

We give the world its voice. Don’t let anyone take that away from you.

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Last week Theodora Goss wrote a beautiful essay about finding romance in life. I’ve been thinking about it ever since, enough so that I asked a few friends (hi, guys!) what makes something romantic. The consensus was that something was romantic if it was both thoughtful and meaningful, and done by the right person (by which I think we mean, someone to whom you feel romantically inclined to begin with).

 

Thinking of romance as having to do with romantic love is probably the baseline in American culture (except perhaps for anthropologists, folklorists, and scholars). Certainly that is the definition my friends instantly attached to. Our culture sells us a certain idea (or perhaps group of ideas) of what romantic love should be, and I have heard more than one rant about how these ideals build unrealistic and unhealthy expectations for what to expect in actual relationships. So I really like Theodora’s reminder that romance has many meanings, and her call to embrace the romantic:
I know this probably sounds silly, but why not make your life romantic? Why not surround yourself with things that make you feel like a heroine?
To me, this doesn’t sound silly at all. I am a very romantic person, which I think contributes very materially to my happiness. I don’t go about it in quite the same way as Theodora, perhaps; I find romance in my life more in the people I meet and the situations I face (or even the situations I could potentially face, or the situations I’m merely making up in my mind). I find romance in my surroundings not so much by design (surrounding myself purposefully by things I find romantic) as by accident or general frame of mind.

When I lived in London, I found going grocery shopping to be incredibly romantic. Imagine, grocery shopping, a chore I avoid like the plague here in the States, being romantic. And yet I loved walking through the quiet residential streets and coming up to the main hub of Crouch End. And I loved that I could only buy food for a few days since I had to carry it home. And I loved all of the unfamiliar food items lining the shelves, and discovering my favorites that I would buy week in and week out. It was all an integral part of this amazing adventure I was having.
I can’t keep it up all the time (which is unfortunate), but whenever I remember the romance, my life becomes more interesting. I have to do all these stupid strengthening exercises all the time because my body is cranky. But when I imagine the exercises as part of a training montage, suddenly it becomes a lot more inspiring. When I’m teaching, I’m engaged in the romance of instilling a love of music and helping to grow self-confidence in young people. In my mind my romance with my husband is an epic love story on a par with Wesley and Buttercup in The Princess Bride, only better because I am not vapid like Buttercup. And writing, well, writing has been my ideal of romance since I was seven years old.

This romantic view doesn’t hide all the rough edges. I’m perfectly aware on one level that a lot of life is a slog: to improve at something, I need to repetitively practice over and over again. To have a good relationship I have to keep working at communicating and making decisions together and ‘fessing up to my mistakes. To be a good teacher, I have to encourage repetition with even more patience than I show myself. To travel, I have to deal with discomfort and stress and things going wrong.

But I believe that seeing the romance in these things is what reminds me of how worthwhile they are. I love being the heroine! I love appreciating the romance of life, whether it be big and sweeping or small and easy to overlook (the rose bushes in front of my house are a good example of the latter; I find them so romantic…or else I forget about them completely).

So tell me, what do you find romantic in your life? What makes you swoon? How do you cultivate a romantic life?

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I’ve been feeling all organized because last weekend I made a list of topics for my next several posts. And then this morning I read a blog post offering some misguided writing advice. (No, I’m not going to link to it. I’m sure way too many writers read it as is.) Cue complete topic derailment.

I’ve already written about writing advice in the past, but the more I think about it, the more I think this issue isn’t confined to advice about writing. It isn’t even confined to advice about artistic pursuits. Over the years I have certainly received a great deal of advice about basic life topics, some of which has thrown me for a loop and later proven to be completely wrong. (My favorite? “Oh, Amy, you just have delusions of grandeur” in response to me having big artistic dreams. Way to try to ensure they’ll never happen.)

Add to this the undeniable fact that I sometimes give what could be construed as advice right here on this blog, and I feel almost obligated to write the following.

Read, learn, listen to other people’s point of view and feedback. Think about what people say, try out various ideas. Don’t automatically assume you know the one true way to doing anything. But ultimately, DO WHAT YOU WANT TO DO. Do what you need to do (assuming that what you need to do doesn’t involve anything blatantly illegal, of course). And more than that, do what works. Advice, even the more strongly worded variety, is merely a suggestion that we can take or leave according to our own inclination. Even if it’s good advice, we might not be ready to implement it. And if it’s bad advice, we might accidentally harm ourselves or take the plunge into regret that I talked about last week.

That’s one of the really wonderful things about life. We get to choose our own adventure. Sure, we can’t control everything or even most things, but within our small scope of decision, we act as our own kings and queens.

It’s not such a leap to believe that creative types need to follow their muses and express their personal integrity and vision of the world in their art. But what if we take a step farther and consider ourselves to be art and our lifetimes to be our canvas of expression? The expressions “Follow your heart” and “Follow your gut” are close but incomplete representations of this kind of life. Follow who you are, and even more, follow who you wish to become.

Choosing to live this way can mean leaving a lot of the advice behind. The Backbone Project has really opened my eyes to this. Why do people care whether I drink alcohol or not? Why do they care (especially women!) if I self-identify as a feminist? Why do people want to change my writing process? Often I think the answer is that they don’t actually care about me personally at all. Instead they are seeking to validate their own way of life and their own choices. Instead of following who they are and finding a sense of rightness in that, they need reflection from the outside world to reassure them. Instead of deep and subtle thinking, they allow themselves to fall into the black and white thinking trap: I’m right and you’re wrong. Because this doesn’t work for me, obviously it won’t work for anybody. Something needs to be fixed; you need to be fixed. If I have a big bad problem, that means you must not have any problems at all or else you’re trying to compete with me, but it doesn’t matter because my problem must be the worst. (Or flip it around: if you have a big bad problem, that must mean my own problems aren’t important at all.)

Don’t take my advice about this, though. Think about it, and make up your own mind. Choose your own adventure. Turn your life into art with every choice you make.

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I often pretend that I’m eighty years old.

When I was eighteen, I went away to college and began studying music. My life wasn’t ideal: my mom was diagnosed with terminal cancer that year, I had wicked insomnia, there were various college dramas to deal with, I had a bum ankle and was constantly sick, I wasn’t always making the progress I wished to make. But I remember very clearly walking home from the music building one spring day. I could see the ocean as I left the building, the sun was out, I was surrounded by beautiful redwood trees, and I was able to spend all my time studying music, which I was truly passionate about. And I thought, “There is nothing I’d rather be doing with my life right now.”

That’s a powerful thought, isn’t it? I decided then that I would try to live as much of my life as possible in the same way, and that is still one of my goals today. There are many things that I was wrong about when I was eighteen, but that wasn’t one of them. One of the ways I can check on myself and see how I’m doing is to pretend that I’m eighty. Whenever I’m making a decision or evaluating something I’m doing, I ask myself: How will I feel about this when I’m eighty? First of all, will I even remember it? (If the answer is no, then it’s probably not all that important, and if nothing else, I can bring down my worry level a notch or two.) If I do this, will I be glad I tried it when I look back at my life? Will I regret passing up this opportunity? Or will I wish I’d played it safer or made a different decision?

I was talking to a former student the other day who has decided not to pursue music professionally, at least for right now. She went to professional school for musical theater for a while and began to hate it, even though she had previously been amazingly passionate about the subject. So now she is studying a different subject. And you know what? Even though she ultimately changed her mind, I think she did the right thing going through the musical theater program. Because if she hadn’t, then when she was eighty, she might have regretted not pursuing her dream. Now she knows that she doesn’t want that kind of life, and she can move forward without regrets.

From photobucket.com by notapooka

According to this article, one of the top regrets of people on their deathbeds is not having followed their dreams. (I highly recommend you read the entire article.) Of course, we can’t always be doing exactly what we want to do. No one wants to sit around recovering from a root canal gone wrong or clean the bathroom or deal with any of a whole host of problems and difficulties that are part of our daily lives. But I think all the unpleasant parts are rendered more manageable if we can find and highlight the aspects of life that are so wonderful to us that they dwarf all else. For me in college, that passion was for music. Nowadays, I find it in my relationships, in writing fiction and this blog, in teaching, in travel. When I’m spending time on any of those things, I get the same feeling, that there is nothing else I’d rather be doing.

Steve Jobs gave a great insight in a Stanford commencement address that I think about a lot:

When I was 17, I read a quote that went something like: “If you live each day as if it was your last, someday you’ll most certainly be right.” It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: “If today were the last day of my life, would I want to do what I am about to do today?” And whenever the answer has been “No” for too many days in a row, I know I need to change something.

Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure – these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

So now I’ll ask you the same questions: if today was the last day of your life, would you want to do what you’re doing? When you’re eighty, how will you feel about the decisions you’re making today?

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Yes, this week you get me on Monday and Wednesday instead of the usual Tuesday/Thursday. It’s confusing me, too; I am a creature of habit. However, I want to tell you all about Google+, and I want to tell you about it right now. Because I’m also a creature of impatience.

I’m on the white list for the first users who get to try out Google+, or Google Plus, which is Google’s new social offering. Disclaimer first: my husband is the equivalent of the chief architect for this project, so in no way can I claim to be unbiased. On the other hand, I also really care about social media and tend to have strong opinions about it, so I imagine those will come through regardless. We shall see.

So what is Google+? Besides its poor branding, that is (a + followed by punctuation just doesn’t look right to me). Basically it is a suite of social features. In some ways it is like Facebook; in others, more like Twitter, and then it has features that are all its own. And it’s a work in progress, so it’s quite possible (even very likely) that we’ll be treated to cool new features in the future. It has a feed like Facebook (although it’s called a stream) where you can share status updates, photos, links, etc. It has group video chat (more about that in a bit). It has Sparks, which is a kind of recommendation engine for interesting new content on the web-based on your interests. It has some cell phone features that I won’t be talking about much because I don’t have a smart phone (but they include a group chat function that is basically like a text message except faster and free, and the option to automatically upload photos from your phone to a private folder in your account). You can see some screen shots here.

Downsides:

As of right now, I see two main downsides to Google+. One is the way its stream works. Of course, I don’t know anybody on Google+ right now, so I’m just following a few random people for experimentation purposes. But right now, the stream is not sorted with the most recent post on top. Instead, whenever a status is commented upon, it moves up to the top of your stream. This feature already drives me crazy, and I’m only following three people. Imagine how much worse it could be if I was following the 350 friends I have on Facebook and kept on having the same status messages repeated again and again as people I don’t even know comment. Yeah, not so good. I don’t like it when Facebook tries to mess with my feed with its “Top News” and I don’t like Google messing around with my stream either. I have hopes that they will add an option to change the sorting if you don’t want to deal with this sort of stream spam.

The other main downside is that I don’t know anybody on Google+, which means there’s not really much to do. Once I am given invites to send out, this aspect should improve, but it begs the question: how many of the people I interact with over Facebook or Twitter will join Google+ and be active over there? The services are not compatible in that you cannot port your status messages from Facebook over to Google+ (although to be honest, I hate it when people do that with their Twitter statuses anyway), so it’s a whole new social media platform to deal with. Will enough of my friends want to use both Facebook and Google+, or want to switch over to Google+, that it will be an easy way for me to interact with them? Will this mean I have to spend more time on social media applications (yikes!) or will a balance naturally emerge? (Here is one interesting theory on how the two social media platforms can be used differently.) Only time will tell.

Upsides:

1. Circles: The way you organize your contacts is pretty spiffy. This is the main way right now that Google+ combines Facebook and Twitter…and improves on both. In my experience, Facebook is mostly a walled garden in which you share all of your content with all your friends and no one else, whereas Twitter is a mostly public place where anyone can follow you and read any of your tweets. Google+ allows you to very easily set up multiple modes of interaction instead of having to choose one. (Yes, I know Facebook has group things or something, but I’ve never been able to get them to work, whereas I figured out Google+ in under five minutes.) I am able to follow anyone I want, and don’t need to get a friend request approved. However, I am under no under obligation to follow anyone back. And if I do wish to follow someone back, I can click and drag them into various “circles,” which are absurdly easy to set up. For instance, I can have a circle for close local friends so I can easily check and see who’s free to have dinner with me tonight. And I can have a circle for my family, or my college friends, or whatever I want (the names of the circles are private, too). This is great for writers because we will no longer have to wonder how to use Facebook: do we friend fans, or direct them to our Fan Page? Instead, we can just broadcast certain messages publicly, in which case all our followers will see them, OR we can create a circle for our fans, while still being able to be more personal with our real-life friends. Also, I’ve already created a circle called “Writers” so that if I want to talk craft (or the next big convention), I can show those conversations only to the people who care. (Note that Circles neatly sidesteps most of the drama inherent in Facebook; no more awkward friend requests that you have to ignore, or sudden realizations that someone has de-friended you. Less drama leads to less stress, which makes me happy.)

2. Hang Outs: Hang outs are video chat rooms that can hold up to ten people at one time. They are easy to open, and they notify whoever you specify that you’re available right now to chat (but you can filter this by circle, thereby avoiding the need to chat with anyone you’d rather avoid). I’m really excited by this feature since so many of my friends aren’t local; it sounds like it could be ideal for hanging out with them in a more casual way. Hang outs will also be great for critique groups who aren’t geographically close to one another, and for conducting plot breaks, brainstorming sessions, etc. I’m really hoping to have some Taos Toolbox alumni hang outs once general invitations are available.

3. No text limit in the status update box: Yeah, I know some people love the 140 character limit on Twitter (or the slightly longer one on Facebook), but I’m not one of them. Google+ doesn’t limit you, so if you have a longer idea, you can express it all in one place. I don’t know how often I will actually need this, but it’s one less thing to worry about.

4. Sparks: Sparks, the web content recommendation engine, lets you search for the newest content for your interests, so it’s already fun. But honestly, Sparks is in its infancy. I’m not allowed to tell you more, which sucks, but I’m allowed to say that someday it’s going to be a lot more awesome. I can’t wait.

5. Choice is good: In the past I’ve gotten kind of creeped out by Facebook and some of its policies (notably related to privacy). However, there has been no real alternative; either I can live with it or I can not have my social media toy. I know that Google has had its issues in the past as well (Buzz, anyone?), but choice and competition are generally good things for us, the consumers. And here comes my bias full force, but it has been my impression that Google is generally one of the strongest companies technically, so I’m looking forward to seeing what they are able to do. It is my hope (and my understanding) that the Google+ I’m seeing right now is just the beginning, and that there will be many more features and innovations in the future.

Any questions about my user experience with Google+?  Any thoughts about Google+ in general? Let me know!

ETA: It looks like there’s already an extension for Chrome available that will allow you to cross-post your Google+ posts to Facebook and Twitter. Don’t think there’s any way to do it the other way around…yet!

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