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Posts Tagged ‘Amy Sundberg’

“Amy,” he said, “right now you need to be like a willow tree.”

Does this tree bear a resemblance to me? Photo Credit: zachstern via Compfight cc

I hate that he’s right, but he is. I need to move (I feel like I just finished moving) and since I got the news, I’ve come up with a huge number of potential solutions to this problem. I still don’t know which one is going to be the winner.

I am an ace at coming up with many possibilities. I didn’t realize until quite recently that this is a skill, and that it isn’t easy for everyone to do this. I can’t really help doing it, that’s how naturally it comes to me. When faced with a problem, my brain churns away and spits out option after option. And then as I gather more data, the options are honed and polished until eventually I pick one and execute it.

It is also a way to live many different lives. I just shared this quotation from Sylvia Plath on Facebook:

“Why can’t I try on different lives, like dresses, to see which one fits me and is most becoming?”

One way to do this, to try on different lives, is to come up with various solutions and then play them out in the mind to see what happens. Another way to do this, of course, is through writing (and reading, for that matter). Perhaps that is why I keep seeing articles saying that reading fiction is good for developing empathy. It gives us the practice of trying on a different life, so when we’re called to try on the life of someone we know, we have more of an idea of how to go about doing such a thing.

It turns out the solution production that my brain loves so much is a highly useful life skill, but like many such skills, it has its downsides. In this case, it makes it hard for me to shut my brain off or be mellow and go with the flow. I am flexible in that I can come up with so many different solutions, but I am not flexible in that the process tends to be quite stressful and on the all-consuming side of things.

So it is useful to be told to be like a willow tree, and it is useful to remind myself that one way or another, my living situation will work itself out. I certainly will be living somewhere come springtime. And while I can’t control the expense or the immense expenditure of time that is moving, I can choose where to spend whatever time and energy I have left over. So that’s something, isn’t it? In any case, it’s what I’ve got.

I may miss a few of my regular posts due to moving shenanigans. I’m going to try as much as possible to keep up my fiction writing schedule, and that might preclude a few blog posts. In addition, my brain is filled up with mundane details about real estate and square footage and the problem that occurs when one combines stairs with pianos, none of which are particularly conducive to interesting blogging unless one has a real estate blog, which I most certainly have no plans to start.

So instead, I will continue thinking about willow trees.

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I’ve been noticing lately how often anticipated regret plays a role in the decision-making process.

Regret can be a helpful emotion, however unpleasant it might be. After all, it is when we feel regret that we might take a closer look at ourselves and our priorities and decide if there are any changes we want to make. Regret can potentially push us to improve ourselves and our situations.

But making decisions to try to avoid regret in the future is a recipe for self-limitation, as is discussed by Jeremy Dean in his post The Power of Regret to Shape Our Future:

“Anticipated regret is such a powerful emotion that it can cause us to avoid risk, lower our expectations, steer us towards the familiar and away from new, interesting experiences.”

I’m in the middle of making a major decision myself, and I notice my fear of regret coming into play big time. I have three basic choices, and whenever I think of any of the three, my first thought is about the potential regret I’ll feel in the future. Unfortunately, this is more a recipe for paralysis than it is a viable decision-making strategy. Not surprisingly, the decision I perceive as the least risky in the long term is also the one that is the most boring and playing-it-safe.

Photo Credit: YanivG via Compfight cc

What’s particularly interesting to me is that I’ve made a lot of decisions in the past, and I actively regret very few of them. Even the ones I do wish I’d made differently aren’t black and white: they usually did give me some benefit, even if only that of more knowledge. But when considering feeling regret in the future, I don’t have the gift of hindsight to see both sides, so I’m much more likely to be caught in the trap of only considering the negatives of regret while forgetting the potential positives that haven’t had a chance to happen yet.

It’s also easy to overestimate how unpleasant and lasting the worst case will be. We think we are shielding ourselves from the harm of having something so negative come to pass, when in reality we are exaggerating in our eagerness to avoid a regretful result. This too can distort our decision-making process and dissuade us from taking risks.

I don’t know what decision I’m going to make for myself, but I hope I can keep fears of future regret on the back burner while I’m making it. When I shove those fears aside, I realize how lucky I am to have more than one option, all of which have a decent chance of making me happy.

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I am happy to report that I did in fact host my party this past weekend, and in spite of a flurry of winter flus and colds, I had plenty of fabulous and creative people in attendance. Challenge met.

I have a great interest in experimenting with social gatherings (otherwise known as parties) and creating different social experiences for people. I’ve been most intrigued by designing parties that encourage mingling, meeting new people, and getting to know slight acquaintances better (as opposed to sticking within already established friend groups and/or the people you came to the party with) and parties that cultivate creativity. (I’m also interested in the idea of fostering deeper connections between people, but I haven’t experimented much with that yet.)

The Albion experiment:

Some months ago I read about Emily Short’s San Tilapian Studies, a “narrative entertainment” for 30-40 players, and I instantly wanted to try it. Check out her post for a detailed description, but in summary, there are three different color stickers, and each person gets two stickers of the same color. One color is an item, one color is a descriptor, and one color is a function. The goal of the game is to put together three stickers, one of each color, into an awesome item (or in the case my game, a magical artifact). Then you put the stickers in a book and add drawings and/or text about it.

I used the rule mechanics almost exactly as stated in the blog post, with one exception: I changed the part about one sticker being a vile forgery, so people could match up both their stickers if desired. I re-themed the game to be high fantasy and titled it “Reclaiming Albion.” The story went that we were all native Albion scholars researching our magical heritage, which had been stamped out centuries before when an evil empire had conquered Albion.

Map of Albion, drawn by Wendy Shaffer.

Map of Albion, drawn by Wendy Shaffer.

Results and Observations:

I waited an hour after the stated party start time to launch the game; I wanted a critical mass of people present to give more possible match options. Time from the launch of the game until it finished was about three hours, with another half hour for sharing, although most people were not playing for the majority of that time.

After I handed out the stickers, there were a couple of really fast matches, mostly between significant others and tight friend groups. I was a little worried that the game would be over extremely quickly, but after that initial burst, players began to be more picky with their matches and explore options before deciding. The matches also became more difficult with less stickers in play, requiring more exploration. People began to mingle outside of their immediate circles. Did everybody do this? No. But it did give more opportunities for people to approach each other and get to know each other while working together, which was really cool to watch.

Perhaps because my party was smaller (~20 players), there were a couple two-sticker matches that couldn’t find a third sticker that was a good fit. In those cases, I waited a while to make sure a match wouldn’t materialize, and then provided a third sticker that would complete the artifact in a fun way.

Amazing folded art by Steve Young.

Amazing folded art by Steve Young.

Lessons Learned:

1. While this party was certainly more flexible than a standard mystery party, it still mattered that players were present at or near the start time of the game because later on, there were less stickers in circulation. I’d emphasize arriving early-ish in the invitation next time. That being said, for people who didn’t care about playing, arriving later was fine because there was more socializing happening then anyway.

2. I received a few suggestions of changes in implementation that could be interesting to try. One was to hand out four stickers at the beginning of the game instead of two, although I’m not certain about this one, as it would increase the options so hugely at the beginning. Perhaps another way to achieve something similar would be to have two rounds. The other suggestion was to make an explicit rule to encourage more mingling: for example, that everyone is only allowed to collaborate with each person once or that no collaborating is allowed with anyone you came to the party with. I tend to like to have as few rules as possible, but the results of either of these rules would be interesting to observe.

2. I provided paper to glue into the book to avoid a bottleneck of people wanting to draw/write/etc. and having to wait for the book. However, many people wanted to wait for the book anyway. I think perhaps if I had provided fancier paper, people would have been more excited to use it. (That being said, people began to use the paper once they realized how long a wait it was.)

3. I provided many different colors of ballpoint pen, as well as black gel pens and markers. I thought I’d gone way overboard, but people loved having a big selection. Next time I’d be tempted to provide an even larger variety of supplies.

4. At the end of the evening, several players were very eager to share their work and see other people’s work. I don’t know why I didn’t expect this! We sat around in a circle for storytime, when I showed all the illustrations and read the artifacts and text out loud. It was quite entertaining, and it allowed people to share their experiences from the evening.

5. I didn’t realize the book would be as amazing as it is. People took the opportunity to be creative and ran with it. Included with the stickers were: many drawings of artifacts; a map of Albion and surrounding areas, complete with broken seal; short stories; a limerick; and magical recipes concealed in a specially folded paper. It made me realize how excited people can get when presented with the chance to be creative together. (This shouldn’t come as a surprise since kids are the same way, but I see it in practice less frequently with adults.) I think having the atmosphere be fairly low pressure helped minimize feelings of self-consciousness as well. (Contrast this with indie RPGs that require improv, which provide very creative experiences but are too stressful for some people.)

All in all, a fun and successful party! And I made enough stickers that I could do another one. I think that re-theming the party could also keep it fresh enough for several parties with many of the same guests. (Or maybe I just think that because I’d love to do a science fiction theme.)

I have a weakness for Faberge eggs, so imagine my delight at this drawing by Nick Duguid.

I have a weakness for Faberge eggs, so imagine my delight at this drawing by Nick Duguid.

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When I talked about being on the panels at ConFusion, I mentioned I had another challenge coming up. And now it’s almost here.

The challenge: hosting my own party.

What’s the big deal, you might be asking. My local friends in particular know that I’ve thrown many parties. I’ve even thrown custom-written mystery parties, in addition to all kinds of theme parties and barbecues. I arrange board game gatherings on a regular basis. I convince people it would be fun to dress up to go see the James Bond movie. Event planning is something I’ve had some experience doing.

But when it comes to parties, I never host by myself. I have, in fact, never thrown a party of greater than six or seven people without a co-host. I discovered the amazing reassurance of having a co-host fairly early on, when it turned out a good friend’s birthday was three days after mine. It was only natural that we’d throw a birthday party together. And from there, a tradition was born. Since then, I’ve always found a co-host with whom to collaborate.

But that changes now. I’m hosting a party this weekend. By myself. I’ve been trying to keep it on the small side because of space constraints, but it’s definitely a party. And a themed “narrative entertainment” party, at that.

My biggest fear about hosting a party is always that no one will show up. That’s why having a co-host is so great–you’re guaranteed their presence, at the very least, plus they’ll be inviting all their friends too. It was a great way for me to get experience throwing parties. However, at this point I am 99% certain this fear is ridiculous and completely unfounded in reality. So by throwing a party, I’ll be putting that last one percent to rest.

I recently read an article about a study showing that when you’re experiencing performance anxiety, it’s better to get excited than it is to try to calm down. This makes complete sense to me because it’s helpful to have somewhere to put that nervous energy. I think back to the times I’ve been the most nervous, and in general it was for events that I was not excited about. Auditions mostly, which for me are just not as thrilling as performances.

Happily for me, I’m very excited about this party, which means whenever I start to feel nervous, I think about that excitement instead. I really like experimenting with parties that are a little different from the standard barbecue or “Apples to Apples” type affair, and trying new ideas to see what works in a party atmosphere and what doesn’t. This time I’m using a party game mechanic I’ve never tried before, and it was really fun to do the creative prep work for the game. I’ve had stickers custom printed, a friend has agreed to take photographs, and if all goes according to plan, by the end of the party there should be a physical book with records of my guests’ creative fancies. I expect it to be a memorable evening.

The teaser I've given my party guests...

The teaser I’ve given my party guests…

I’ll report back here next week to tell you how it went!

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I can’t believe I’m about to write an essay about friend-zoning, but so it goes.

A few of my friends have recently shared this comic called The Friend-zoner vs. the Nice Guy. The comments on their shares have generally been supportive, with the exception of one friend, who drew out a gem or two of responses. (I know, don’t read the comments, right? What was I thinking?)

One idea expressed was that it wasn’t okay to make fun of “nice guys” because it is nice guy shaming. Questions of comedy aside (a huge amount of comedy thrives on the principle of making fun of pretty much everything and everyone imaginable, and where the line is between appropriate and inappropriate varies from person to person and could take up a few textbooks, I suspect), I’m actually really glad to see this discussion of “niceness” as manipulation taking place. Because that’s what we’re talking about here. The comic isn’t so much making fun as it is illustrating a problematic behavior.

Now, is it only men who use niceness to manipulate? Of course not! Is it possible for people to take advantage of this nice guy behavior? You bet. (Which is another great reason not to do it.) But pointing out this kind of systemic problem is useful because it raises our collective awareness as a society, which means we can work towards healthier models of friendship and dating.

The idea has taken root that being overly nice or a people pleaser with no personal boundaries is a good life strategy. People are raised to believe this generally because it supports the system they’re a part of, whether that is a smaller family system or a larger system (the patriarchy being one example). Unfortunately, this is simply not the case. I would not have spent the last three and a half years busting my butt to change myself if I didn’t think being a people pleaser was problematic. It hurts the people pleaser, and it hurts the people they care about. Taking that a few steps further and using a lack of boundaries to try to manipulate other people is a dark and destructive path that ends in wreckage and disappointment. We call this “nice” but of course, this kind of thing isn’t actually nice at all.

However, what really strikes me about this conversation about friend-zoning is that we seem to have lost sight of what adult friendship is.

What friendship IS NOT: Preferential treatment that you don’t really want to be giving; trying to impress; a running tally of favors and obligations; a relationship you’re not really interested in unless it leads to something more (ie sex or a romantic relationship), all about you, all about the other person, all about making demands.

What friendship IS: Two people who genuinely care about each other. They want the other person to be happy, and they are also comfortable taking care of themselves and saying no when necessary. Friends perform acts of kindness for each other not because they are expecting something specific in the future but because they are happy and able to help and because they are already getting something valuable out of the friendship as it currently stands.

Two friends hanging out. Photo Credit: Sara Fasullo via Compfight cc

If your friend doesn’t think the two of you would work out in a romantic relationship, and you are angry at them about that because you were so nice to them, well then, that isn’t a friendship to begin with, is it? Will you feel disappointed to have your romantic overtures turned down? Sure. Will you need some additional space for a while? Maybe. But believing your niceness has somehow entitled you to a specific prize? Nope. Believing the other person is obligated to sleep with you because you’ve done favors for them in the past? No again. Accepting bad behavior from someone else because you hope someday they’ll date you? Not a strategy for happiness.

An authentic friendship can withstand the strain of a conversation where only one side wants to progress to a romantic relationship; a friendship based on lack of communication and high expectations of what might happen in the future often can’t. And trying to guilt someone into sex they don’t want to have? That is never the behavior of a friend.

In conclusion: If you want to date someone and don’t really have much interest in being their friend, that’s fine. Then don’t pretend you want friendship, and don’t do favors for them that you don’t want to do. Ask them on a date instead. If you have a friend and you’ve decided you’d like to date them, that’s fine. Tell them, and be willing and open to hearing whatever their response might be without thinking they owe it to you to say yes.

P.S.: After I wrote this, Diana Sherman published a post on the same topic. It goes into greater depth as to why the whole “entitled to date you since I’ve spent so much time with you” attitude sucks for the person on the receiving end and is well worth a read.

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On Tuesday, Robert Jackson Bennett and I started following each other on Twitter, and we chatted a bit, the way two writers on Twitter are wont to do. He mentioned that he wanted to write a blog post about his anxieties about death at some point, and I encouraged him to do so in spite of his reluctance. In fact, I said if he wrote the post, I would write about it too.

I kind of didn’t think he would do it. But he wrote this beautiful post, which is very much worth your time.

So. Here we are. And I have to keep a promise to write about death.

I’ve been afraid of death since I was eleven years old. At that time, my mom was clinically depressed, and she was suicidal. Death, I understood, could come at any time, and it was very, very real. All of my questions about death, all of my uncertainties, came with the very high stakes of immediate relevancy.

I hear that teenagers have this period of time in their development when they think they’re invincible. I never had that. I knew I could die. I knew life was an appallingly fragile thing, and I knew tomorrow might devastate me, leaving a hollow scream where my heart had once been. I knew tomorrow might never come.

I knew there was nothing I could do about it. I tried anyway, of course. I watched for signs of imminent doom. I learned to read people. I was inconveniently present. I sang “Candle on the Water” over and over. I never let my mom leave the house or go to sleep without telling her I loved her. It wasn’t enough. It was never enough. But it was all I could do.

When you live like that for long enough, it changes you. By the time my mom died of cancer eight years later, I had formed an intimate relationship with death and uncertainty. And one way this anxiety about death manifests itself is in my relationship with time.

You see, I never feel like I have enough time. Surprisingly enough, this hasn’t resulted in me being a workaholic or dashing around an overscheduled life. What it does mean is that I’m very aware of the passing of time, and I care about doing what’s important to me right now, or as soon as possible to right now.

It also means I hate wasting time doing things I don’t think are important. I don’t like running errands. I am the worst carpool participant I know because I calculate exactly how much longer I’ll be driving instead of already being at an event or doing the next thing I want to do. I don’t like how long it takes to clean my house or brush my teeth or cook my food. I get very restless when I’m waiting. Meanwhile, I am perfectly happy spending hours talking to a friend or walking around with my dog or practicing singing or writing or teaching a student or sitting on a plane so I can see or experience something amazing. I am either approaching infinite levels of patience or else I’m struggling to find any patience at all.

Amy and Nala

I know in my gut there will never be enough time. I love the world so much, how could there be? I will never have enough time snuggling with Nala, and I will never have enough time to write all the books I want to write, and I will never have enough time to learn all the things I’d like to learn. I won’t have enough time to meet all the people I’d love to meet, and I won’t have enough time to see all the places I’d love to see.

And most painfully, I won’t have enough time with the people I love. They will all die too soon for me, no matter the circumstances. And I will die too soon to love them as much as I want to love them. And all of us will be wiped away, our lives and loves and stories forgotten.

What, then, is left? How do I deal with this anxiety around death?

I love with everything inside of myself, even if my heart breaks repeatedly. I notice what is precious to me, and I hold it close. I celebrate being alive right now, and I celebrate that you’re alive too. I grieve when you leave because I refuse to downplay your significance in my heart. I laugh and I play and I work and I do things that scare me. It all matters to me, and when it doesn’t matter to me, I ask myself what I need to change so my life will become more in line with what I care about.

Robert Jackson Bennett said: “Maybe this is what I think the human condition is: shrieking and raging at the universe to pay attention, begging it to understand that this matters, and hearing silence.”

I’ve been hearing that silence since I was eleven years old. Bad things happen, and they change how you see the world, and you know it’s happening and you don’t want it to happen and then it happens anyway. And you can never return to that place of innocence that you never appreciated until you lost it.

But we still have choices. We can choose to be ruled by our fears, or we can cultivate bravery. We can give up, or we can work for what we care about. We can be silent, or we can tell our stories. We can close down, or we can open up.

If the universe answers with silence, so be it. We don’t need the universe to tell us what matters. We already know.

Death is always there, lurking in its otherwise deserted corner. Every moment it stays there is a victory. Every achievement I make, every milestone I reach, every hug I give and every connection I strengthen. Every breath I draw, every story I tell, every place I visit, every song I sing, every day I make the smallest bit brighter for another person. Every time I look into your eyes and we have a moment of truly seeing the other person standing there. They are all victories, and they all matter.

I am afraid to die, but I am so lucky to have this chance to live.

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This weekend I’ll be attending Legendary ConFusion in Detroit. I am so excited! This is my third year at this convention, and I always have a lovely time.

I’m also going to be a panelist this year, for a few reasons:

1. I remembered to sign up. And I knew I was going far enough ahead that I could sign up.

2. This is a great time for me to get panelist experience because the stakes for me right now are fairly low. I’ve been a panelist (actually, a moderator) at FogCon a few times, but I figured it would be good to give it a try somewhere besides my home con. Plus, the idea makes me a little nervous. I don’t feel very qualified, which means I’m probably experiencing impostor syndrome.  So I absolutely have to challenge myself and do it.

3. I really care about gender parity on panels, so I felt I should volunteer to increase the pool of female panelists. And if my schedule is any indication, ConFusion is doing a great job including female panelists this year, which is super awesome.

If you are going to be at ConFusion this year, or if you’re just curious, here is my schedule: (FIVE panels.  I’m going to talking a lot this weekend!)

 

What you might want to be reading RIGHT NOW

Saladin Ahmed (M), Amy Sundberg, Merrie Haskell, Patrick Tomlinson, Gretchen Ash

11am Saturday – Erie

Writers are almost always avid readers, and being in the business sometimes allows more insight into new and exciting authors, series, or just ideas that different people are playing with. If you’ve looked around and wondered what’s good that’s out now and in the near future, this panel may give you a new slew of books to track down.

Who Would Win: YA

Sarah Zettel, Aimee Carter, Amy Sundberg, Courtney Moulton

12pm Saturday – Southfield

Beyond Katniss versus Katsa and Alanna versus Tris–let’s also talk Elisa’s council versus Bitterblue’s council, Tris’s Factions versus Cassia’s Society, Moulton’s Fallen versus Taylor’s chimaera, and whatever else our panelists and the audience can devise.

What does rejection Mean?

Elizabeth Shack, Mike Carey, Amy Sundberg, Nancy Fulda, C. C. Finlay

5pm Saturday – Rotunda

Rejections are a part of the business when writing, but few of us understand what a rejection is – beyond the soul crushing part. We discuss what a professional rejection is and isn’t, and try to help shed light on both the why? and the what now?

How do I find the right fit when looking for an Agent?

Amy Sundberg, Lucy A. Snyder, Aimee Carter, Christian Klaver

7pm Saturday – Ontario

What do you look for? Should you ever consider changing agents or is there a situation where one should find more than one? What are some warning signs or things to avoid?

I, Symbiote

Amy Sundberg, Wesley Chu, Sarah Gibbons, Doselle Young

10am Sunday – Erie

AI, alien entities, ghosts, and hallucination can all result in  narratives with two minds in one body. What about this appeals to us, and what might that say in an era when we are approaching this level of technology?

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This weekend at Legendary ConFusion I’m going to be on a panel in which we discuss recent science fiction and fantasy novels that we thought were good, along with some that are coming out soon that we’re looking forward to. So it’s basically a recommendation panel. The perfect time for me to write about what I think about recommending books.

The problem with book recommendations is that taste differs. The biggest mistake I see people making with their recommendations (or at least the one I notice most often) is that they assume because they liked a book, that means I’ll like the book, even when they know nothing (or very little) about what I like and dislike. Which is another way of assuming everyone will like the book.

Everyone will NEVER like every book. I know this all too well because I have what I’ll call a distinctive sense of taste. This doesn’t mean I think my taste is better than other people’s, or even particularly developed. It means that there are plenty of books–particularly adult science fiction and fantasy–that are extremely popular and that I either really didn’t like or can’t force myself to get through.

Photo Credit: jinterwas via Compfight cc

As it turns out, readers enjoy different things and are bothered by different things. I read primarily for character, although I also appreciate a good plot. (See my love for Agatha Christie. A lot of her characters are pretty cardboard, but the mysteries are so compelling to me that I don’t care.) If the characters are interesting to me, I don’t mind a slower pace and I’ll even overlook some sloppy plotting (aka a coincidence or two). I am bothered by characters who don’t seem real, by extremely dense prose, by large and gaping plot holes, and by most large infodumps. I can sometimes let fairly far-fetched world building go, especially in the high-concept stage of the world, as long as the world remains consistent and the characters are involved in a struggle that captures my imagination. But even I have my limits. (Love is a disease that everyone is cured from when they’re 18? Nope. Couldn’t believe it.)

I don’t mind dark fiction, and I don’t mind sad endings, but I’m less excited if the entire novel is just flat-out depressing to me. (I couldn’t finish Revolutionary Road for this reason.) There are certain fantastical tropes that I’m pretty tired of, including: werewolves, Fae anything, dragons, and portal quests. That being said, I still read novels with these elements, I’m just more picky about how they’re handled. For some reason I have more patience for vampires, witches and other magic users, and the politics associated with monarchies. There is a whole complicated system of subgenres that I’m more likely to enjoy or bounce off.

This is all to say, recommending novels blindly is like doing anything else blindly: your success rate is not going to be all that great. So when I recommend novels, I prefer to do it by describing what a novel is like and leaving it to my audience to decide if it fits into their taste. For example:

  • This novel is like this other novel you might have read or heard about, and this is how.

  • This novel is great if you don’t mind the silly central world building idea. If that kind of thing bothers you, though, give it a pass.

  • This novel is this particular sub-genre, or maybe these two sub-genres combined.

  • This novel is fast- or slow-paced.

  • This novel concerns itself with this fantasy or science fictional trope. (If I think it’s a fresh take on the trope, I’ll say that as well.)

  • This novel is on the literary side. (If questioned, I can then try to define how I think this expressed itself in the particular novel under discussion.)

  • This novel is all about the action. This novel is light and fun.

  • This novel really made me think. (And if I can say about what, all the better!)

It’s okay that we’re not all going to love exactly the same things, whether they be books, movies, or activities. And not all recommendations are going to be equally successful for all people. To me, a book recommendation is more like a blip on my radar. Now I know the book exists, and I can make my own decision as to whether to read it or not.

Ultimately, it’s up to us to try new things, educate our taste, and expand our horizons. No one else can do it for us. They can only offer ideas and possibilities of which directions to go exploring.

Can you describe your taste in novels?

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I only realized in the past week or so that yes, on the whole, I prefer TV shows to movies.

This is a strange about-face for me to make. I was the roommate who, in freshman year of college, fought hard to prevent having the TV in the living room. I came from a household where we watched TV pretty much every night, usually for 3-4 hours, and I was sick of it. I became sick of it before I went away to college, and I’d hide out in the back room practicing music by the hour, reading lots of books, and whiling away my remaining time playing backgammon and Hearts with a computer AI.

But now, I find when I get to choose between a TV show and a movie, I am more likely to select a TV show.

I prefer TV shows for the same reason I prefer novels. I am what I call a character reader; I get pulled through a story because I am invested in the characters’ lives and development. World building I only care about if it is so off as to be distracting. Plot I care about more. But it is the characters who breathe life into the experience for me. And TV shows allow a lot more space for character development than most movies

But perhaps more importantly, I was listing my favorite shows and found that all of them feature either a female lead character or ensemble casts with plenty of female characters. Which is something that can be hard to find in the movies, which too often have the token female character or the two female characters who never even talk to each other. (Thank you, Bechdel test, for helping me systematically notice this.)

In fact, these days I tend to choose not to watch TV shows that have a male lead character as opposed to an ensemble cast. (The exception to this is Sherlock. My love for Sherlock Holmes is greater than my irritation at the low numbers of female characters in the show.)  I was never interested in Dexter or Breaking Bad. A serial killer who the audience is supposed to be okay with because he chooses his victims carefully? A teacher who is a drug dealer and brings his student and family with him on his downhill plummet? Ugh. Both of these shows have their merits, from what I hear, but they are unappealing to me. Plus in the current culture, neither of those characters, anti-heroes at their finest, could have been female, simply because they aren’t likeable enough in their conception. Ugh again.

No, instead I have an endearing love for Buffy the Vampire Slayer. (Not so much love for Angel.) I enjoy the ensemble casts of Battlestar Galactica and Game of Thrones. (Yes, GoT women tend to conform to types, but at least they exist as main characters, and their stories, horror and all, are illustrative of what it’s like to lack power and agency due to gender and the different ways they are forced to strive for power in spite of their genders simply in order to survive.) I rewatch Veronica Mars and Gilmore Girls. I watched every episode of Gossip Girl, and I’m catching up on Vampire Diaries.

Murray Close/Lionsgate Publicity Jennifer Lawrence as Katniss Everdeen.

Are these shows perfect? Not by a long shot. But at least I get to watch women doing stuff and being a real part of the story. Perhaps with the box office successes of Catching Fire and Gravity, I’ll get to watch more women doing stuff in the movies too. Maybe they can even do stuff together. Maybe Frozen did well enough that next time, I’ll get to watch a female snowperson sidekick/comic relief, without any sexist jokes being involved.

And in the meantime, I’ll be sitting on my couch watching Buffy.

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1.

There’s this article beginning to make the rounds called “My Wife is a Terrible Piano Player.” I’ll confess I didn’t read the whole thing, but I like its main point. When we start doing something new, we’re usually bad at it. The first time I tried to play the piano, I’m sure I sounded like a little kid pounding randomly on a lot of keys. Because in fact, that’s what I was. It took years of time and practice and instruction and effort for me to become a passable pianist.

This makes me think about grit, a word I’ve seen pop up a lot lately. There are several components to grit, it seems, but one of them must be the ability to persevere even when we’re bad at something. Really bad. Wince-worthy bad, our efforts plagued with mistakes, missteps (or misnotes, as the case may be), and misunderstandings.

The first time I play a new board game, I never expect to win. It’s not that I think winning is impossible or that I’m not good at games. But I like to give myself the space to be bad while I’m learning. I want to experiment. I want to be able to make mistakes without embarrassment or disappointment. Isn’t that what learning is all about?

2.

But some people grow discouraged and give up. They don’t give themselves the time they would need to become good at something.

I saw this difficulty as a teacher. It was particularly prevalent with gifted children. They were so used to everything coming easily to them that when something didn’t–like, say, music, which pretty much always requires lots of practice–it was really difficult for them to continue. They grew frustrated. They weren’t used to having to wait to become good.

Music lessons were probably one of the best things those children could have been doing. Because really what they were learning was not only music, but grit.

Photo Credit: Alan Cleaver via Compfight cc

3.

If, then, part of grit is giving ourselves permission to be bad at the beginning of learning something new, then another part of grit is cultivating self-discipline.

Becoming good at something is not always going to be fun. I love singing, but have I loved every minute of becoming a good singer? Have I enjoyed learning every song I’ve ever been assigned, figuring out how to practice effectively when I’m sick, doing the same exercise over and over and over, giving a poor audition? No. I love writing, but have I loved every minute of improving as a writer? Do I love the times when I’m stuck or whenever I realize my world building sucks or the endless revising or the hours upon hours writing personalized agent query letters? No.

If becoming good at something was pure enjoyment, we wouldn’t need much self-discipline. But there are always going to be off days and parts that aren’t very fun and repetition that is so boring you just want to scream at your screen and then go do anything else. And for things that don’t come with automatic structure, we have to provide ourselves with our own motivation and our own goal-setting as well.

Self-discipline, self-motivation, self-direction? All part of grit.

4.

Just in case anybody wants to talk about talent? Forget about it. Grit is more important.

We can argue about whether talent exists. I happen to think it does. But talent without grit is not enough. Grit without talent might be. Talent might give an extra boost, but having that boost makes it less likely you’ll develop the necessary grit. So if you do have talent, that means you have to work even harder.

5.

So the next time you start learning something new and you really, really suck at it, congratulate yourself and give yourself a pat on the back. “Good job for persevering, self,” you can say. “You’re showing some real grit.”

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