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“Anyone can write popular fiction… You just tell a story that everyone likes.”

Does this quote make anyone else’s blood boil? This type of talk makes me want to be alternately scathing, snarky, and pitying. I got it from an essay by Kat Howard, about her chance parking lot encounter with some fellow who made light of her post doc position in medieval and speculative literature.

I know I’m preaching to the choir here, and that most (if not all) of my readers understand how truly challenging and difficult it is to write a novel, whether it be mainstream or genre, adult or children’s, an epic tome or a light-hearted romp. And I don’t want to get into the genre/literary question, so let’s please not go there.

Instead, I’m going to break down this statement. Anyone can write popular fiction, can they? Let’s take a look.

Writing Fiction — Lifestyle — What It Takes

1. Hours upon hours of sitting by yourself doing the writing. Not to mention the research. Not to mention the revisions. Not to mention the nit-picky copy editing.
2. Avoiding the lure of Facebook, Twitter, Wikipedia, Farmville, MMORPGs, Solitaire, Minesweeper, etc. so you can actually do said writing.
3. Carving the time out of your already busy life, in which you’re also expected to have a day job, take care of your family, clean and do chores, and deal with life’s multiple disasters and time sinks.
4. Smiling and nodding when people say patronizing things to you. Explaining kindly and gently that building a writing career takes a long time, and no, it won’t make you rich. Alternately, getting into a lot of arguments.
5. Thinking about your story in the shower, while walking the dog, while doing the above-mentioned cooking and cleaning, while driving from point A to point B, and while you should be sleeping.
6. In your copious spare time (ha!), reading tons and tons of books, both in and out of your genre. Not to mention your nonfiction research materials.
7. Dealing on a daily basis with rejection and maintaining a positive upbeat attitude, a can-do spirit, and continued forward thinking to the next project.
8. Reading unpublished work from other writers of roughly your same level (at least in theory), learning how to both give and receive critiques

Writing Fiction — Craft — Required Understanding

1. Characters. This includes understanding every character in your book, knowing their back story, knowing their mannerisms and how they speak (word choice, etc.), knowing what they would know, knowing their motivations (what they want) and making sure you’re consistent about it. You need to keep your POV consistent over the course of the book, whatever you decide (first, close third, omniscient, etc.) Your protagonist needs to be sympathetic in some way. He/she/it needs to be a driving force in the novel, not a passive character who is only acted upon. Also your protagonist and probably other characters as well need a moving and well executed character arc, in which they grow and change and react to events and are different by the end of the novel.
2. Plot. This includes knowing how to structure a novel, making sure there is interesting conflict, making sure the stakes are periodically raised and the conflict builds over the course of the novel, knowing what your main narrative engine is, as well as keeping track of subplots and planning the correct number of them. Also the plot needs to hold together and make sense (no plot holes, please), you need to know the purpose of and conflict in each scene. You’ve got to keep the pace up (make stuff explode or whatever) or it will get too boring. This would also include making sure the continuity is sound and that the scenes happen in the correct order. You must make sure you create a hook at the beginning to draw the reader into the novel, and you aim for achieving emotional resonance and a certain closure at the end of the novel (unless it’s in a series, in which case you’re busy thinking about the overall series arc as well as the novel arc as well as deciding whether the novel needs to stand on its own or not).
3. World building. This is understanding how your world works. This includes the magic system, which needs to have rules and costs; geography, especially of a secondary world or another planet; economy; political system; social structure and mores; religion; technology level as well as any invented tech; magical creatures and/or aliens and how they differ from humans; and various existing infrastructure. Then once you’ve created your world, you have to get it across in the novel without over-utilizing info dumps or slowing down the pace.
4. Prose. This is being able to use the English language passably well, which is surprisingly difficult, even for native speakers. This includes knowing as many grammar rules as you can cram into your brain and then knowing when to break them. Points to remember include the following: eschew adverbs and speech tags other than “said” and “asked” and minimize speech tags in general. Vary sentence structure. Try really, really hard not to overwrite or use too many adjectives for your really shiny setting. Remember that you do have to say something about the setting, though. Try not to overuse words such as “that” or “really” or the “to be” verb. Use active verbs, but not too many weird verbs or it’s distracting. Spelling skills also help as spellcheck won’t catch all your mistakes.

Writing Popular Fiction that Everyone Likes — Good luck.

1. In order to make your fiction popular, you have to sell it. Unfortunately, being able to sell something is not necessarily the same skill set as being able to create something.
2. Ability to write and deliver pitches, queries, synopses, and basic summaries of your book that will make random people on the street want to read it instead of getting on with their lives. Also organizational ability to keep track of it all, including short story submissions, workshop/conference deadlines, and market research.
3. Social media and promotion! Blogging, tweeting, Facebooking, keeping up-to-date on the latest trends, recording a podcast. Being interviewed for blogs, radio programs, and podcasts. Writing guest posts, being active on forums, making a book trailer, always presenting your best possible face to the public. School visits, public readings, convention and conference appearances.
4. Being lucky enough to write in line with the current zeitgeist and have your novel come out before it ends.
5. Having your publisher decide that your novel is SO AWESOME that they’re going to pour big marketing dollars into its production and promotion. Getting good bookstore placement. Getting into many bookstores at all. Having your cover not suck. Getting big names to blurb the novel. (Please note that many of these things are outside the writer’s control.)

What did I miss? Feel free to kvetch below. Even being incomplete, I think my list makes it clear that writing a novel is never easy, and writing a really good novel is even harder than that. I rest my case.

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Okay, so on Tuesday we talked about loneliness and social media. But now I want to go back to my husband’s original comment: “Loneliness is the endemic disease of our time.” Specifically, I want to explore how loneliness now is different than it’s been in the past.First off, I imagine that there have been lonely people and lonely moments in all times. I don’t want to invalidate this truth, merely turn the spotlight onto the last century or so, when American society has undergone what I’m guessing is a fairly radical shift.

Once upon a time, people didn’t move around as much as they do now. It was normal to spend your whole life in the same town, or if not the same town, then the same region. As a result (and possibly also as a cause), families tended to stick together and consist of many generations and branches. Also as a result, people grew up together and had an easier time staying in touch as adults. If you lived in “Small Town America”, you might know most or even all of the people who lived in your town, at least by sight. Between these geographically close family units and towns (and add in churches to make society even more close-knit), many social needs were met.

What changed? My husband tells me that many families split apart during the Great Depression, when people had to move to find work. This is when the idea of the nuclear family (parents and their children) emerged. More people moved to big cities, in which it is easy to find anonymity (even if you don’t want it). More people began to go away to college, and only some would return to their hometowns afterwards; the rest would go where the jobs and opportunities were, or follow their romantic partners (either back to their hometowns or to where they had a good job). In 1937, 73% of Americans said they were members of a church, as opposed to between 63-65% now. But estimates are that in the past few years, as few as 20% of Americans actually attend church every Sunday (40% is the high end of the range); regular attendance does, of course, provide the strongest community ties.

So this is our new reality. None of my extended family lives in my local area, and as a result I’ve never gotten to know them particularly well. I don’t belong to a church that gives me a social safety net. I live about 60 miles from where I grew up, which is just far enough away to make in-personal social interactions difficult (especially since so many other people have moved away). I live about 40 miles from where I went to college, and many of my college friends moved into the same area, which is one reason I ended up settling here. I hear complaints all the time from people in their 20s and 30s who share how difficult it is for them to meet people and make friends now that they’re out of school (not to mention the dating problem). Plus, at least here in Silicon Valley, it is fashionable (or maybe just reality) that everyone is extremely busy almost all the time, making personal interaction even more challenging due to scheduling difficulties.

Meanwhile, many of my friends live elsewhere: in Southern California, Arizona, Chicago, the Denver area, Arkansas, Texas, Toronto, and even Australia.

Taking all of this into account, it’s not surprising that people might be experiencing a greater sense of isolation, is it?

Into this void, we’ve seen first e-mail, then cell phones with no extra fees for long distance calls, and then social media, internet dating, and Skype emerge. And thank goodness, because I think that we as a society needed something that would make connecting feasible again, that would allow us both to maintain far-flung friendships and to meet new friends. Social media has become as popular as it is because it fills our need for community. Even huddled alone in our separate suburban houses (or city apartments, or the sparsely populated countryside), we can still be a part of something bigger than ourselves.

Of course, for writers (who work alone so much of the time) and people who work from home (an expanding group), possessing some means through which to connect becomes even more critical.

Is loneliness really the endemic disease of our time? We’ve certainly seen a shift to a more isolated social model, but now we’re using technology to try to alleviate this problem. I certainly notice the difference in my day-to-day interactions, if I compare now with five years ago. What about you? How has your life changed?

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“Loneliness is the endemic disease of our time.”

My husband broke out this sentence last weekend, and of course, my response was, “Where’s my laptop? I need to write that down.”

There’s a lot to unpack in that sentence: at its most basic, the state of being lonely and all it entails, the idea of loneliness as a disease (and a widespread systemic one at that), and whether loneliness is more prevalent now than it has been in the past.

And once I add in the context of the conversation, which was about social media, there’s even more to think about. How does social media (Facebook, Twitter, the blogosphere, forums, online dating, etc.) affect loneliness? Does it make us feel more connected and satisfied on the whole, or does it, by diluting our pool of friends and sometimes encouraging quantity over quality and surface over depth, make us feel even more lonely?

I don’t think there’s a one-size-fits-all answer. Even if I examine my own personal experience, I’ve had both positive and negative reactions to social media.

The Bad:

1. Hearing about a party that all your friends went to, to which you were not invited, is not so fun. On the plus side, this means that when the party comes up later in in-person conversation (which it inevitably will), at least you’re not blindsided and can respond with the appropriate blasé remark.
2. Reading the never-ending stream of advice and opinions about writing and the publishing industry can be draining and kill my own inspiration and ability to work. I imagine this is true in other fields as well.
3. Time sink. Enough said.
4. Having a lot of Facebook friends is not the same as having friends who form my support network, with whom I have a private and personal relationship. And yet, sometimes Facebook distracts from the need to maintain those deeper relationships.
5. Friends’ internet time is not equal, so I will end up with more interaction with those friends who check their social networks frequently, as opposed to those friends with whom I have the closest in-person connections.
6. Social media makes me feel like I know what’s going on for people, and it makes people feel like they know what’s going on for me. Which is great, until I start to think about all the things I never say because they are too private for public consumption.

The Good:

1. One of the reasons I love blogging so much is because it allows me to use social media in a very content-heavy way, helping me balance the whole breadth vs. depth issue. Plus it gives me the chance to be a conversation-starter or to respond in depth to interesting conversations begun by others.
2. I am able to keep myself very informed and up-to-date on any of my interests or career concerns.
3. Social media makes it easier to reach out and create or find a community of like-minded individuals.
4. I can stay in at least nominal touch with a lot more people than I could have even ten years ago. Contacting someone out of the blue is also a lot less weird than it used to be.
5. Getting multiple birthday wishes (and having an easier time remembering and acknowledging others’ birthdays) makes me happy. Yes, I love birthdays.
6. Sometimes social media is great entertainment, pure and simple. And I love the way it lets people share content.

On the whole, social media makes me feel more connected, as long as I remember that it’s not a substitute for in-person time (or e-mail for those of my friends who aren’t local). What has your experience been with different forms of social media? Does it make you feel more or less isolated?

On Thursday, I’ll be exploring the idea of how loneliness fits into modern American society, and why it might be on the rise.

UPDATE: An interesting recent article on how Facebook helps people overcome shyness. It ends with the insight that some users become more lonely because of Facebook.

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