Feeds:
Posts
Comments

Posts Tagged ‘fear’

What I’ve learned in the last three hours of wrestling with this blog post and ultimately producing nothing I could use is that making a point effectively and concisely while maintaining and projecting empathy can be incredibly difficult.

Maybe this is part of the problem.

The troubles with internet culture are not new. From what I understand, Youtube has historically been a cesspit of bile and awfulness, which is why I never read any Youtube comments except when I’ve been unexpectedly hit by a train of stupid by my own brain. I’ve been aware of the death and rape threats routinely made via the internet for many years. And my corners of the internet have been quite troubled for the past several months, by Gamergate, by some controversy in the YA world that I speak about obliquely here and less obliquely here, by the Requires Hate reveal, and most recently by the Hugo award nomination fracas.

In short, the internet can be an ugly place to hang out. There is a cost associated with being here. There is a cost associated with being a thought leader and expressing your opinion here. It is a cost I have been aware of since I began this blog nearly five years ago.

A few friends of mine reached out to me after I published my piece on rocking the boat about #KeepYAKind. I listened to them carefully, and I’ve been thinking about what they said for the last few weeks. My main takeaway is, people are scared. People are scared to speak up. People are scared to share their opinions. People are afraid of the internet being dropped on their heads. People are afraid of the cost involved. They are afraid of the threats, the personal attacks, the harassment, the name-calling. And understandably so.

One of my friends told me, “Someday you’ll see this from the other side.” And it’s true, I know it can happen to me. Of course I’ve thought about it. Of course I’ve thought about what it will be like getting rape threats on the internet, because I’m a woman who sometimes talks about feminist issues, and no matter how careful I am, no matter how many times I read over each blog post and how thoroughly I consider my word choices, I will offend someone. And someday that someone might be a shitty person who thinks an appropriate way to respond is with a rape or death threat. And at some other point, I am bound to say something stupid. I’m sure I already have, and I’ll do it again. And the internet might fall on my head. It might be right about me, it might be wrong, but in that period of time, the rightness and wrongness will probably not be foremost in my mind.

I still disagree with the #KeepYAKind campaign. It showed an ignorance of the type of rhetoric and cultural training that have been used for decades to keep women quiet and “in their place” that I find quite troubling, especially given what it was in response to. And tactically, it was much more likely to silence the moderate and less privileged voices; the trolls weren’t going to be affected by it to anywhere near the same extent, if at all.

But I do agree that internet culture, and the harassment, bullying, and scare tactics that go along with it, are a huge problem, both for writers (my own tiny habitat in the pond) and for society in general. We can theorize about why internet culture is the way it is (the power of anonymity, the dehumanization and depersonalization of others that is perhaps an effect heightened by interaction over the internet, the attention economy, humanity’s history of only having to deal in relatively small social units, etc.). But all our theories will not change the reality.

Then we have Kameron Hurley’s recent inspirational piece about how the internet harassment she is subjected to is nothing compared to the difficulties faced by her grandmother in Nazi-occupied France. I will admit this gave me a severe case of mixed feelings. On the one hand, perspective is valuable, as is having the moxy to live loud on the internet and encourage others to do the same.

On the other hand, we’re looking at some problem comparing here. Of course internet harassment is not the same as living in Nazi-occupied France. But that doesn’t make the fear less real. That doesn’t mean anyone who is afraid or upset or angered by internet harassment should feel ashamed of those emotions. And shame is the danger that inevitably comes with problem comparing, even when such a comparison makes for a great rhetorical device.

Photo Credit: Roadside Guitars via Compfight cc

Photo Credit: Roadside Guitars via Compfight cc

Well, I am not ashamed. I’m a recovering people pleaser, for goodness sake. Of course I was afraid when I started this blog. If I hadn’t been afraid, I wouldn’t have needed any Backbone Project. I recognized the need for me to claim my voice in spite of the fear, and I’ve been working on that ever since. And I’m still afraid, sometimes. I still worry. It’s gotten a lot easier, but when I get the internet dropped on my head, I’m sure I’ll have a miserable time of it.

As a writer, I have to keep asking myself: Am I willing to pay the price for lifting my voice? Even when the price is stupidly high? Even if I’m terrified or creatively blocked or otherwise emotionally compromised by the experience? And if the answer becomes no, then so be it. There is no shame in that. Ultimately my own welfare and safety trumps everything else.

But so far, the answer is still yes. And I hope it will continue to be yes for a long time to come.

Read Full Post »

It’s time for me to start work on a new writing project, aka a new novel. And this endeavor has forced me into taking a look at the writing angst I’ve been feeling for the last month or so. It hit pretty much the moment I finished the previous novel.

Something I’m fond of saying is that one of the most important parts of being a writer is learning how to emotionally manage yourself. Because being a writer can be emotionally brutal (as can being a musician, as can being most kinds of artist). So if you want to be in it for the long haul, you’re going to have to learn how to deal with all the fun experiences that go along with it: the rejection, the waiting, the insecurity, the criticism, the solitary nature of the work, working on big, long-term projects, being able to finish, finding self-discipline, finding focus, handling the inner critic, etc., etc.

I had such a lovely time writing BEAST GIRL that most of my writer neuroses have been exceptionally quiet all year. My biggest worry was that my moving would derail the rough draft, and once I got over that hump okay, I had a relatively easy time focusing on the writing and revising in a calm fashion. A calm that shattered once I no longer had any work to do.

Suddenly the decision of the next project seemed a lot more weighty than it had before. I came up with a bunch of ideas, and then I came up with a bunch of reasons why I shouldn’t do any of them, or why I should do all of them, just so I could spend a nice period of time dithering and working out all that pent-up writing stress. (This makes it sound like I did this on purpose, but I can assure you it was entirely accidental.)

Finally, late last week, I decided to talk out my decision-making problem with any writer friends who were willing to listen. I talked and I dithered, I wrote summaries and dithered some more. I’m quite exceptional at the practice of dithering. And by the end of the day, it struck me.

This wasn’t about choosing which novel to write next. It seemed to be about that. That was certainly mostly what I was talking about. But that wasn’t my problem. My problem was in managing my writing-inspired emotions. My problem was FEAR.

I am underneath a giant spider. It is scary.

I am underneath a giant spider. It is scary. And also reminds me of LOTR and Harry Potter simultaneously.

Once I realized this, I was actually much more cheerful, as I have confidence in my ability to wrangle neurotic writer feelings. I was afraid agents wouldn’t like BEAST GIRL. I was afraid no one would like the next novel I wrote either. I was afraid it would be hard, and maybe I’d get stuck, or else I’d just be writing very badly, or I’d finish only to have all the agents say, sorry but I already have several manuscripts just like this one. Which is all fine and good, and the fear is real enough, but there’s nothing I can do about any of those things. I can’t control whether anyone likes BEAST GIRL. I can’t control how smoothly (or not) the next novel goes, or whether it ends up being like other novels that hit agents’ desks a year from now.

Recognizing the lack of control gives freedom. If my problem with choosing the next novel project was fear, then there was a simple solution. Choose anyway, go for it, be flexible, and see how it goes.

In conclusion, I am now hard at work at the brainstorming/researching/outlining/ figuring out stage of my next novel. Am I scared? Yes. Gloriously so.

Read Full Post »

A few months ago, Robert Jackson Bennett, Ferrett Steinmetz, and I wrote a series of blog posts that Ferrett called a “death-triptych.” I read Robert’s, then I wrote my own, but I didn’t read Ferrett’s. Well, I read the first sentence, and then I stopped because I knew it would hurt me to read it. So it’s been sitting in an open tab ever since, waiting for me to be ready.

Well, a few days ago, I was finally ready.

And this is the part of that post I want to talk about. Ferrett says:

“And I think: Gini is not a guarantee.  There is literally nothing in my life that is a guarantee now.  And I think: You were foolish to think that it ever was.”

This thought, that nothing is a guarantee, is not about death per say. It’s about life, and it’s about the human condition. It’s about how we experience life after we’ve been through trauma.

Or, as Myke Cole says:

“PTSD is what happens when all that is stripped away. It is the curtain pulled back, the deep and thematic realization that life is fungible, that death is capricious and sudden. That anyone’s life can be snuffed out or worse, ruined, in the space of a few seconds. It is the shaking realization that love cannot protect you, and even worse, that you cannot protect those you love.”

So the question becomes how do you go on living, once you have this knowledge? Once you know how fragile everything in your life is? Once you know how quickly you can lose what you value most? Once you know that sometimes nothing you can do will be enough?

My answer is that it is really, really hard. Sometimes you try to construct meaning into your life, like Myke talks about. Sometimes you question why you’re doing anything at all even while you continue to go through the motions, like Ferrett talks about. Sometimes you bend over backwards to create something, anything, that might be different, that might be a sure thing, that allows you to enfold yourself in the comforting fiction that you have some control over the vagaries of life.

And then there's always ice cream, which makes many things at least slightly better.

And then there’s always ice cream, which makes many things at least slightly better.

Sometimes you live your life with an intensity that other people cannot understand. Your emotions are heightened because in some way, you’ve entered into the cliché of living life like today is your last day: like right now is the last time you’ll have with a loved one, like every decision could have a lasting and significant impact, like any small sign could be your only warning of impending doom.

Instead of fear of the unknown, you have fear because you’re intimately aware of just how bad things can get.

And sometimes you become very adept at finding a nice, comforting rhythm with which to end essays like this, like the kind that Ferrett wished he could find but couldn’t. And the thing is, those uplifting positive statements are true. I believe in them with all my heart. I believe in making the most of the time you have, and I believe in keeping the heart as open as you can stand, and I believe that people can be good and noble and beautiful. I even believe that people can change. And I believe that making a difference in somebody’s life–even a small one–really matters.

But the truth is complex. And just because I can see the meaning, the stuff that makes life worthwhile, the positive outlook, that doesn’t mean I can’t also see the dark monster skulking under the bed. Life is freaking terrifying. It sometimes leaves us with too little to hang onto.

In the face of this reality, all I can do is put one foot after another and try my best to be the person I want to be, because of the rich tapestry of my life or in spite of it. It’s not much, but it’s what I’ve got.

(Oh, look. I found a nice, comforting rhythm with which to end this essay too. What a shock.)

 

Read Full Post »

I’ve been noticing lately how often anticipated regret plays a role in the decision-making process.

Regret can be a helpful emotion, however unpleasant it might be. After all, it is when we feel regret that we might take a closer look at ourselves and our priorities and decide if there are any changes we want to make. Regret can potentially push us to improve ourselves and our situations.

But making decisions to try to avoid regret in the future is a recipe for self-limitation, as is discussed by Jeremy Dean in his post The Power of Regret to Shape Our Future:

“Anticipated regret is such a powerful emotion that it can cause us to avoid risk, lower our expectations, steer us towards the familiar and away from new, interesting experiences.”

I’m in the middle of making a major decision myself, and I notice my fear of regret coming into play big time. I have three basic choices, and whenever I think of any of the three, my first thought is about the potential regret I’ll feel in the future. Unfortunately, this is more a recipe for paralysis than it is a viable decision-making strategy. Not surprisingly, the decision I perceive as the least risky in the long term is also the one that is the most boring and playing-it-safe.

Photo Credit: YanivG via Compfight cc

What’s particularly interesting to me is that I’ve made a lot of decisions in the past, and I actively regret very few of them. Even the ones I do wish I’d made differently aren’t black and white: they usually did give me some benefit, even if only that of more knowledge. But when considering feeling regret in the future, I don’t have the gift of hindsight to see both sides, so I’m much more likely to be caught in the trap of only considering the negatives of regret while forgetting the potential positives that haven’t had a chance to happen yet.

It’s also easy to overestimate how unpleasant and lasting the worst case will be. We think we are shielding ourselves from the harm of having something so negative come to pass, when in reality we are exaggerating in our eagerness to avoid a regretful result. This too can distort our decision-making process and dissuade us from taking risks.

I don’t know what decision I’m going to make for myself, but I hope I can keep fears of future regret on the back burner while I’m making it. When I shove those fears aside, I realize how lucky I am to have more than one option, all of which have a decent chance of making me happy.

Read Full Post »

This weekend I’ll be attending Legendary ConFusion in Detroit. I am so excited! This is my third year at this convention, and I always have a lovely time.

I’m also going to be a panelist this year, for a few reasons:

1. I remembered to sign up. And I knew I was going far enough ahead that I could sign up.

2. This is a great time for me to get panelist experience because the stakes for me right now are fairly low. I’ve been a panelist (actually, a moderator) at FogCon a few times, but I figured it would be good to give it a try somewhere besides my home con. Plus, the idea makes me a little nervous. I don’t feel very qualified, which means I’m probably experiencing impostor syndrome.  So I absolutely have to challenge myself and do it.

3. I really care about gender parity on panels, so I felt I should volunteer to increase the pool of female panelists. And if my schedule is any indication, ConFusion is doing a great job including female panelists this year, which is super awesome.

If you are going to be at ConFusion this year, or if you’re just curious, here is my schedule: (FIVE panels.  I’m going to talking a lot this weekend!)

 

What you might want to be reading RIGHT NOW

Saladin Ahmed (M), Amy Sundberg, Merrie Haskell, Patrick Tomlinson, Gretchen Ash

11am Saturday – Erie

Writers are almost always avid readers, and being in the business sometimes allows more insight into new and exciting authors, series, or just ideas that different people are playing with. If you’ve looked around and wondered what’s good that’s out now and in the near future, this panel may give you a new slew of books to track down.

Who Would Win: YA

Sarah Zettel, Aimee Carter, Amy Sundberg, Courtney Moulton

12pm Saturday – Southfield

Beyond Katniss versus Katsa and Alanna versus Tris–let’s also talk Elisa’s council versus Bitterblue’s council, Tris’s Factions versus Cassia’s Society, Moulton’s Fallen versus Taylor’s chimaera, and whatever else our panelists and the audience can devise.

What does rejection Mean?

Elizabeth Shack, Mike Carey, Amy Sundberg, Nancy Fulda, C. C. Finlay

5pm Saturday – Rotunda

Rejections are a part of the business when writing, but few of us understand what a rejection is – beyond the soul crushing part. We discuss what a professional rejection is and isn’t, and try to help shed light on both the why? and the what now?

How do I find the right fit when looking for an Agent?

Amy Sundberg, Lucy A. Snyder, Aimee Carter, Christian Klaver

7pm Saturday – Ontario

What do you look for? Should you ever consider changing agents or is there a situation where one should find more than one? What are some warning signs or things to avoid?

I, Symbiote

Amy Sundberg, Wesley Chu, Sarah Gibbons, Doselle Young

10am Sunday – Erie

AI, alien entities, ghosts, and hallucination can all result in  narratives with two minds in one body. What about this appeals to us, and what might that say in an era when we are approaching this level of technology?

Read Full Post »

On Tuesday night Jonathan Carroll had a quotation on his Facebook that resonated with me:

“Life shrinks or expands in proportion to one’s courage.”

Anaïs Nin

There are different kinds of events that call for courage. There is the desire to make change, of course, which I’ve talked about a fair amount in the past. There is the question of how we face and handle adversity. There is the desire to try something new. And there is the willingness to go back and do the same scary thing again and again, even if it doesn’t get all that much easier.

I think when we choose to be artists–whatever that means to you–we are, in a sense, choosing to face fear again and again. There might be times when we aren’t seeking change, when we’ve got the adversity of life under control, when we’re living in a comfortable groove of existence. But if we’re actively working as artists, we’re constantly pushing, striving, experimenting, and revealing ourselves to others.

I can see it getting easier with time and practice, but I can’t imagine it ever being easy.

I have three main projects I’m working on right now: I’m querying my completed novel to agents, I’m in the middle of writing a novel rough draft, and I’m planning a future project that involves experimental elements. Each of these projects involve artistic courage.

-Querying puts me straight in the path of the rejection of my work, and while most of the time I shrug it off fairly easily, occasionally a rejection will sting.

-The rough draft is not coming together like I’d hoped it would, so writing it has become quite the struggle. I also deliberately chose to work on a concept that I knew depended on a writing ability in which I lack confidence and feel fairly weak.

-The new project is something new and experimental, and I’m not sure if I’m going to do it yet. But if I do, I’ll be trying all kinds of new things, and because of this, the entire project has a higher likelihood than many of tanking. It takes courage even to consider doing it.

reaching for origami cranes

Photo Credit: Βethan via Compfight cc

And then there’s the drive as an artist to go deeper, to explore dark corners, to shine a light on truths that are hard and uncomfortable and scary. There is the call to show vulnerability in our work. All of this requires so much courage.

So I would say not only do our own lives expand or contract in relation to the courage we can bring to bear, but our artistic work does the same.

What do you have the courage to see? What do you have the courage to feel? What do you have the courage to communicate?

Read Full Post »

This summer I went to a workshop about dealing with fear, and I left it feeling disappointed. The teachers didn’t tell me anything I hadn’t already known. They kept using examples that either weren’t really about fear or that were about being afraid of public speaking. So it wasn’t a talk geared for me.

Apparently fear of public speaking is the second most common fear in the United States. But to me, it just doesn’t seem like a big deal. I get nervous ahead of time, and I over-prepare, and I don’t always do a good job with it. But it’s so much better than having to sing operatic arias in a foreign language I don’t actually speak that contain high notes I can’t actually hit from memory and then have my performance critiqued in front of a group of fellow singers. That’s what I spent my college years doing. Which was still better than actual auditions.

So one way to manage fear is to do something a lot harder, and then easier things might not seem so bad. Another way is to do whatever you’re afraid to do A LOT. So basically you’re practicing your way out of fear.

But really I was disappointed in the talk because there is no easy answer. Whether you’re afraid of speaking in public or dying, uncertainty or being treated poorly, there is no one-size-fits-all solution. And I wish there was. Fear is such an uncomfortable emotion. It can both hold us back and make things a lot more miserable even as we trudge forward. It can warp the nature of reality itself, making things that might be true seem like they are actually true. And it can make us physically ill in a variety of ways.

I have spent a lot of time being afraid. And ultimately it’s always the same thing that pushes me through.

Belief.

I remember once as a student, I was walking towards the music building where I had an audition. I think I was sick (I was almost always sick), and I already knew I wasn’t going to get the part. I thought to myself, Why are you even bothering? Why don’t you just go home? Why are you doing this to yourself?

But the answer was clear. I had decided to do this. I believed this was what I should be doing, even though I felt awful and I was really nervous and I knew I wouldn’t get the part. I had a vision of what I wanted my life to be, and this crappy audition experience was a part of that. So I went, and I did the audition, and I didn’t get the part, and I moved on.

Belief is still what gets me through fear. I fix my eyes on my idea of the future, and I clench my jaw, and I do what needs to be done to give myself a chance of getting there. The fear is still there, making things harder, making me pause and ask myself why I am putting myself through such difficulty. But I believe in my vision, and I hold onto that belief as if my life depends on it.

So I guess if I were to give a workshop on overcoming fear, I’d explore how to create a vision strong enough to withstand whatever fear can throw at us. I’d look for some exercises to promote self esteem, because in order to believe in a vision, I think we also have to believe in ourselves. And I’d talk about how to take care of ourselves and handle rejection and disappointment and failure and other obstacles in a resilient way that allows us to keep moving forward.

How do you overcome fear?

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 1,906 other followers