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Posts Tagged ‘change’

Last Thursday I was eating my lunch when I heard a horrible crunching sound in my mouth. I pulled out a small piece of white porcelain, confirming that yes, I had just broken the crown with which I had so much trouble two years ago.

I spent some time shining a flashlight in my mouth and staring at the damage, followed by some aimless wandering around muttering “Okay” at periodic intervals. After calling the dentist and making an appointment, I ended up laying on my study floor with Nala and staring at the tree outside the window.

I wanted to lay there looking at that tree forever.

My Tree

My Tree

A friend of mine posted on Facebook that he didn’t seem to have energy to do even simple tasks, but he was pretty sure he wasn’t depressed. I suggested it could be related to anxiety. I was speaking from personal experience.

The last two months have been among the most stressful of my life, coming at the end of perhaps the most stressful year of my life. And it turns out the symptoms of high stress that you hear about are actually true. They include:

1. general fatigue/exhaustion (I was so tired on Friday, I got lost in a familiar part of town.)

2. lack of ability to focus (my speed of reading has fallen drastically)

3. muscle tension (in my case, particularly in the back, shoulders, and neck)

4. less effective immune system (I’ve had the flu twice in the last three and a half months)

5. insomnia

6. memory loss/unreliable memory (Two weeks ago I double booked myself. I still can’t believe that happened. I am usually a scheduling goddess.)

7. easily overwhelmed

8. tension headaches

9. appetite changes

10. easily triggered fears/worries

I haven’t wanted to write about any of this for a number of reasons. But on Thursday, I felt like breaking my crown was too much; it was the last straw. I considered lying there and contemplating the tree forever. It seemed like a pretty good idea, until the thought wiggled its way into my consciousness that I should write about this. And eventually, buoyed up by this thought, I got up.

As a child, I was taught to try to be as perfect as possible. If I was going through a hard time, I was supposed to hide it.

But this belief contributes to the problem. Not only is it isolating, but it strengthens the idea that if we don’t handle everything perfectly, we are failures, when in reality we’re just the same as everyone else. Everyone has struggles. Everyone goes through hard times. Everyone has moments when they stare at a tree (or the road or the ceiling or the screen or their feet or the dark when they can’t sleep) and want all the difficult things to go away because they seem like too much.

So I’m going to be honest. I’m tired all the time. I prioritize my to do list carefully every day because I can’t get as much done as normal. Nala is always at the very top of that list, and everything else comes after. Sometimes it takes me an hour or more to figure out how to respond to a typical situation or request. I can’t always be there for my friends the way I want to be, and sometimes I have to cancel plans.

I’m not depressed. I love life, I love the world, and I am optimistic about my future. I have so many projects I want to work on, so many books I want to write, and so many people I want to spend time with, some of whom I haven’t even met yet. I get frustrated by my energy levels because I still want to do all the things.

But realistically, there is only a certain amount of stress any of us can handle before it begins to affect things. And I am past that amount. I look forward to a time when that’s no longer true. Hopefully it will be here soon.

And in the meantime, sometimes I will spend some time staring at my tree.

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The scene: A spring afternoon on a concrete patio with metal tables and chairs, close to the train tracks. A slight breeze keeps me worried that I should have brought more than my thin sweater, worried enough that I order a hot drink in spite of the sunny weather. A large dog lays with his head between his paws, gazing with eyes big enough that many of his actions automatically become characterized as mournful even though that’s not his personality at all.

My friend is telling me about a conversation she had with a customer service representative over the phone. After explaining recent events and how they pertained to the issue in discussion, the woman told her, “Don’t worry, now you’re getting the chance to start over.”

I say, “Don’t we all start over at one point or another?”

***

I have thrown away a bowl full of leaden gingerbread dough. I have discarded ten thousand words and started a novel from scratch (and felt grateful it was only that many). I have graduated, I have moved, I have ended relationships, rekindled relationships, started relationships. I have obtained employment, lost employment, quit, and changed careers. I have opened and closed a business. I have walked out of a lobby at a convention and sat for twenty minutes in my hotel room before coming back out and starting again. I have spent months recovering from physical injuries, only to re-injure myself and go back to the beginning of the process. I have rebooted my computer, my phone, huge strands of my life.

So I guess you could say I start over a lot.

***

A friend of mine moved recently, and in the process, she got rid of a ton of stuff. She hardly has any books left (she mostly reads electronically these days), most of her kitchen cabinets are empty, she’s getting rid of big pieces of furniture. I thought to myself, “Wow. This is the way to start over.”

By contrast, when I start over, I tend to carry everything with me: my experiences, my memories, my baggage, and physical mementos from the past. It’s certainly the bulkier way to go. But there is no one right way to start over. There is the way that feels right at the time.

My kitchen cabinets are full. But I do have an empty bookshelf.

***

The title of this post suggests that I’m going to offer up advice or maybe a list of ten bullet points summing up the process of starting over. But this time I don’t have a list for you.

Starting over is hard. A lot of that is because of the fear that often comes with it, the fear and the not knowing and the what if game. And starting over is stressful. If you look at the Holmes and Rahe Stress Scale, you’ll see that almost all of the most stressful events in life have to do with change: beginnings, endings, and starting over.

So really when we’re talking about how to start over, we’re also talking about how to be kind to ourselves and how to be resilient and how to deal with stress.

When have you started over?

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I really like the metaphor of the phoenix for transformation.

I remember learning about metamorphosis in grade school, and being excited I could remember how to spell it. (I had a happy gift for spelling.) The caterpillar stuffs its little self as full as can be, and then it spins a warm, comfy cocoon. I imagined it sleeping inside, engaged in curious caterpillar dreams, until one day it would wake up and break free, transformed. It sounded so easy.

That’s why I like the phoenix. The phoenix doesn’t have it easy at all. When it’s time for the phoenix to change, it literally bursts into flames. Being burnt to ash has to be excruciating. And there might very well be some uncertainty involved as well, because what if it doesn’t work this time? What if the phoenix does not become reborn? And even if it does, what if it’s different in some critical and upsetting way? What if it is no longer its self? What if it’s lost something valuable in the process of being reborn?

Photo Credit: Ryan McCurdy via Compfight cc

So often, that’s the reality of transformation. We don’t always know exactly what the end result will be. When I sit down to revise a manuscript, I often have the troubling thought, “What if I end up making it worse instead of better?” When I set out to change myself, I can only guess at the ripples that are going to spread out from that change. And those ripples, once they start moving, are extremely difficult, if not impossible, to control. Who knows where they’ll travel or how fast they’ll spread?

What we can know is the process will hurt. It will be uncomfortable. Bursting into flames, even if it’s only metaphorical, is clearly not the easiest path available to us. Excising large portions of a manuscript that represent hours upon hours of effort can be nausea-inducing even while it’s liberating. Any large change is going to require an adjustment period when nothing feels quite as it should. When you rip off the band aid, you take some skin and hair along with it. When you fling yourself into the world newly altered, you flail and whack one or more of your limbs against obstructions that you hoped to avoid or didn’t even know were there.

But the idea of the phoenix also encompasses hope. The phoenix is reborn. It returns renewed and refreshed, brighter and fiercer. It is a thing of beauty and fascination. Through the pain of the fire, the old is burned away, leaving space for something new and wonderful.

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“I think it takes a great deal of courage to be one of the people who tries to change the world in some way — I’ve heard too many people say that they’re not trying to change the world, that they’re just trying to entertain (particularly in their writing). But that’s the point of that? If you’re not trying to change the world, what are you doing, and why? I mean, doesn’t the world need changing?”

-Theodora Goss, Magical Women

We are taught to believe that changing the world is difficult, if not impossible. Changing the world, we are led to understand, is something people wish to do in their youths, and at some magical point, we will grow up, realize it’s impossible to create change, and give up our childish idealism.

But we artists, we’re all about changing the world. (And all of us have the capability for being artists inside of us, whether or not we’re creating art professionally.) In fact, art is so much about creating change, about communication, about shedding a different light on a subject, that it seems disingenuous to insist that the only purpose of any given piece of art is entertainment. This is simply not the case the vast majority of the time.

Take the wildly popular Broadway musical The Book of Mormon, for example. It’s by and large a fluffy, crowd-pleasing musical with fairly unexceptional music and a big sense of humor. It pokes fun at the Mormon church with practically every lyric. At first glance it isn’t obviously world-changing. And yet. By the end, the audience is given the impression that while those Mormons are funny folks with lots of hilarious traditions and a bit of hypocrisy thrown in for good measure, they’re basically just like everyone else, good people trying to do good in the world. And I’m sure some audience members have left at the end of the night of theater with a different opinion of the Church of Latter Day Saints than when they walked in.

Photo Credit: an untrained eye via Compfight cc

Now, it might be true that we do not intend change or anything deeper in our work than a romping adventure yarn. We might be unaware of some of the messages we are sending with our stories, our characters, and our imagery. But so many of the choices involved in artistic work either support the status quo or disrupt it. We are changing the way people see the world, even if it’s unconscious on all sides. If we write a series of novels with all active men characters and all passive women characters, then we’re helping to shape our readers’ ideas about gender. If we write and perform songs that glorify hate crimes, then we’re helping our listeners form ideas about what constitutes acceptable behavior.

We are taught that we don’t have power, and sometimes it’s easier to believe that and thus avoid taking responsibility. But the truth is, so many of us have the power to change minds and hearts. And sometimes the most important minds and hearts to change are our own.

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I am tired of apologizing.

Expressing empathy and sympathy? I’m all over that. But I’ve spent way too much of my energy apologizing for things that have nothing to do with me.

And you know what? I’m not sorry.

  • I’m not sorry that I may have different priorities than other people .
  • I’m not sorry that I have things I want and things I need.
  • I’m not sorry that I want to be treated with respect and consideration.
  • I’m not sorry for the life choices I’ve made, even if people don’t agree with them or understand them.
  • I’m not sorry that I don’t want to discuss my financial situation with strangers.
  • I’m not sorry that I have a different sleep schedule from the norm.
  • I’m not sorry that the ways in which I spend my time are not obvious.
  • I’m not sorry that I notice and sometimes point out sexism and misogyny in media.
  • I’m not sorry for my own opinion and assessment of myself.
  • I’m not sorry when I choose to say no.
  • I’m not sorry that I can’t be perfect.
  • I’m not sorry when I refuse to take on other people’s issues willy nilly.
  • I’m not sorry for the existence of my emotions.
  • I’m not sorry for standing up for myself.
  • I’m not sorry for communicating.
  • I’m not sorry for being complicated.
  • I’m not sorry that we don’t have every single thing about ourselves in common.
  • I’m not sorry when people won’t take care of themselves. I feel sad about it, because I know how bad that feels, but I am not responsible for the choices they make and the pain they put themselves through.

This is what it looks like to not be a people pleaser. You start apologizing a lot less frequently. Instead you communicate, and you compromise, and you take responsibility for yourself and your actions, and you surround yourself with people who are willing and able to take responsibility for themselves and their actions, and when you screw up on occasion, you apologize and make amends, and everything works out a whole lot better.

Stop apologizing for yourself. Start living instead.

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Here’s a new word I learned recently. I found it on Jonathan Carroll’s Facebook page, and he found it on this neat Tumblr. As is often the case for me, I’m not completely sure how to pronounce it. But I love it all the same.

Metanoia – the journey of changing one’s mind, heart, self, or way of life

At a party this weekend, someone asked me what I’d been thinking about lately. I was momentarily flummoxed because I’ve been so busy and preoccupied, I don’t feel like I’ve been thinking as much as I normally do. But now, a few days later, I realize the best answer would have been, “I’ve been thinking about metanoia.” Because really, I’ve spent a lot of time thinking about self change over the past few years.

At its heart, metanoia involves crystallizing priorities and learning to know yourself as well as possible. It’s hard to change something when you don’t understand what’s there to begin with. Strangely, it sometimes feels more like remembering than anything else. Remembering who you are, and remembering who you’ve always been. That knowledge becomes the starting point for whatever change you wish to create.

Surrounded by three of my dearest friends, I am very much myself.

Surrounded by three of my dearest friends, I am very much myself.

“Remember who you are.” That was my advice to a friend of mine this weekend, the only words I had to offer. It’s so important, isn’t it? Because without that, we can become so very lost or muddled or distracted. And we worry about what happened before and what is going to happen later and we compare ourselves to other people and measure ourselves against other people’s visions of who we are, instead of remembering that other people have nothing to do with our essential knowledge of ourselves. Good people can help support us while we take the journey, but it’s a discovery we must make on our own.

So metanoia is essentially taking yourself by the hand and saying, “Hello, you. Let’s take a walk down by the stream and lay down on the mossy bank and talk for hours and hours. And I will do my very best to listen carefully to what you have to say. I will listen to the good parts, the parts that make your heart soar and your body sing and your mind dance. And I will listen to the dark parts, the parts that are difficult and scary and secret and that you maybe wish weren’t true. And I will love you for all those parts, even the parts that I want to change, and then together we can decide where we want to go next.”

Remember who you are, my friends. Treat that knowledge like the precious thing it is.

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You know how people say that as you get older, you stop changing? They see the teens and early twenties as this turbulent time as you explore and establish who you are, and then your identity is set, and you are who you are.

This idea of selfhood has always disturbed me. I have never wanted to become set. I enjoy playing with identity, whether it is through writing characters, wearing clothes and costumes, playing RPGs, or acting on the stage. I like thinking about why I do what I do, and why people in general do what they do, and what influence society and families and past experience has on our emotions and decisions and worldviews.

But recently (and by recently, I mean ten minutes ago), I realized my own relationship with identity is more complex than that. Because I do believe there is an unchanging core of myself, of Amyness, that has existed as far back as I have memory. Just as I can look at old photographs of myself and see my current face in the chubby cheeks of two-year-old Amy, in the gawkiness of nine-year-old Amy, behind the huge glasses of teenaged Amy, so I can feel an ongoing sense of self that has persisted throughout my lifetime.

Yes, the title of this post might be a thinly veiled excuse for a cute dog photo.

Yes, the title of this post might be a thinly veiled excuse for a cute dog photo.

My friend Rahul wrote in one of his excellent essays: “I wonder if individuality is something that deepens in you when you start to live purposefully.” To come at the same idea from a slightly different direction, I think that through life, we can grow in ways that bring out and express our own individuality with greater strength and clarity. And these changes that we can make that allow ourselves to shine out ever brighter, these changes are what I am personally committed to and what I hope will never stop, no matter how old I become.

I have spent the last few years completely dedicated to change. Some of that evolution has been documented here on the blog, most explicitly through my backbone project. What I realize, though, is that I haven’t been changing the core of who I am. That sense of self is my foundation, the part that by never changing allows me to have the strength to challenge myself and my assumptions and make so many other changes. What I have been changing are my attitudes, my behaviors, my reactions, my understanding, and my choices. I have the freedom to change so much because ultimately, I am already so grounded in who Amy is that my core identity can survive through any changes I care to make.

And through all this change, I see the juxtaposition that so many of us struggle with. On the one hand, we want to be the same. We want understanding and empathy and sympathy, we want people to like the same things we like, we want to have that sense of connection that can come from sharing. But simultaneously, we want to be different. We want to rebel, we want to express our individuality, we want to be SPECIAL. And there is a push and pull created between these two opposing desires.

Only they’re not opposing at all. We can be both ordinary and special. We are all the same in some really basic ways. But each of us also has that core of identity that makes us who we are, whether we are consciously aware of it or not, and each core varies ever so slightly from every other core. And each of us has our own slightly different point of view as we travel through life. And this different selfhood and different perspective makes us special even as we are awash in sameness. In a similar way, we can be changing like mad even as we’re always ourselves.

Isn’t it neat the way that works out?

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“The irony of commitment is that it’s deeply liberating – in work, in play, in love. The act frees you from the tyranny of your internal critic, from the fear that likes to dress itself up and parade around as rational hesitation. To commit is to remove your head as the barrier to your life.” – Anne Morriss

My friend posted this quotation on Facebook the other day, and I’ve been thinking ever since about the relationship between commitment, fear, and change.

Commitment is, in a way, about leaning into the fear. Because once we become wholly committed to something, then we have something to lose in a way we didn’t before, and that can be really freaking scary. And commitment is about change, because even if it doesn’t cause any outward differences, it transforms what’s going on inside our minds and hearts. It alters our personal stories.

To commit fully is to feel naked and exposed. It is to drop any facade of insouciance or nonchalance. It is almost a confession, that this, this is something I’ve chosen to pour my heart, my energy, my time, and my passion into.

Commitment doesn’t come with any guarantees of success. If it did, it wouldn’t be nearly so interesting, so raw, so immersive in that which is vulnerable. But it does, as Anne Morriss says, remove our heads as barriers. It allows us to throw ourselves completely into our lives. It allows us to choose the kind of lives about which we can later sit down and write memoirs.

Photo Credit: thomas_sly via Compfight cc

When I think about my life, I realize that I couldn’t have followed through on the really hard things I’ve done without deep commitment. I couldn’t have gotten my college degree or had a senior recital. I couldn’t have moved to London. I couldn’t have started my own business. I couldn’t have become a writer. I couldn’t have engaged on a personal and emotional level with the people who are important to me. And I couldn’t have changed who I am and how I relate to the world.

All of those things involved risk and the chance of failure. All of them allowed the possibility of someone saying no, of things going wrong, of heartache and disappointment and mistakes, of me wimping out. All of them scared me.

When I arrived in London with my two gigantic suitcases, just out of college and with a freshly broken heart, a friend met me at the airport and helped me get to the place I was staying. And then he left, and I sat there, and I thought, “Oh my god, what have I done?” And then I cried. But the next morning I got out of bed and I left my flat and I explored London. Because I was committed to being there and having the richest experience I could, even though I was lonely and scared and didn’t know what I was doing.

There are so many times when I feel like I don’t know what I’m doing. Commitment helps me lean into the fear and discomfort of that feeling, and do it anyway. If we want to put ourselves out there in the world, if we want to try to do amazing things, I think that kind of commitment is necessary. The commitment gives us the permission we need to really go for it.

Commit and be free. I like that. It’s the kind of complex idea that requires a lot of thought to see the layers of truth it contains.

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I didn’t write a blog post earlier this week because I have the flu, and I spent most of Monday sleeping, and most of the rest of Monday having such a high fever that all I could do was sit around and think strange thoughts. I haven’t been this sick for quite some time. But I am going to do my best to write something for you today.

I’m going to tell you a story. Sometimes now when I write I hear James Altucher in my head saying “Bleed on the page.” And I see the photo of Penelope Trunk’s bruise after she had a fight with her husband. And I say to myself, I could never do that. But today I have the flu, which means I can do things I sometimes think I can’t, so this is that kind of story, only Amy-style.

I was sixteen or seventeen, in drama class. My drama teacher was big on improvisation and on giving us assignments that required improv. I wanted to be handed a script and learn my lines and figure out blocking, but that’s not the way things were done in drama most of the time.

My group was doing a skit that showed a teenage girl finding out she was pregnant in the middle of a family dinner. I was supposed to play the girl’s big sister who offered sage advice in a touching sisterly scene later on in the skit. But my classmate who was supposed to play the pregnant teen had been out sick for a long time, and eventually we had to perform the skit without her for our grade. So at the last minute, I had to step in to play the part.

Afterwards, I thought it had gone about as well as could be expected, given the lack of rehearsal time. I sat with the rest of my class in the seats facing the stage, glad it was over, until the drama teacher began really tearing into my performance.

Was I aware, she said, that I had been smiling the entire time? How horrible and awkward it had been, and how amazing my fellow group members were for somehow managing to continue on in the face of such a poor performance. And then she came right up to me, in front of the entire class, and said, “Do you always smile when you’re sad? Do you?” She was insisting on an answer I couldn’t give her, and it was all the worse because the answer was yes. And I hadn’t even known it until that very moment.

To this day, when I think of this story, my heart hurts.

I can even smile when I have the flu. Now there's talent for you. :)

I can even smile when I have the flu. Now there’s talent for you. 

Sometimes conditioning runs so deep that we don’t realize what we’re doing, even when we’re working very hard to be mindful. I write in this blog about a lot of things I still struggle with. I’m still a perfectionist. I’m still sometimes a people pleaser. I tell you that your emotions are okay, but I don’t always believe that for myself. When something happens that is upsetting for me, my first instinct is to pretend everything is okay.

Once upon a time, it was extremely important that I be good at acting in a very specific way. One that didn’t go over well in drama class.

That story is over now. But I still smile sometimes when I’m sad.

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A few weeks ago I got to have a conversation with a respected Buddhist teacher. I asked him if it ever got discouraging, working with people who are stuck in one place and seemingly unable to dislodge themselves. And I’ve been thinking about his answer ever since.

People change when they want to change, he told me. And if they don’t want to change, there’s nothing else to be done. Even when they do want change, the process is difficult and sometimes the desire alone is not enough. And sometimes people are so caught up in their own stories that they really don’t want to change. They’re comfortable in their suffering.

I know exactly what he meant, because I’ve been comfortable in my suffering in the past. It’s a strange way to think about things because of course, being comfortable in suffering is often vastly uncomfortable. The key is in its relativity: that however uncomfortable the suffering might be, it is less uncomfortable than the alternative. It is less uncomfortable than the prospect of what change might mean.

Photo by Graham.

However, it is not only fear of change that is a driver here. It is also an inability to imagine anything different. It’s so easy for us to become caught up in our worldviews to the point that we don’t remember that other worldviews even exist, much less have the possibility of being equally valid. It’s easy to become blinded to anything outside of our experience. It can be easy to expect the worst, and by expecting it, summon it into our lives. (And we might not even realize we’re doing this, because it might not feel like expecting the worst; it might simply feel like maintaining the status quo.)

We act based on what we know. So when we wish to change, we often must change not only what we are doing but also what we believe to be true. We must question what we believe to be within the range of possibilities for ourselves.

I believe in our capacity to change with an almost desperate fierceness. I have to believe in it that way because I’m right in the middle of it, and it’s hard, and I don’t want to falter in my resolve. I often feel like I’m working five times as hard as usual. This process rinses and repeats, often from the tiniest stimulus: how do I feel? where is that feeling coming from? is there a way I can think about this differently? is this part of the new me or the old me, the new world view or the old one? if it’s the old one, can I let it go? how can I use this to open more to the world?

It is quiet work. For the most part, the outside world remains unaware that it is happening. Sometimes a friend offers me a helpful hand. Sometimes that help is a distraction, the space to laugh at it all, or just the reminder, “Take some downtime, Amy.” Because while it may be quiet work, it is also tiring, making myself new.

But I’ll let you in on a secret. My imagination is working, and I can picture it now: where I want to go. Where I am going. And who I’m going to be. There was always that part of me imagining what I secretly wanted but thought could never happen. Only now I believe in it. That belief makes it almost close enough to touch. (Maybe I’m already touching.)

Whatever it is I’m doing, it’s no longer a comfortable suffering. Instead it’s something that reminds me what it feels like to be alive.

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