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Posts Tagged ‘book love’

I was hanging out in the hallway at the Nebula Awards weekend last Friday when I ran into my friend Rahul. He proceeded to completely floor me by mentioning that he throws books away when he finishes them.

“But you don’t literally throw them away, right?” I couldn’t help asking. “I mean, you don’t put them in the garbage, do you?”

“Actually,” he said, “I put them in the dumpster.”

After a few minutes of spluttering, I said, “I’m totally going to blog about this!” So here I am.

As appalled as I am by the idea of actually throwing books away (as opposed to giving them to Goodwill or selling them to the used bookstore), my constant struggle to stay within my allotted shelf space gives the idea a certain shine. Plus, there is no denying it’s easier to walk down to my garage and chuck some books in the dumpster than it is to make a trip to Goodwill. But really Rahul’s strategy highlights a key question:

Are books disposable objects? What value do they retain once we’ve read them? What value do they have if they sit on our shelves for years without ever being read? (My to-read shelves have expanded to encompass an entire tall bookshelf so I’m sure some of them will never be exposed to my eyeballs.)

I approach the ownership of books from a position of scarcity. I remember when I could only afford to buy a couple of (mass market paperback) books per year. This meant that my small personal library acquired an almost sacred feel to it, and I never got rid of any books, even ones that I really didn’t like. Even now, when I do sell books back to my local used bookstore, it’s not an activity without a certain element of pain (which also means I procrastinate about doing it). And I hardly ever remove an e-book from my Kindle and dread the day when I fill it up so I’ll be forced to curate my collection.

The bulk of my library. Once I take care of those boxes, this will be my dream room realized.

The bulk of my library. Once I take care of those boxes, this will be my dream room realized.

On the other hand, even while I adored my small personal library, I turned to the public library for the bulk of my reading. And heavy library usage does support the idea of books as disposable objects for the individual, if not for society. I kept my library books for two weeks or a month, and then the vast majority of them I never checked out again. Is Rahul’s practice of chucking his read books into the dumpster so much different, given that many libraries use donated books to raise funds through book sales instead of actually cataloguing and storing them? Sure, the library will receive fifty cents or a couple of dollars for that book donation, but not enough money to get anyone really excited.

So maybe books really are disposable objects. But I still can’t imagine throwing mine in the trash can; they have too much of an aura of magic and possibility for that. I’ve imbued these objects with so much meaning that I can’t bear to part with them, just as another person saves ticket stubs or theater programs. Except they’re not quite the same; books represent not only an experience I had in a past, but an experience I can choose to have again, albeit perhaps in an altered form since each reading of a book can expose new layers.

What do you think? Are books disposable? Do you throw books in the trash when you’re through with them? Should you start?

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Today I’m going to talk some more about books. What bliss!

Nonfiction:

At Home: A Short History of Private Life, by Bill Bryson
I wrote about this book here. Bill Bryson is talented at keeping me amused, what can I say?

How to Suppress Women’s Writing, by Joanna Russ
As a female writer, I found this book particularly fascinating. This book was published in 1983, but it certainly seems relevant today. I remember a certain comment on my post earlier this year about intelligent women, making the argument that women aren’t as intelligent as men because they haven’t created as many masterpieces–in literature, in music, in the visual arts. (Don’t bother looking for that comment, by the way. I deleted it. Life is too short for such stupidity.) If you are interested in why it seems that less of the literary canon was created by women, this book will help answer that question for you.

My Life in France, by Julia Child and Alex Prud’homme
I wrote about this book here. This book’s joy comes from the irrepressible personality of Julia Child. I don’t read a lot of memoir, but maybe I should.

Adult Fiction:

The Cloud Roads, by Martha Wells. Fantasy
Anyone who writes a book with somewhat dragon-like characters that doesn’t cause me to throw it across the rooms deserves a lot of credit. The plot is fun here, but what I really liked in this secondary world fantasy was the world building and learning more about the society of said dragon-like creatures. We learn about it through an outsider of the society, which makes the unfolding discovery seem natural.

The Beekeeper’s Apprentice, by Laurie R. King. Historical mystery
I asked Facebook for a recommendation for a mystery that had an eccentric woman genius as the detective, in the same mold as Hercule Poirot or Sherlock Holmes. One of my friends came through for me by recommending this book, the first of a series, about the female protegé of Sherlock Holmes. I’ve read several of these books, and I plan to read more. Mary Russell is a great character, and in addition to the mysteries, I love reading about her scholarship in religious history, which adds an extra dimension and depth to these books.

The Testament of Jesse Lamb, by Jane Rogers. Science fiction
Reading this book gave me a breakthrough on point of view for my own novel, The Academy of Forgetting, so I love it for that. I also like its slow pacing and build, its use of language, and its taking a familiar science fictional problem of fertility and making it intimate and deeply personal. (This book is also interesting because it was marketed as adult fiction, but it features a teenaged first-person protagonist. I’m guessing they chose to market it as adult because of the style.)

The House of Mirth, by Edith Wharton. Literary
This book took me awhile to read, and I was in love with it the entire time. It’s set in 1890s New York high society and has echoes of Jane Austen’s novels of manners, although this book contains a more overt social critique. In Austen, her heroines are forced to operate within the rules and strictures of society, but they are able to harness these rules into providing a “happy” ending for themselves, whereas this novel shows the tension between these rules and a woman’s desires and potential happiness, highlighting the society’s damaging attitudes about women and the price that is paid to follow society’s confining rules. So very fascinating. I’m also completely intrigued by Edith Wharton now. My thanks to Rahul Kanakia for the recommendation.

vN, by Madeline Ashby. Science fiction
I can sum up my enjoyment of this novel in one word: Robots! Robots are awesome, and the robots in this novel are no exception. The ending was a bit … strange, but overall, quick pacing, high stakes, and a fun plot made this novel quite entertaining.

Washington Square, by Henry James. Literary
I also have to thank Rahul for telling me about this novel (which means I should really tell you to go follow his blog, where he talks about all these fabulous books). What’s interesting about this book is that it’s about all these really awful people, and it draws viciously accurate portraits of their personalities. We also get to see the effects of living and dealing with really awful people on the heroine, Catherine, who is sadly not awful herself (she’d probably do better in that environment if she was). A well-done family drama, set in 1880s New York.

Shadow of the Wind, by Carlos Ruiz Zafon. Historical mystery w/ magical realism elements
I don’t really know the genre of this book. Also I have apparently been living under a rock because this book was really popular when it came out, but I only heard about it when my friend Bill Schafer mentioned it to me this year. And finally, I am reading this novel right now and am only halfway through, and I generally don’t recommend books until I finish them, because what if the ending doesn’t land? So we’re engaging in some risk-taking here. But it’s such a beautiful book so far that I feel it belongs on this list. I mean, it starts out with the “Cemetery of Forgotten Books.” What’s not to love about that? As a writer, I’m finding what Zafon is doing with first person POV (well, mostly 1st person) to be very interesting. As a reader, I am simply enchanted by the story and characters. Some poking around on the internet tells me that many people talk about it mainly as a mystery set in post-war Barcelona (which is such a rich setting, by the by), but I’ve been reading this as very much magical realism. The flirtation with the fantastic in this book is one of the parts that intrigues me the most.

All right, hit me with your own favorite reads of the year. I always like hearing about books that have made an impression. And if you have your own year-end book list, feel free to link to it as well.

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It’s that exciting time when I review the list of books I’ve read this year and share some of my favorites. Basically this is an excuse for me to talk about books I love, which is a particularly enjoyable activity. So enjoyable, in fact, that this year I’m going to write two lists: one of the Middle Grade and Young Adult books that I loved, and one of the adult books I loved.

Yes, it was a very good reading year, and I can’t narrow down any further than that.

Today I’m sharing my top list of YA and MG novels I’ve read for the first time in the last year. And it’s such a good list, it makes me happy just to contemplate it.

Honorable Mentions:

Legend, by Marie Lu. YA dystopia
Entertaining adventure story.

Daughter of Smoke and Bone, by Laini Taylor. YA fantasy
Very evocative writing, strong settings, enjoyable sense of wonder. I’m not generally a fan of long flashbacks, though.

My Top Ten:

The Skull of Truth, by Bruce Coville. MG fantasy
I heard Bruce Coville speak at a SCBWI conference, which motivated me to try his books. This one is probably my favorite so far. Clean, engaging writing, a fun plot, and I adore the skull character so much.

Chime, by Franny Billingsley. YA fantasy
What stands out in my memory about this novel is its unique voice and its strong sense of setting. Haunting.

Black Heart, by Holly Black. YA fantasy
The third book of a trilogy that always ends up on my year’s best lists. Holly Black brings her story to a close in a satisfying way, and the magic system continues to enchant me.

The Perks of Being a Wallflower, by Stephen Chbosky. YA contemporary
I read this for a book club, and I’m so glad I did. It’s a novel told in a series of letters sent to a stranger, and we get a deep look into the protagonist’s head and heart, cracks and all. It’s one of the best books I’ve read at catching the deep confusion of being a teenager.

Bitterblue, by Kristin Cashore . YA fantasy
This is a complex, layered novel about the recovery from trauma, both of a nation and of a teenaged girl. It doesn’t rush or skirt away from the hard questions.

Every Day, by David Levithan. YA fantasy
The writing is good, but what makes this novel is its central conceit: that every day, the main character (who is genderless) moves into a different person’s body. Fascinating exploration of identity, morality, and love.

The Fault in Our Stars, by John Green. YA contemporary
I wrote about this novel here. I am not the only person who thinks this book is brilliant.

Looking for Alaska, by John Green. YA contemporary
Oh, John Green. This book is also brilliant. The voice, the characters, the themes, the setting. This is a book that rips your heart out and makes you wiser because of it.

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, by Catherynne Valente. MG fantasy
This book is both beautiful and clever. It reminds me a bit of the Oz books in terms of its narrative style (omniscient) and sense of wonder, but with more modern sensibilities and better plotting. And it really is so insightful and clever, with a heroine that I want to spend lots of time with. (In fact, I have the next book in the series, it’s a minor miracle I haven’t read it yet.)

A Monster Calls and mask
A Monster Calls, by Patrick Ness. MG…contemporary w/ fantasy elements? You decide.
This book broke my heart. It delivered my most powerful emotional reading experience of the year. It uses the fantastic as metaphor in truly masterful fashion. You want to read the physical version of this book, not the electronic one, because of the beautiful artwork that really adds to the story.

What were your favorite YA and MG books you read this year?

 

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Last week I spent way too much time filling out the Locus 20th Century Poll. I had to make two lists: my top ten favorite science fiction novels from the 20th century, and my top ten favorite fantasy novels. (There were short fiction categories too, but I’m less well read in those categories. And the 21st Century poll, since it only covered twelve years, was not as time-consuming.) Locus provided a handy reference list of many eligible novels that I poured over.

What I found fascinating was the difference for me in creating the science fiction list versus the fantasy list. For the science fiction list, I had no trouble coming up with ten titles. In fact, my main problem was I kept coming up with ever more titles, and then I had to choose which ones to actually include in my final list, and in what order. And all the titles I was coming up with are books that I’ve adored, that have had a huge impact on me, that I could obligingly gush on about for some time.

And then I started working on my fantasy list. I eventually added Guy Gavriel Kay’s The Lions of al-Rassan and Robin McKinley’s The Blue Sword, both of which I am deeply enthusiastic about and neither of which was on Locus’s reference list. However, the other novels I listed, while entertaining novels and influential in the field, did not inspire the same gush-worthy feelings. I’ve always thought of myself as an equal lover of both science fiction and fantasy, so this surprised me. Which led me to consider the general pervasiveness of fantasy in my experience of story.

I fell in love with science fiction as an adolescent. I still remember exactly where I was when I finished reading Ender’s Game for the first time, and how I felt about it. I was twelve. And from then on, I swallowed science fiction novels from the library’s adult section upstairs in great gulps.

But fantasy has been with me from the very beginning. I didn’t call it fantasy back then. In my experience, it was a natural and inevitable part of the landscape of storytelling. It was my air. Even the picture books my mom read to me before I could read to myself involved talking animals and portal quests and magical items. And those titles in children’s literature that I now know are part of the fantasy genre? I can gush about them just as long and just as fervently as I can about Dune or The Handmaid’s Tale.

I grew up on fairy tales, so very many fairy tales. I loved them with a passion. My other two favorites? King Arthur stories and Robin Hood stories. I devoured so many of the children’s fantasy classics: Peter Pan; The Wonderful Wizard of Oz and all the other Oz books at the library; The Narnia Chronicles; the Roald Dahl books (I particularly adored The Witches); The Phantom Tolbooth; Mary Poppins; The Sword in the Stone; Tales from Shakespeare by Charles and Mary Lamb (I loved The Tempest and Midsummer Night’s Dream); Freaky Friday; The Dark is Rising series; the Black Cauldron series by Lloyd Alexander; Alice’s Adventures in Wonderland; Mrs. Piggle-wiggle’s Magic, The Princess and the Goblin; E. Nesbit’s novels; Diana Wynne Jones’s novels; The Ordinary Princess; The Hobbit. And eventually I was lucky enough to graduate to Tamora Pierce and Robin McKinley.

This was one of my two favorite books (along with Ender's Game) for almost a decade. Then I added many more.

This was one of my two favorite books (along with Ender’s Game) for almost a decade. Then I added many more to my favorites list.

So now whenever I am asked about my favorite fantasy novels, or my fantasy influences, or apparently when I try to make lists of fantasy novels, those books and stories from my childhood are what I remember. I remember them from a time before I knew fantasy was a separate thing (which means, of course, that it doesn’t have to be). And a lot of my gush-worthy fantasy feelings are focused there. (Several of my favorite new fantasy novels have also been YA or MG.)

This doesn’t mean I can’t appreciate adult fantasy novels, or even love them. But I do think I approach them with eyes and mind very much informed by children’s literature, those titles that were such a deep and early part of my love of reading and of story.

How about you? Did you read a lot of fantasy or science fiction as a child? How difficult would it be for you to make those two top ten lists?

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Dear Library,

I can’t remember the first time I stepped through your doors. In fact, my first time probably involved being carried, too young to walk. I didn’t realize then that I was visiting one of my lifetime homes.

What I do remember is visiting you without fail every other Saturday afternoon. Library Saturday, one of the high points of the week. I remember exploring the high stacks of the children’s section, what we might call Middle Grade today. My mom would linger by the new releases section, trying to pick out titles she thought I’d like, while I flung myself into the great sea of books.

Maud Hart Lovelace’s Betsy and Tacy books, Donald J. Sobol’s Encyclopedia Brown books, Frank Baum’s Wizard of Oz books. I checked out the first two Lord of the Rings books but not the third, and then nearly died waiting for the next Saturday to get the third…but it was too late, the magic was lost, and I never finished. The Mary Poppins books, getting T.B. White and T.H. White mixed up, and then I discovered E. Nesbit and the Mrs. Piggle-Wiggle books and Zilpha Keatley Snyder (oh, Below the Root).

I unearthed Beauty by Robin McKinley from your shelves, and it became my first long-lasting favorite book. I found the Pierces, Tamora Pierce and Meredith Ann Pierce, and devoured them. And when I needed a sure thing, I’d wander over to the other side of the room and choose a fat collection of fairy tales: one of the colored Fairy books, perhaps, or a collection of Grimm.

And then I graduated to Upstairs where the adult fiction lived, an endless stream of Piers Anthony and Anne McCaffrey and Andre Norton and Victoria Holt.

Photo by Thomas Hawk

Some of my happiest hours were spent browsing underneath your roof. I started my own little library at home, but it didn’t matter too much that I couldn’t afford all the books I wanted because I could always visit you and find something new to read that would transport me to a magical place. That would teach me what the world could be, what my place might be in it, and how to live.

And your guardians! The wise folk who spend their days roaming your halls and helping make your knowledge more accessible. They smiled at me when I checked out the maximum twelve books every time. I couldn’t help thinking that by spending so much time there, they were absorbing the essence of the place, a situation I deeply envied. Because who wouldn’t want to spend their time surrounded by books?

Oh, Library, I love you so. You are always there waiting for me, willing to give me the brain food I crave. You, with your multiple locations and quiet reading areas and musty smell and old books that have worn edges and yellowed pages and have been touched by who knows how many pairs of hands. You, who offer knowledge and adventure and magic and possibilities to anyone who enters. You, who played such a large role in who I am today and who I will become tomorrow.

I love you, Library. You will always hold a special place in my heart.

Your admirer, and perhaps even (do I presume too much?) your daughter,
Amy

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Book worm: a person who cannot imagine an existence without reading.

It just occurred to me the other day that most people are not book worms. I mean, I know that most American adults do not read that many books; in 2007 the media had fun complaining about how 27% of Americans hadn’t read a book in the last year, and looking at that same study, of the remaining 73% of people who did read, 25% of them had only read 1-3 books in the past year.

Sometimes numbers take a while to sink into my brain. But I met someone at a party recently who announced, “I don’t read.” I appreciated his bluntness: no excuse making, no pretending. And I realized these hypothetical people who don’t read (or don’t read much) actually exist. They are all around me, all of the time! My lifestyle, in which books have always featured prominently, is not the way everyone I know lives. What an epiphany to have, right?

I love reading. I feel physically hungry to read more good books. When I purchased William Shakespeare’s complete works for the Kindle, I almost started crying because I can now carry all of Shakespeare’s words wherever I go. I cannot contemplate a life in which I don’t have time to read; my brain cannot even compute the possibility.

Photo by Eneas de Troya

You know you’re a book worm when:

1. You worry when you leave your house and don’t have a book with you.
2. The idea of having hundreds of books on a portable device reduces you to tears of joy.
3. Libraries and bookstores are the most amazing places on the planet because you can experience physical proximity to so many books at once.
4. The idea of having your bedroom lined with bookshelves gives you a cozy feeling.
5. When you think of being stranded on a desert island, your first concern is what books you would choose to have with you (and how you’d survive if you didn’t have any books at all).
6. One of the best parts of planning a vacation is choosing the books you’ll take with you.
7. You buy a special book for your birthday each year so you know you’re guaranteed to have a pleasant day.
8. You know every section of wall in your home that could be used for more bookshelf space in the future. Book storage is one of the most important uses of your home.
9. You have trouble getting rid of books, even duplicates.
10. When called upon to choose between reading a good book and doing another activity, it is a really tough choice. (Or it’s an easy choice; of course you’d rather stay home and read.)
11. Your favorite gift to receive is a gift certificate to buy more books.
12. It is hard to leave a library or bookstore without a large stack of books.


13. You are pretty much always in the middle of at least one book.
14. Your most important criteria when purchasing a purse/bag is how big a book it will fit (the winners are the ones that will accommodate hardcovers).
15. You want to live forever because otherwise, think of all the books you’ll miss!

I love being a book worm. It brings me so much joy. What about you? Are you a book worm? Do any of the above behaviors sound like you too?

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I’ve been reading Bill Bryson’s most recent book, At Home, which I wanted for months and then received for Christmas (and even then, it took me another couple of months to get to it, which goes to show how out-of-control my to-read stack has gotten). Its subtitle is “A Short History of Private Life,” and its chapters are named by rooms of the house. Bill Bryson’s 19th century former rectory house, to be precise.

This is what my book looks like.

I thought the book was going to be full of anecdotes about each of the rooms: what activities were typically performed there, how those varied over time, how each would be furnished, etc. And there certainly is plenty of this information in there, but that’s only a beginning. With his typical charm, Bill Bryson supplies bucketfuls of mostly random (but still fascinating) facts that are often only tied to the room in question by the loosest of associations:

  • the building of the Crystal Palace for the Great Exhibition of 1851
  • the usefulness of bats as a species and how many are now in danger of extinction because of rabies myths
  • the building of the Eiffel Tower and how it is constructed of iron, not steel
  • how ice became a commodity
  • how very dark it used to be at night, and various techniques of lighting

Although I like this cover art better!

My main take-away from the book is that it really sucked to live in the West after the Roman Empire and before the twentieth century. It was dark and painful and exhausting and dirty, full of back-breaking daily labor for almost everyone. People would get sick all the time, sometimes even from the chemicals they used in the wallpaper and paint on their walls, and there was no anesthetic. Rats and mice would scurry over your bed, especially if you were a child sleeping in a trundle bed. And if you didn’t want your loved one’s body stolen by grave robbers, you had to keep it in your house until it went bad and began producing maggots. Yuck.

As a woman, it sucked even more. You either had to perform repetitive back-breaking labor (like laundry, which also involved chemicals that made people sick) or, if you were lucky, you had to sit around and be bored out of your mind while preserving your delicate sensibilities. Thank goodness music and art were considered appropriate activities for woman, but heaven forbid you read a novel. You were considered property and in England, at least, it could be quite difficult to get a divorce. Beating was commonplace and no grounds for leaving; it merely showed you lacked sufficient patience. Doctors would often dismiss your medical complaints because you were a woman. And you’d probably end up dying in childbirth anyway.

I am even more grateful than usual to be living now, in an age of antibiotics, safer childbirth, labor-saving devices, electricity, and more opportunities for women. If I could choose any time period to live in, which would I pick? I’d pick NOW, thank you very much. I like having teeth and the right to vote.

In any case, it’s a great book and I recommend it. And now I have to ask: if you could choose any time period to live in, which would you pick?

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Last week I read John Green’s new novel, The Fault in our Stars.

This is not a review.

After I had read the first twenty-one pages, I told my husband this was going to be the best book I’d read all year.

A little while later I went to the bookstore and bought the hard copy because if Amazon ever disappears and I no longer have access to my e-books, not having this novel would be a particular tragedy. Also, I wanted to hold the tangible printed version in my hands.

When I was twelve, I started writing a novel from the point of view a girl about my age who had been diagnosed as HIV positive. I didn’t get very far with it, but it has lived on in my mind ever since. So when I heard the premise of The Fault in our Stars, I knew I had to read it. It is a novel from the point of view of a girl of sixteen who has terminal cancer. It is a heart sister to the novel I never wrote, that I couldn’t write, and the fact that it exists makes me breathe more freely.

This novel is not a sappy issue book that makes you want to yell at it as if it is conscious before you hurl it across the room and mope.

This novel is not an easy book to read. I can only imagine what it must have been like to write.

This novel is not perfect. Our protagonist says at one point that the movie V for Vendetta is a boy movie. I completely disagree. Of course, one could argue that this slight blemish makes the book even more perfect.

If you talk like either of the two main characters and/or think about the things they think about, I want to be your friend. We can go to a coffee shop every week and have deep existential conversations in between making ironic statements that have us internally rolling on the floor even though on the outside we only cue our mirth with a certain type of smile. If you don’t live nearby, you should move here. It will be worth it.

Also, when you worry about what your life means or may mean or may not mean, I will hold your hand, if you will hold mine.

In the meantime, enjoy this novel. Its construction is a miracle to behold. It has layers upon layers, a story within a story (and then some). It plays with language. It is a brave book. It talks about things that matter that maybe most people don’t want to talk about, like death and dying and illness and meaning and love that lasts through it all. It does not flinch away.

This book punched my heart even while it fed it. Or it filled it up till brimming even while it broke it.

Thank you, John Green.

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As the year draws to a close, my attention turns to the list of books I have read this year. I’ve been keeping track for the last three years, and I’m surprised at how much pleasure this small habit gives me. I only write down the books I have finished, which eliminates many books every year, nonfiction taking an especially big hit since I often read selections from nonfiction books instead of reading them from beginning to end. Re-reads count, as do beta reads for novelist friends. Short stories and novelettes do not count unless they are in a collection, but novellas sometimes do…if I remember to include them.

Looking over my list for 2011 as of today, I’ve selected my ten favorite new-to-me reads thus far this year. It’s been a fantasy-heavy year for me, in stark contrast to my list of favorites of 2009, which was very science fiction-heavy. Maybe next year I can find more of a balance.

I did read several YA dystopias this year, but upon reflection I am unable to include any of them on my “Best of” list this year. While some of them were entertaining, none of them hold up particularly well in my memory, and almost all of them suffer from some flaw or another that makes me hesitate to recommend them. I haven’t read all the recent YA dystopias that have received good buzz yet (I’ve heard good things about Blood Red Road and Legend, for example), so it’s my hope that I missed a few gems that I’ll catch up on next year.

Favorite YA Novels:

1. Where She Went, by Gayle Forman. Contemporary YA
This is the sequel to If I Stay. It is told from the point of view of a young rock star who is trying to come to terms with his life and his decisions. The two main characters are both passionate about music, which possibly explains why I particularly like it.

2. Red Glove, by Holly Black. YA contemporary fantasy
This is book 2 in the Curse Workers series, and it does not stand alone. I’ve been really enjoying this series; the world building is strong and the books have their own distinctive voice that make them both enjoyable and memorable.

3. Anna and the French Kiss, by Stephanie Perkins. YA contemporary romance
A romance set in a boarding school in Paris. The plot isn’t the strong point here, but the protag Anna’s voice is likeable, distinctive, and feels very very real.
4. The Girl of Fire and Thorns, by Rae Carson. YA epic fantasy
This is by far the best YA novel I read this year. The worldbuilding, voice, plot, characters: all of them worked for me. It reminds me a bit of old Robin McKinley a la The Blue Sword, but definitely tells a story all its own.

Favorite Adult Fantasy Novels:

5. The Broken Kingdoms and The Kingdom of the Gods, by N.K. Jemisin
The last two books of her trilogy, these books do (more or less) stand alone. This is epic fantasy written straight for my own personal taste. I think I particularly love these books because they are NOT set in Ye Olde Medieval Europe only sanitized; the setting feels real and true to itself, and the characters aren’t cookie cutters either. Plus I love the books’ cosmology so much, and I enjoyed the last book in particular, told from the POV of one of my favorite of her gods.

6. Among Others, by Jo Walton. Contemporary-ish Fantasy (set in the 1970s)
You might have to be an SF/F fan to truly appreciate this book (although that being said, plenty of its references did not hit the mark with me). This book takes place after the big show-down of the plot, so can be seen as a novel-length denouement (although of course it is more than that) and it unfolds itself leisurely and with great character depth. The end didn’t work for me, but even so, it was one of my best reads of the year.

7. The Map of Time, by Felix J. Palma. SF(?)
I suppose this novel is technically science fiction, since it involves time travel, but it read more like fantasy to me. A spellbinding yarn that weaves in and out of itself in a few (to me, at least) unexpected ways, this historical fantasy/sf/whatever-it-is charmed me, especially in the sections involving the author H.G. Wells.

8. Zoo City, by Lauren Beukes. Contemporary Fantasy
It’s the worldbuilding of this novel that makes it stand out, set in modern South Africa exploring the consequences of one little addition of fantasy/magic to the world we know now. This novel moves at a furious clip, and occasionally the plot suffers from this, but it’s worth the read to be immersed in this fascinating world.

9. Under Heaven, by Guy Gavriel Kay. Historical Fantasy
10. The Lions of Al-Rassad, by Guy Gavriel Kay. Historical Fantasy
What is most noteworthy about my reading year is that I discovered the beautiful prose of Guy Gavriel Kay. I have to be in a certain mood to read him, but when I am, there is absolutely nothing better.

What books did you read this year that you particularly enjoyed? Please let me know so I can add them to my reading list!

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Some of my favorite novels are ones in which nothing much happens. That’s not to say that nothing at all happens, or that the stakes aren’t sometimes raised, but the story unfolds in a leisurely, unrushed sort of way, allowing me to feel like I’m really getting to know the characters and being allowed to inhabit their lives. In fact, I’m so fascinated by the characters and the setting, I feel wrapped up in a different world and don’t feel the slightest bit bored.

My favorite example of this kind of writing is (no surprise here) Anne of Green Gables and sequels, in which we basically get a window into the life of Anne Shirley and get to watch her grow up. She has victories and struggles, sadness and happiness, and a penchant for getting into scrapes, but there are no real antagonists or villains, no sweeping natural disasters, no explosions. There is the occasional gentle mystery, but that’s about it. I find reading these books to be profoundly restful.

Other examples include the Betsy-Tacy books by Maud Hart Lovelace and much of Jane Austen’s oeuvre, Little Women and even Jane Eyre. I wonder if Ishiguro’s The Remains of the Day could also fall in this category; indeed, perhaps that is part of the reason why I love it so much. Dramatic events happen but there’s plenty of time for the build-up to them and ample space to discuss social events, meals, and daily life.

These books are in stark contrast to the plot-driven fast-paced novel that is currently in vogue (at least in my part of the literary world). Cut cut cut, the advice for writers says. Every scene has to move the plot forward. Commercial fiction needs an antagonist, or maybe even a series of antagonists that lead up to the final Big Boss. I can read a screenwriting manual like Save the Cat! and find it completely relevant to novel-writing because so many novels feel at least somewhat like long-form movies, except instead of fancy cinematography they have ripples of beautifully garlanded prose. Meanwhile, these slow-paced books I’m talking about? They’re made into mini-series and too many versions of artsy costume films.

I want more of these books I love. I want to read books that have a plot but aren’t raising the stakes every five minutes. I want to read books that don’t have predictable plot twists because there aren’t so many plot twists to fit in, and that don’t have cliffhangers at each chapter ending because they are relying on enchantment rather than adrenaline to keep you reading. I want to read books that, while they don’t go off on hundred-page-long tangents like Hermann Melville is famous for doing, meander a little bit on their way to the ending. I want comfort food books in which nothing too awful happens, or at least, not too terribly often. I want more Agatha Christie novels in which, inevitably, justice is served in the end, and even in the face of brutal murders, characters carry on having dinner parties and taking care of their mustaches. I want more screwball comedies like To Say Nothing of the Dog in which the main character can’t remember what he is to do, takes a lazy trip down the Thames, returns a cat, and has to engage in some complicated matchmaking. Sure, the stakes are that the entire fabric of time could unravel, but did anyone feel really worried that such a thing would actually happen? I know I didn’t.

I don’t know if this desire makes me old-fashioned or out of touch. I’d like to think that somewhere out there is a cohort of readers who want the same things I want, who sometimes like to take a break from the page-turners and convoluted plot machinations, or the implausible series of misunderstandings and caricatured character flaws that so often characterize a less plot-driven novel. I’d like to think that this is why novels like Pride and Prejudice are still so popular.

But don’t mind me. I’ll just be curling up by the fire with A Civil Campaign by Lois McMaster Bujold. Or maybe Among Others by Jo Walton, which is my new comfort book find of the year.

Have any comfort reading recommendations? Think I’m crazy to not always want the stakes raised? Please share.

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I’ll be at World Fantasy Convention in San Diego for the rest of the week, so if you’re also here, please feel free to find me and say hi! I’ll be participating in the Crossed Genres reading on Sunday at 10am (suite number not yet announced), so if you want to be able to say you witnessed my very first reading ever, you know where to be.

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