Feeds:
Posts
Comments

Many years ago, when I was just starting up my music teaching studio, a friend and I would get together every Thursday morning to talk about writing. Sometimes we wrote to prompts when we were together, sometimes we shared what we’d been working on, sometimes we just talked. I was writing in a somewhat desultory way, since my main focus at the time was still music. But even so, I loved writing and I had the vision of seven-year-old me in the back of my mind.

My friend and I both read Carolyn See’s Making a Literary Life and then discussed it. And we decided to implement its advice on charming notes.

Photo Credit: LarimdaME via Compfight cc

What is a charming note? Exactly what it sounds like. Every week, each of us would choose one writer to whom we’d write a letter telling them how much their work had meant to us. We bought pretty paper on which to write these letters when we couldn’t get our hands on the relevant email addresses, and we began sending them out.

There is something very uplifting about writing to someone unknown to you and telling them something both true and kind for no other reward than the joy of doing it.

I was reminded of the charming note ritual a few weeks ago when Jonathan Carroll talked about a charming note he once sent, and the response he received. It made me glad all over again that I had written those letters, and I wondered if maybe I could start writing them again, especially now that more writers have email addresses and websites so I can avoid the hassle of buying new stationary and remembering to purchase stamps more regularly.

Because charming notes matter. I know how much they matter. Jonathan Carroll said, “It’s a very important thing to tell someone what they do genuinely matters to you. Especially artists, who work so much of the time in solitude and receive little feedback other than reviews.” It means so much to know your efforts have been genuinely appreciated. It means so much to hear how you’ve helped someone or inspired someone or given that person something to love.

When I’m working, I’m alone (except for the little dog fast asleep beside me). When I’m writing a novel, it can be months and months before anyone gets to see any of the results of my time, and even then, they are often reading it as a favor to me so they can tell me how to make it better. So much of my work goes on in my own head, a huge contrast from the days when I spent hours of my time engaged in face-to-face teaching. I often can’t see the effect I’m having with my words. So when someone makes the effort to write me a note or leave a thoughtful comment, whether it’s about my blog or a short story, they allow me to see my work from a completely different perspective. They give a new meaning to the words I have shared with the world. And they inspire me to continue to write. Such is the power of the charming note.

I wonder who I’ll write to next.

 

People will try to take your voice away.

They will try to make you shut up if you are different than them, if you have a different opinion than them, if you are engaging with an idea that makes them uncomfortable, if you are a woman, if you are below a certain age or above a certain age, if you have a darker skin color, if you are gay, if you belong to a different religious or political group, if the things you believe to be important are not the same things that they believe to be important.

People will try to take your voice away.

They will mock you, harass you, and make fun of you and what you are trying to say. They will tell you that women are inherently not as smart, talented, important, or fill in the blank as men. They will ask you why you have to think the way you think, why you have to ask the questions you’re asking, why you have to pick everything apart. Leave well enough alone, they tell you. You’re reading too much into it, they say. Be grateful for what you have. As if gratitude for the good requires a blanket of silence. (Anyone who tells you that you should be grateful has an agenda, and it’s not one that involves being particularly kind to you.) They will say that you are whining or bitchy or too negative.

People will try to take your voice away.

They will reward you for your silence. They will reward you for smiling, for agreeing, for not bringing it up, for being the nice one or the good one. You will get to avoid conflict and uncomfortable silence (until you start to realize that uncomfortable silence is not really all that bad a price to pay in order to refuse to be smothered). You will feel like one of the group, you might even be able to pretend that these people are your friends. (Except real friends will not try to pressure you into silence. They might change the subject or say they prefer not to discuss a specific topic, but they won’t try to make you feel small. And if they slip up, they will apologize.)

People will try to take your voice away.

They will feign ignorance, or maybe they genuinely will not understand how toxic they are being. They will be doing it for your own good. They will mean well. They won’t even notice. They will do some nice things for you, and you won’t realize your voice has died down to an inaudible whisper. Eventually you will internalize their voices and be harsh with yourself for doing positive activities like engaging in critical thinking. Their attempts to keep you quiet will become your own attempts to silence yourself.

People will try to take your voice away. But you don’t have to let them. You can keep talking, keep writing, keep singing, keep questioning, keep engaging, keep thinking, keep pushing out of your comfort zone. You can keep asking why: Why does the new Dove ad campaign make you uncomfortable? Why are you being criticized for doing something you didn’t do? Why do you like what you like and dislike what you dislike?

In both singing and writing, finding your voice is so important. Once you’ve found it, cherish the discovery and don’t let anyone take it away from you.

I’ve been going through a bunch of my boxes of old memorabilia, trying to consolidate and store stuff in boxes that aren’t collapsing from age. It has proven to be a fascinating experience–albeit an allergy-inducing one–punctuated by shrieks whenever I come across an unexpected bug. Good times, good times.

In the excavation process, I found something I thought was lost in the mists of time forever: my first book. Written when I was seven years old, it is called “The Princess and the Cave” and reflects my undying love for fairy tales, and also probably for The Princess and the Goblin, which I believe I’d read shortly before writing my own story. Here is the cover:

The Princess and the Cave

 And here is a taste of the artwork inside:

Amy's cave drawing

We can see two things from these photos: first, that I was fascinated with the idea of caves, and second, that it’s not surprising I didn’t go on to have a career in the visual arts.

I loved writing “The Princess and the Cave” so much that I promptly sat down and wrote a second book:

Too Much CandyI find these books to be noteworthy because it was when I was writing them for a classroom assignment that I understood that the books I loved to read were actually, really truly written by other people. And I decided that when I grew up, I wanted to be an author.

I never changed my mind. I decided I wanted to be a musician too, and I devoted many years of my life to primarily focusing on music. But even then, I was writing bad poetry or memoirs or short stories or lyrics or the book of a musical. And I always held onto the idea in the back of the mind that one thing I wanted to accomplish in my lifetime was to write a novel. I thought I might not do it until I was fifty (I’m glad I was wrong about that), but it was always a part of my vision for my life.

Having a vision for our lives can be so powerful, whether the vision was formed when we were seven or it’s brand new. A vision can give us purpose and direction, something to aim towards as we make the decisions that shape our lives. And in times of change, it’s the powerful vision of what we’re striving for that carries us through. I’m not talking so much about visualizing what we want, which some research shows actually makes us less effective at carrying out our plans. Rather, I’m talking about knowing what we want (or learning what we want if we don’t already know) and believing it could become a reality.

We can become so limited by what we believe to be impossible. Obviously we aren’t capable of every thing under the sun, and sometimes we don’t want to set the corresponding priorities or make the sacrifices necessary to make something possible, and that’s fine. That’s different than experiencing a failure of imagination, imagination being the capacity that perhaps allows us to have vision in the first place. We get to choose our vision, after all. But we can become stifled by a narrow view, or by exhaustion, or by fear.  We can forget that so many amazing dreams are worthwhile not so much because of the end result (although that can be quite nice, of course) but because of the journey we take to follow them.

Do you have a vision for your life?

 

I really like the metaphor of the phoenix for transformation.

I remember learning about metamorphosis in grade school, and being excited I could remember how to spell it. (I had a happy gift for spelling.) The caterpillar stuffs its little self as full as can be, and then it spins a warm, comfy cocoon. I imagined it sleeping inside, engaged in curious caterpillar dreams, until one day it would wake up and break free, transformed. It sounded so easy.

That’s why I like the phoenix. The phoenix doesn’t have it easy at all. When it’s time for the phoenix to change, it literally bursts into flames. Being burnt to ash has to be excruciating. And there might very well be some uncertainty involved as well, because what if it doesn’t work this time? What if the phoenix does not become reborn? And even if it does, what if it’s different in some critical and upsetting way? What if it is no longer its self? What if it’s lost something valuable in the process of being reborn?

Photo Credit: Ryan McCurdy via Compfight cc

So often, that’s the reality of transformation. We don’t always know exactly what the end result will be. When I sit down to revise a manuscript, I often have the troubling thought, “What if I end up making it worse instead of better?” When I set out to change myself, I can only guess at the ripples that are going to spread out from that change. And those ripples, once they start moving, are extremely difficult, if not impossible, to control. Who knows where they’ll travel or how fast they’ll spread?

What we can know is the process will hurt. It will be uncomfortable. Bursting into flames, even if it’s only metaphorical, is clearly not the easiest path available to us. Excising large portions of a manuscript that represent hours upon hours of effort can be nausea-inducing even while it’s liberating. Any large change is going to require an adjustment period when nothing feels quite as it should. When you rip off the band aid, you take some skin and hair along with it. When you fling yourself into the world newly altered, you flail and whack one or more of your limbs against obstructions that you hoped to avoid or didn’t even know were there.

But the idea of the phoenix also encompasses hope. The phoenix is reborn. It returns renewed and refreshed, brighter and fiercer. It is a thing of beauty and fascination. Through the pain of the fire, the old is burned away, leaving space for something new and wonderful.

“I think it takes a great deal of courage to be one of the people who tries to change the world in some way — I’ve heard too many people say that they’re not trying to change the world, that they’re just trying to entertain (particularly in their writing). But that’s the point of that? If you’re not trying to change the world, what are you doing, and why? I mean, doesn’t the world need changing?”

-Theodora Goss, Magical Women

We are taught to believe that changing the world is difficult, if not impossible. Changing the world, we are led to understand, is something people wish to do in their youths, and at some magical point, we will grow up, realize it’s impossible to create change, and give up our childish idealism.

But we artists, we’re all about changing the world. (And all of us have the capability for being artists inside of us, whether or not we’re creating art professionally.) In fact, art is so much about creating change, about communication, about shedding a different light on a subject, that it seems disingenuous to insist that the only purpose of any given piece of art is entertainment. This is simply not the case the vast majority of the time.

Take the wildly popular Broadway musical The Book of Mormon, for example. It’s by and large a fluffy, crowd-pleasing musical with fairly unexceptional music and a big sense of humor. It pokes fun at the Mormon church with practically every lyric. At first glance it isn’t obviously world-changing. And yet. By the end, the audience is given the impression that while those Mormons are funny folks with lots of hilarious traditions and a bit of hypocrisy thrown in for good measure, they’re basically just like everyone else, good people trying to do good in the world. And I’m sure some audience members have left at the end of the night of theater with a different opinion of the Church of Latter Day Saints than when they walked in.

Photo Credit: an untrained eye via Compfight cc

Now, it might be true that we do not intend change or anything deeper in our work than a romping adventure yarn. We might be unaware of some of the messages we are sending with our stories, our characters, and our imagery. But so many of the choices involved in artistic work either support the status quo or disrupt it. We are changing the way people see the world, even if it’s unconscious on all sides. If we write a series of novels with all active men characters and all passive women characters, then we’re helping to shape our readers’ ideas about gender. If we write and perform songs that glorify hate crimes, then we’re helping our listeners form ideas about what constitutes acceptable behavior.

We are taught that we don’t have power, and sometimes it’s easier to believe that and thus avoid taking responsibility. But the truth is, so many of us have the power to change minds and hearts. And sometimes the most important minds and hearts to change are our own.

I am especially busy this week, I’m afraid, so you only get a short post from me today.

Speaking of busy, Cal Newport says in order to be remarkable, you should try not to be busy. Apparently the work flow of many high achieving individuals is best organized if there is flexibility to allow for times of deep thought/work/flow. Inevitably this means that when such deep work isn’t happening, down time will result. I’m thrilled with this theory, of course, as it justifies some of the work-life balance principles I’ve embraced for years now.

And apparently I haven’t been too busy to have a bit of fun.This first photo shows me giving my first lecture on social media strategy for writers. I gave it at the Rainforest Writers Retreat early in March, and I had a great time and received many interesting questions.

Photo by Patrick Swenson

This next photo shows me up onstage during my first magic show. Unfortunately, the show featured some sexist jokes and banter…but was otherwise entertaining. When I went up onstage, though, I did feel beholden to say that I felt all people had intuition, not just women. No need to either belittle intuition or make it into something it’s not. My friend and I also inadvertently messed up the magician’s trick a little bit, but it all worked out, so all’s well that ends well, right?

Fancy!

Fancy!

And this photo is from my recent visit to Valve up in Seattle, where my friend was kind enough to give me a tour.

It's adorable!

It’s adorable!

And finally, Nala looks skeptical.

Nala the Hound looking skeptical

Enjoy the rest of your week!

I am not Sorry

I am tired of apologizing.

Expressing empathy and sympathy? I’m all over that. But I’ve spent way too much of my energy apologizing for things that have nothing to do with me.

And you know what? I’m not sorry.

  • I’m not sorry that I may have different priorities than other people .
  • I’m not sorry that I have things I want and things I need.
  • I’m not sorry that I want to be treated with respect and consideration.
  • I’m not sorry for the life choices I’ve made, even if people don’t agree with them or understand them.
  • I’m not sorry that I don’t want to discuss my financial situation with strangers.
  • I’m not sorry that I have a different sleep schedule from the norm.
  • I’m not sorry that the ways in which I spend my time are not obvious.
  • I’m not sorry that I notice and sometimes point out sexism and misogyny in media.
  • I’m not sorry for my own opinion and assessment of myself.
  • I’m not sorry when I choose to say no.
  • I’m not sorry that I can’t be perfect.
  • I’m not sorry when I refuse to take on other people’s issues willy nilly.
  • I’m not sorry for the existence of my emotions.
  • I’m not sorry for standing up for myself.
  • I’m not sorry for communicating.
  • I’m not sorry for being complicated.
  • I’m not sorry that we don’t have every single thing about ourselves in common.
  • I’m not sorry when people won’t take care of themselves. I feel sad about it, because I know how bad that feels, but I am not responsible for the choices they make and the pain they put themselves through.

This is what it looks like to not be a people pleaser. You start apologizing a lot less frequently. Instead you communicate, and you compromise, and you take responsibility for yourself and your actions, and you surround yourself with people who are willing and able to take responsibility for themselves and their actions, and when you screw up on occasion, you apologize and make amends, and everything works out a whole lot better.

Stop apologizing for yourself. Start living instead.

Follow

Get every new post delivered to your Inbox.

Join 310 other followers